Who's Riding Old Harlequin Now?
They are mustering cattle on Brigalow Vale
Where the stock-horses whinny and stamp,
And where long Andy Ferguson, you may go bail,
Is yet boss on a cutting-out camp.
Half the duffers I met would not know a fat steer
From a blessed old Alderney cow.
Whilst they're mustering there I am wondering here —
Who is riding brown Harlequin now?
Are the pikers as wild and the scrubs just as dense
In the brigalow country as when
There was never a homestead and never a fence
Between Brigalow Vale and The Glen?
Do they yard the big micks 'neath the light of the moon?
Do the yard-wings re-echo the row
Of stockwhips and hoof-beats? And what sort of coon
Is there riding old Harlequin now?
There was buckjumping blood in the brown gelding's veins,
But, lean-headed, with iron-like pins,
Of Pyrrhus and Panic he'd plentiful strains,
All their virtues, and some of their sins.
'Twas the pity, some said, that so shapely a colt
Fate should with such temper endow;
He would kick and would strike, he would buck and would bolt —
Ah! who's riding brown Harlequin now?
A demon to handle! a devil to ride!
Small wonder the surcingle burst;
You'd have thought that he'd buck himself out of his hide
On the morning we saddled him first.
I can mind how he cow-kicked the spur on my boot,
And though that's long ago, still I vow
If they're wheeling a piker no new-chum galoot
Is a-riding old Harlequin now!
I remember the boss — how he chuckled and laughed
When they yarded the brown colt for me:
"He'll be steady enough when we finish the graft
And have cleaned up the scrubs of Glen Leigh!'
I am wondering today if the brown horse yet live,
For the fellow who broke him, I trow,
A long lease of soul-ease would willingly give
To be riding brown Harlequin now!
'Do you think you can hold him?' old Ferguson said —
He was mounted on Homet, the grey;
I think Harlequin heard him — he shook his lean head,
And he needed no holding that day.
Not a prick from a spur, nor a sting from a whip
As he raced among deadwood and bough
While I sat fairly quiet and just let him rip —
But who's riding old Harlequin now?
I could hear 'em a-crashing the gidgee in front
As the Bryan colt streaked to the lead
Whilst the boss and the niggers were out of the hunt.
For their horses lacked Harlequin's speed;
The pikers were yarded and skies growing dim
When old Fergie was fain to allow:
'The colt's track through the scrub was a knocker' to him —
But who's riding brown Harlequin now?
From starlight to starlight — all day in between
The foam-flakes might fly from his bit,
But whatever the pace of the day's work had been,
The brown gelding was eager and fit.
On the packhorse's back they are fixing a load
Where the path climbs the hill's gloomy brow;
They are mustering bullocks to send on the road,
But — who's riding old Harlequin now?
This work is in the public domain in Australia because it was created in Australia and the term of copyright has expired. According to Australian Copyright Council - Duration of Copyright, the following works are public domain:
- published non-government works whose author died before January 1, 1955,
- anonymous or pseudonymous works and photographs published before January 1, 1955, and
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This work is also in the public domain in the United States because it was first published outside the United States (and not published in the U.S. within 30 days), and it was first published before 1989 without complying with U.S. copyright formalities (renewal and/or copyright notice) and it was in the public domain in Australia on the URAA date (January 1, 1996). This is the combined effect of Australia having joined the Berne Convention in 1928, and of 17 USC 104A with its critical date of January 1, 1996.
Because the Australian copyright term in 1996 was 50 years, the critical date for copyright in the United States under the URAA is January 1, 1946.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
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This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
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