Page:Cyclopedia of Painters and Paintings, 1887, vol 3.djvu/193

MADONNA the Child in her arms, standing on clouds, within a glory of cherubim, between two green curtains which are looped back at the sides ; at the left, St. Sixtus (Pope Six- tus IT.), in a white tunic and gold-coloured pallium turned back with purple, kneels in supplication ; on the right, St. Barbara, kneeling and looking downwards ; behind her is her attribute, the tower ; below, a balustrade, upon which two angels loan, both looking upwards ; at left, on the balustrade, is the tiara of St. Sixtus. A rare example of a pict- ure of Raphael's later time, painted entirely by his own hand. No study known to exist. Every form of eu- logy has been exhausted on this incomparable masterpiece. The Ma- donna's beauty is a human beauty, but the Child's is something more the divine nature shines through the mortal frame and illumines it. Here Raphael's work is above all other work. Painted in Rome in 1518 for the Church of the Monas- tery of S. Sisto, Piacenza, where Vasari saw it ; in 1754 the monks sold it for 4:0,000 Roman crowns to Augustus III., Elector of Saxony and King of Poland, who presented to the monastery an old copy by Paris Nogari, which still hangs in the place of the original. Restored by Palmaroli in 1826. Engraved by Miiller ; Tosetti (1821) ; W. Say (1826) ; J. Pavon ; Dessart ; Tliou- venin ; P. W. Meyer ; Nordheim ; Schultz; Boucher-Desuoyers (1841); Steinia (1858) ; Keller. Lithographed by Bodmer ; Hanfstiingl ; Noul ; A. Maurin ; L. Maurin (1842); L. Zoellner ; A. Lecompte. Vasari, ed. Mil., iv. 365 ; Rumour, iii. 131 ; Pas- savant, ii. 278 ; Gruyer, Vierges de Raph- ael, iii. 595 ; Klas. der Malerei ; Gal. roy. de Dresde, iii. PI. 1 ; Kugler (Eastlake), ii. 459 ; Springer (Dohme, 2ii.), 291 ; Mtintz, 518 ; Ch. Blanc, I5cole ombrienue ; Perkins, 188; Hiibner, Dresden Gal., i. 1 ; Liibke, Raphael, 78, 112 ; Ri'veil, x. 739. MADONNA OF SAN ZENO, Andrea Manletjna, S. Zeno, Verona ; large altarpiecc in six parts, figures life-size. The Virgin and Child, enthroned in a classic portico ; to the left, SS. Peter, Paul, John Evangel- ist, and Augustine ; to the right, SS. John Baptist, Lawrence, and Benedict ; about steps of throne, angels dancing, singing, Madonna di San Sisto, Raphael, Dresden Gallery. and playing instruments ; below, iu pre- della, Christ on Mount, Crucifixion, and Ascension. Painted between 1457 and 1459 at the expense of the prothouotary Gregorio Conaro. Taken to Paris in 1797 and re- turned in 1815, excepting the predella, one panel of which (Crucifixion) is iu the Lou- vre, the two others iu Museum of Tours. Predella in S. Zeno is a copy. C. & C., N. Italy, i. 379 ; Burckhardt, 578 ; Gaz. des B. Arts, May 1, 1866 ; Vasari, ed. Mil., iii. 394. 155