LEYVA (1837), Entry of Charles II. into Antwerp, Muss in Honor of Bertall tie Haze (1855), Studio of Frans Floris (1868), Oath of Charles V. (1809), Brussels Museum ; Flem- ish Church in 17th Century (1844-50), Dutch Company in 17th Century (1847). Diirer painting Erasmus (1857), National Gallery, Berlin ; Armourer, Musical Party (1847) ; Frans Floris going to a Festival (1850), Archers' Festival in Honor of Rubens (1851), Antwerp Museum ; Louis XI. and Tristan the Hermit, Synagogue in Prague, Kums Collection, Antwerp ; Artist's Studio (1851), Two Flemish Fishermen Scenes, Huybrechts Collection, Antwerp ; Flemish Inn, Museum Fodor, Amsterdam ; Burgo- master Six in Rembrandt's Studio (1849), Artist's Studio (1850), Prince Gortschakoff, St. Petersburg; Feast of Otto Vaenius (1852) ; Erasmus in his Study (1853) ; Walk outside the Gate, New Year's Day in Flanders, Dii- rer looking at Procession in Antwerp (1855); Grietje, Bagpipers (185G) ; Plantiu and Family going to Church, Episode from Ref- ormation (1857) ; Mary of Burgundy giving to the Poor of Bruges, Sermon of Haem- stedes, Luther as Chorister in Eisenach, Luther's Homo in Wittenberg (1858) ; In- stitution of the Golden Fleece (1859) ; Declaration, Portrait of Quinten Massys (1803), Calvary (1857), Kirmess Scene in Antwerp (1858, fresco in Leys Mansion, Antwerp) ; Four Scenes from History of Antwerp, Allegorical Figures and Portraits of twelve Princes (1864-69), City Hall, Ant- werp. Works in United States : Halt at the Tavern, Historical Society, New York ; Marguerite Leaving Church, August Bel- mont, ib. ; Revival of Catholic Worship in the Low Countries in 1599 by Albert of Austria, D. O. Mills, ib. ; Lucas Cranach painting Portrait of Luther, Education of Charles V., Conferring Citizenship on Pala- vicini, Soldiers' Amusements, W. H. Van- derbilt, ib. ; Luther, G. I. Seney sale, ib. ; Interview, B. Wall, Providence ; The Mes- sage, H. C. Gibson, Philadelphia ; Guard- Room, Mrs. W. P. Wilstach, ib. ; Edict of Charles V. (1859), W. T. Walters, Baltimore. Annuaire de 1'Acad. roy. de Belgiquo (1872), 201 ; Art Journal (1866), 197 ; Ch. Blanc, Art. d. m. Temps, 209 ; Dioskuren (1869), 253 ; Gaz. des B. Arts (1856), xx. 297 ; Illustr. Zeitg. (1872), i. 211 ; Immer- s . 783* zeel, ii. 173 ; Kramm, iv. 970 ; Reber, iii. 84 ; Riegel, Wandmalerei in Belgien, 62 ; Rooses (Reber), 408 ; Rossetti, F. A., 120 ; Van den Branden, 1403 ; Zeitschr. f. b. K, xv. 333, 370. LEYVA, DIEGO DE, Fray, born at Haro, Old Castile, about 1580, diedatMira- flores, Nov. 24, 1037. Spanish school ; Sup- posed to have studied in Rome ; settled at Burgos and married ; after death of his wife became a monk in the Chartreuse of Miraflores (1634), where he spent the rest of his life in religious duties and in paint- ing devotional subjects. Stirling, ii. 732 ; Cean Bermudez. LHERMITTE, LEON AUGUSTIN, born in Mout-Saint-Pere (Aisne), Jan. 31, 1844. Genre painter, pupil of Lecoq de Boisbau- dran. Medals : 3d class, 1874 ; 2d class, 1880 ; L. of Honour, 1884. Works : The Harvest (1874); New Wine ; Washing Sheep; Market in Lauderneau ; Ploumanach's Par- don (1879); The Grandfather (1880) ; Party of Four (1881) ; Harvesters' Wages (1882), Luxembourg Museum ; Harvest-Time, Girl L -LKermHte Sewing (1883) ; The Vintage (1884), William Schaus, New York ; Wine (1885). Bellier, i. 1045. LIBER, ancient pictures. See Echion, Nicias. LIBERALE DI JACOPO DA VERONA, born in Verona in 1451, died there, Aug. 12, 1530. Venetian school ; history painter, pupil of Stefano dai Libri, a miniaturist of Verona, 76
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