CHAPTER XV.
THE HOME OF THE PAST.
Mr. and Mrs. Wyllard and Heathcote walked on together to a quiet street near the Madeleine, a street of offices and wholesale traders.
The house in which Mr. Wyllard had occupied the ground floor was one of the best in the street, a large stone-fronted house, with a high doorway and carved columns—not so richly decorated as those palatial dwellings of Haussmannised Paris, built during the Second Empire, but a handsome and somewhat florid style of house notwithstanding. It stood at the corner of a narrow court, leading no one cared where. Doubtless to some obscure slum in which the working classes had one of their nooks—those hidden colonies which lurk here and there behind the palaces of great cities.
The ground floor was no longer the home of finance and grave transactions. The house in which Julian Wyllard had schemed and laboured was now occupied by wholesale dealers in foreign goods of all kinds, from china to toys, from travelling-bags to Japanese tea-trays, chinoiseries, unbreakable glass, German lamps, English electro-plate. The house had become one huge bazaar, which a stranger might enter without much ceremony; albeit there is a strict etiquette in such establishments, and no retail purchases were permissible. Only the trade was allowed to buy anything in that dazzling chaos of small wares.
While all the upper floors had been made into warehouses, the lower floor had been in somewise respected. The rooms in which Julian Wyllard had worked were used as offices by Messrs. Blümenlein Brothers, while one of the brothers had made his nest in Julian's old rooms at the back of the offices.
"Upon my word, Dora," said Wyllard, pausing on the threshold of his old abode, "I feel that we are going into this house on a fool's errand. I don't know what excuse to make."
"Why make any excuse at all?" replied his wife. "Leave the whole business to me, Julian. I want to see your old home, and I am determined I will see it. I am not at all afraid of Messrs. Blümenlein."
"In that case I will leave you and Heathcote to manage the matter between you," said Wyllard, with a sudden touch of impatience, of anger even, his wife thought. "I have a business call to make near here. Heathcote will take you back to your hotel."
He turned on his heel, and was gone before Dora could make any objection. Again she had seen that dark look in his face which had so startled and shocked her in the yew-tree arbour. Was it indeed jealousy of her old lover which so changed him? Her pride revolted at the idea of such want of faith in one to whom she had given so much.
She allowed no sign of disquietude to escape her, but went quietly into the office of Messrs. Blümenlein, followed by Heathcote.
"Pardon me for intruding upon you, gentlemen," she said in French to the two clerks who were seated at a desk in this outer room. "These offices were some years ago occupied by my husband, and I should esteem it a favour if you would allow me to see the rooms on this floor."
A middle-aged man, who was standing near a window looking through some papers, turned at the sound of her voice, and came over to her.
"With pleasure, Madame," he said. "Have I the honour of speaking to Mrs. Wyllard?"
"Yes, Monsieur, I am Mrs. Wyllard. You were my husband's immediate successor in these rooms, I conclude?"
"Yes, Madame, there was no other occupation. My brother and I bought this house in 'seventy-one, almost immediately after the war; but Mr. Wyllard was the occupant of this floor for some years after we were in possession."
"Exactly two years," said a second Mr. Blümenlein, appearing from an inner room. "Is it possible that Madame has not before seen these rooms, in which her distinguished husband transacted so much important business?"
"No, Monsieur, this is my first visit to Paris since my marriage. I am much interested in seeing these rooms."
"It will be an honour and a pleasure to us to show them," said the elder of the two brothers. "Gustav there, my younger brother, enjoys the possession of the private apartments almost exactly as Mr. Wyllard left them. He bought the furniture and fittings, pictures, bronzes, everything except the books, en bloc, when Mr. Wyllard gave up his Parisian establishment. Hardly anything has been altered. These offices can have little interest for you, Madame. They are the facsimile of a thousand other Parisian offices. But the private apartments have a certain individuality. Gustav, show Madame the rooms which were once her husband's home."
There was a touch of German sentimentality about Mr. Blümenlein, in spite of his Parisian training. He was full of sympathy for the affectionate wife. He had lofty ideas about the sanctity of home.
The younger brother, Gustav, opened a padded door, and admitted the two visitors into his bachelor nest.
The first room which they entered was the library, lined from floor to ceiling with book-shelves, and lighted by a large skylight. It was a room that had been built out into a yard. It was furnished with carved oak, in the Henri Deux style, rich, antique, solid. The clock upon the chimney-piece was a gem of mediæval metal-work. The covers of chairs and sofas were of old tapestry, sombre, genuine, artistic.
Adjoining this was the salon and dining-room in one, plainly furnished in the modern style. The walls were decorated with etchings of the most famous pictures of the Second Empire. It was a small room; an almost severe simplicity was its chief characteristic. Nothing here assuredly of the sybarite or the voluptuary, thought Edward Heathcote, as he contemplated the home of his rival's solitary manhood.
