Weird Tales/Volume 28/Issue 3
|A SECRET METHOD FOR THE MASTERY OF LIFE|
| Whence came the knowledge that built the Pyramids and the mighty Temples of the Pharaohs? Civilization began in the Nile Valley centuries ago. Where did its first builders acquire their astounding wisdom that started man on his upward climb? Beginning with naught they overcame nature's forces and gave the world its first sciences and arts. Did their knowledge come from a race now submerged beneath the sea, or were they touched with Infinite inspiration? From what concealed source came the wisdom that produced such characters as Amenhotep IV, Leonardo da Vinci, Isaac Newton, and a host of others?
Today it is known that they discovered and learned to interpret certain Secret Methods for the development of their inner power of mind. They learned to command the inner forces within their own beings, and to master life. This secret art of living has been preserved and handed down throughout the ages. Today it is extended to those who dare to use its profound principles to meet and solve the problems of life in these complex times.
FOUNDER OF EGYPT'S MYSTERY SCHOOLS
|This Sealed Book—FREE|
|Has life brought you that personal satisfaction, the sense of achievement and happiness that you desire? If not, it is your duty to yourself to learn about this rational method of applying natural laws for the mastery of life. To the thoughtful person it is obvious that everyone cannot be entrusted with an intimate knowledge of the mysteries of life, for everyone is not capable of properly using it. But if you are one of those possessed of a true desire to forge ahead and wish to make use of the subtle influences of life, the Rosicrucians (not a religious organization) will send you A Sealed Book of explanation without obligation. This Sealed Book tells how you, in the privacy of your own home, without interference with your personal affairs or manner of living, may receive these secret teachings. Not weird or strange practices, but a rational application of the basic laws of life. Use the coupon, and obtain your complimentary copy.
A MAGAZINE OF THE BIZARRE AND UNUSUAL
REGISTERED IN U.S. PATENT OFFICE
|Volume 28||CONTENTS FOR OCTOBER, 1936||Number 3|
|Cover Design||J. Allen St. John|
|Illustrating a scene in "Isle of the Undead"|
|Isle of the Undead||Lloyd Arthur Eshbach||259|
|An uncanny tale of the fate that befell a yachting party on the awful island of living dead men|
|The Lost Temples of Xantoos||Howell Calhoun||276|
|The Opener of the Way||Robert Bloch||277|
|A tremendous tale of dread doom in a forgotten tomb beneath the desert sands of Egypt|
|Witch-Burning||Mary Elizabeth Counselman||288|
|The Lost Door||Dorothy Quick||289|
|An alluring but deadly horror out of past centuries menaced the life of a young American|
|Doom of the House of Duryea||Earl Peirce, Jr.||304|
|A powerful story of stark horror, and the dreadful thing that happened in a lone lodge in the Maine woods|
|The Tree of Life||C. L. Moore||315|
|A tale of the planet Mars and a terrible monstrosity that called its victims to it from afar|
|Red Nails (end)||Robert E. Howard||334|
|A three-part serial story of a weird roofed city and the strangest people ever spawned|
|R. E. H.||R. H. Barlow||353|
|Verse, a tribute to the late Robert E. Howard|
|The Doors of Death||Arthur B. Waltermire||354|
|A strange and curious story about a banker whose only fear was that be might he buried alive|
|The Secret of Kralitz||Henry Kuttner||361|
|A story of the shocking revelation that came to the twenty-first Baron Kralitz|
|Weird Story Reprint:
The Great Keinplatz Experiment
|Arthur Conan Doyle||366|
|A weird-scientific story by a late British writer|
|Our readers exchange opinions about this magazine|
Published monthly by the Popular Fiction Publishing Company, 2457 East Washington Street, Indianapolis, Ind. Entered as second-class matter March 20, 1923, at the post office at Indianapolis, Ind., under the act of March 3, 1879. Single copies, 25 cents. Subscription rates: One year in the United States and possessions, Cuba, Mexico, South America. Spain, $2.50; Canada, $2.75; elsewhere, $3.00. English office: Otis A. Kline, c/o John Paradise, 86 Strand, W. C. 2, London. The publishers are not responsible for the loss of unsolicited manuscripts, although every care will be taken of such material while in their possession. The contents of this magazine are fully protected by copyright and must not be reproduced either wholly or in part without permission from the publishers.
NOTE—All manuscripts and communications should be addressed to the publishers' Chicago office at 840 North Michigan Avenue, Chicago, Ill.
FARNSWORTH WRIGHT, Editor.
Copyright, 1936, by the Popular Fiction Publishing Company,
COPYRIGHTED IN GREAT BRITAIN
WEIRD TALES ISSUED 1st OF EACH MONTH
COMING NEXT MONTH
From the black woods beside the trail rose a shriek of blood-curdling laughter. Slavering, mouthing sounds followed it, so strange and garbled that at first I did not recognize them as human words. Their unhuman intonations sent a chill down my spine.
"Dead men!" the inhuman voice chanted. "Dead men with torn throats! There will be dead men among the pines before dawn! Dead men! Fools, you are all dead!"
Ashley and I both fired in the direction of the voice, and in the crashing reverberations of our shots the ghastly chant was drowned. But the weird laugh rang out again, deeper in the woods, and then silence closed down like a black fog, in which I heard the semi-hysterical gasping of the girl. She had released Ashley and was clinging frantically to me. I could feel the quivering of her lithe body against mine. Probably she had merely followed her feminine instinct to seek refuge with the strongest; the light of the match had shown her that I was a bigger man than Ashley.
"Hurry, for God's sake!" Ashley's voice sounded strangled. "It can't be far to the cabin. Hurry! You'll come with us, Mr. Garfield?"
"What was it?" the girl was panting. "Oh, what was it?"
"A madman, I think," I answered, tucking her trembling little hand under my left arm. But at the back of my head was whispering the grisly realization that no madman ever had a voice like that. It sounded—God!—it sounded like some bestial creature speaking with human words, but not with a human tongue!...
You will not want to miss this grim novelette of stark horror—of the terrible disfigurement inflicted upon Adam Grimm by the dark priests of Inner Mongolia, and the frightful vengeance that pursued his enemy to the United States and tracked him down in the Louisiana woods. It will be published complete in the November issue of Weird Tales:
A fascinating and gripping tale of the blight that fell upon a lovely and beautiful American girl—a tale of Jules de Grandin, ghost-breaker, occultist, and master of the supernatural.
A vivid weird tale about a masquerade ball, and a grim figure clad in formal black, who mingled with the dancers but did not dance.
The strange tale of a man who communed too closely with things from beyond space—a shuddery tale of stark horror.
A grim tale of the weird terror that wrought ghastly death and panic at Brubaker Farm—by the author of "Loot of the Vampire."
A shuddery graveyard tale, through which blows an icy breach of horror, like a chill wind from the tomb.
What ghastly fate pursued the dweller in that vermin-infested old mansion in Louisiana?—the story of a weird doom.
November WEIRD TALES
|Out October 1|
This work is in the public domain in the United States because it was legally published within the United States (or the United Nations Headquarters in New York subject to Section 7 of the United States Headquarters Agreement) before 1964, and copyright was not renewed.
- For Class A renewals records (books only) published between 1923 and 1963, check the Stanford University Copyright Renewal Database.
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Works published in 1936 would have had to renew their copyright in either 1963 or 1964, i.e. at least 27 years after they were first published/registered but not later than 31 December in the 28th year. As this work's copyright was not renewed, it entered the public domain on 1 January 1965.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.