Bedroom and bathroom completed the suite of apartments, and even to these Mrs. Wyllard and her companion were admitted.
The bedroom was spacious, lofty, handsomely furnished in a solid and sombre style. But it was not a cheerful room. It was situated at the back of the house, and its windows, deeply recessed and heavily curtained, derived their light from a narrow court. The lower part of each window was of ground-glass; the upper sashes were violet-tinted, and gave an artificial colour to the daylight. The curtains were of dark-brown damask; the ponderous armchairs and sofa were upholstered in dark-brown velvet.
By the fireplace there was the secrétaire at which Julian Wyllard had worked, the large shaded lamp which had lighted his evening toil. Mr. Blümenlein showed these things with pride. Nothing had been altered.
"I am a man of somewhat studious habits, like Mr. Wyllard," he said, "and I often work late into the night. This room is a delightful room, for none of the noises of Paris penetrate here. The court is very little used after dark—a passing footstep, perhaps, once in half an hour. It is an almost monastic repose."
The bed was in an alcove in a corner, entirely shrouded by brown damask curtains like those which draped the windows.
"There is a door leading into the court, I see," said Heathcote, whose keen eyes had scrutinised every feature of the room.
"What, you have perceived that!" exclaimed Mr. Blümenlein, with marked surprise. "I thought it was quite hidden by the curtains."
"No, the top of the upper hinge is just visible above the curtain-rod."
"Strange! No one ever before noticed that door."
"It is not a secret door, I suppose?" said Heathcote.
"Certainly not. But it has never been used in my time, and I doubt if Mr. Wyllard made much use of it," said Mr. Blümenlein, drawing back the curtain. "The bed stood in his time just where it stands now, with the head against the door."
"The bedstead is light enough to be moved easily if the door were wanted," suggested Heathcote.
It was a small brass bedstead of English make. The voluminous curtains made a kind of tent, independent of the bedstead.
"No doubt it could," replied Blümenlein, "but I fancy it could have been no more wanted in Mr. Wyllard's time than it has been in mine. It may have been made by some former inhabitant of these rooms, who wanted free egress and ingress at any hour of the night, without exciting the curiosity of the porter."
"You conclude, then, that the door was an after-thought," said Heathcote, "and not in the original plan of the house."
"Decidedly. You will see how ruthlessly it has been cut through dado and mouldings. An after-thought evidently."
Mr. Blümenlein pulled aside the bedstead and showed Mr. Heathcote the door. It was a low narrow door, of plain oak, without panelling or ornamentation of any kind. The fastening was a latch-lock, a Bramah, with a small key, and a strong bolt secured the door on the inner side.
"A convenient door, no doubt," said Heathcote, "for a person of secret habits."
Dora looked lingeringly round the room. Its gloom oppressed her. The opaque windows, the tinted light from the upper sashes, the sombre colouring, the heavy furniture—all contributed to that gloomy effect. The only spot of brightness in the room was the writing-table, with its brass fittings, its handsome brass lamp, and large green shade. There her husband sat night after night, when the rest of Paris was gyrating in the whirlpool of fashionable pleasure, light as autumn leaves dancing in the wind. There he had sat brooding, calculating, plotting, striving onward, in the race for wealth. It was for money he had toiled, and to make a great fortune—not for science, or art, or fame—not to be useful or great—only to be rich. It seemed a sordid life to look back upon—a wasted life even—and Dora thought regretfully of those long evenings spent in this gloomy room. The idea of that monastic life had no charm for her. She would rather have heard that her husband had been the light of an intellectual circle—the favourite of fashion even. The picture of these studious nights spent in brooding over the figures in a share-list, the pages of a bank-book, chilled her soul.
And yet, in the maturity of his days, her husband had seemed to her the most generous and high-minded of men, setting but little value upon his wealth, caring nothing for money in the abstract.
"At the least he has known how to use his fortune nobly," she told herself, as she turned to leave that gloomy bedchamber. "I, who was born with good means, can hardly understand the eagerness of a penniless young man to win fortune. It is a foolish idea of mine, after all, that there is anything ignoble in working for riches."
"Well, Mrs. Wyllard, has your hero-worship been satisfied? Have you seen enough of the temple which once enshrined your god?" said Heathcote lightly.
"Yes, I have been very much gratified; and I must thank Mr. Blümenlein for his kindness and consideration."
The merchant protested that he had rarely enjoyed so great a privilege as that which Mrs. Wyllard had afforded him; and with exchange of courtesies they parted, on the threshold of the outer office.
Heathcote and Dora walked to the hotel together. It was not a long walk, and it took them only by crowded streets and busy thoroughfares, where anything like earnest conversation was impossible. And yet Edward Heathcote could but remember that it was the first time they two had walked together since Dora had been his plighted wife. Ah, how cruel a pang it gave him to recall those old days, and to remember all she had been to him, all she might have been, had Fate used him more kindly!
He stole a look at the beautiful face as they walked slowly across the Place Vendôme. Yes, she was no less lovely than of old; her beauty had ripened, not changed. There was a more thoughtful look, there were traces even of care and sorrow; but those indications only heightened the spirituality of the face.
O, what worship, what devotion he could have given her now in the bloom of her womanhood, in the maturity of his manhood—such whole-hearted, thoughtful love as youth can never give! And it was not to be. They were to be apart for ever, they two. They were to be strangers; since this assumption of friendship, to which he had tried to reconcile himself, was, after all, but a mockery. Chivalrous feeling might keep his thoughts pure, his honour unspotted; but in his heart of hearts he loved his first love as passionately as in the days of his youth.
And to-day, for the first time, he had heard her husband address her coldly and curtly, with a touch of anger even.
He was not likely to forget that curt, impatient tone, and the frown that had accentuated it.
"I was very glad to get your letter," she said presently. "Tell me once more with your own lips that you have ceased to suspect my cousin."
"Ceased to suspect would, perhaps, be too strong an expression. But in the discoveries I have made relating to that murdered girl there is certainly nothing that in any way points to Mr. Grahame."
"I wish you would tell me all you have discovered—how near you are to clearing up the mystery."
"I fear I am still very far from that. It is the history of a remote crime which occupies me at the present, and I hope in that history of the past to find the clue to poor Léonie's death. I shall know more in a few days."
"How so?"
"You saw my advertisement in the Times. If that advertisement be not answered within a week, I shall conclude that the man who was to have met Léonie Lemarque on the morning of July 5th has some part in the guilt of her death."
"And then—"
"And then it will be my business or Mr. Distin's business to find that man."
They were at the door of the hotel by this time, and here Heathcote bade Dora adieu.
"We shall meet again before you leave Paris, I daresay," he said. "If Wyllard wants me he will know where to find me."
"You are not going home yet?"
"No; I am likely to stay here some little time."
"And poor Hilda is longing to have you back at The Spaniards. She will not see Bothwell while you are away. She is bound by the promise you exacted from her. Their future home—everything is in abeyance till you return," pleaded Dora.
"The home must remain in abeyance a little longer. It is hard, no doubt; but when I go back I may be able to give Bothwell some substantial help in the matter of that future home."
"He will need only your sympathy and your advice. He can manage everything else for himself."
"I understand. He has been helped already."
"Bothwell has always been to me as a brother and he can never be poor while I am rich," answered Dora, as they shook hands.
Heathcote walked slowly back to the Boulevard, thinking over this unexpected arrival of Mr. and Mrs. Wyllard in Paris. Why had they come? That alleged reason of the picture-sale seemed rather more like an excuse for a journey than a motive. True that Wyllard had been known to go up to London on purpose to attend a sale at Christie & Manson's, and there might, therefore, be nothing extraordinary in his going still further on the same errand. But it was strange that the picture-sale should coincide with Heathcote's presence in Paris. Could it be Dora's eagerness to know the result of his researches that had brought her and her husband to the Hôtel Windsor? Was her impatience the motive of the visit?
Hardly, he thought, for he knew the candour of her nature, and he told himself that she would not have misrepresented the reason of her journey. She had told him that the visit was a sudden whim of her husband's, arising out of his passion for art.
Could it be that Julian Wyllard was so deeply interested in the question of Bothwell's guilt or innocence as to make an excuse for being on the scene of the investigation? He had seemed indifferent almost to unkindness. He had wounded his wife's feelings by his coldness upon this question. And now it seemed to Edward Heathcote that his real motive in coming across the Channel must be to watch the case with his own eyes. His manner to-day, when he inquired about Heathcote's progress, had been seemingly careless: but beneath that apparent indifference the lawyer had noted a keen expectancy, an intent watchfulness. Yes, it was something of deeper moment than a picture-sale which had brought Julian Wyllard to Paris, post-haste, at a day's notice. His angry manner to his wife an hour ago had indicated nervous irritation, a mind on the rack.
Yet, looking at the question from a worldly point of view—and Heathcote considered Wyllard essentially a man of the world—there seemed but little reason why he should be deeply concerned as to whether Bothwell was or was not suspected of foul play in the matter of the French girl's death. The evidence against the young man was of far too slight and vague a character to endanger his life or liberty. It was only just enough to cast a cloud upon his reputation; and that his cousin's husband should put himself out of the way on this account seemed to the last degree unlikely. Julian Wyllard's life, judged as Heathcote judged it, was that of a man who had lived exclusively for himself and his own happiness. An excellent husband to a wife whom he adored, a good master, a liberal landlord; yet a man with whom self had ever been paramount.