sure to bring in at least the friends and relatives of the young actors, and if we give 'em a good show we'll make 'em permanent customers and boosters.
Judy and Spence thinks my idea is the peacock's knuckles, and even them two ten-minute eggs, Nate and Kayo, gives grudging approval. I leave the details to Spence and Judy, as I have got to ready up for my own little playlet with Gunner Slade in which I hope to play the leading part and I need plenty rehearsals for that drama myself!
Well, when Spence pulls the amateur theatrical thing on his girl and boy friends they go double cuckoo over it and there's so many applications that we could of put on Custer's Last Stand and had sixteen more principals than there was in the battle itself. Strangely enough, all the boys want to play the hero and all the girls is strongly in favor of playing the heroine and when I see the trouble Spence and Judy is having trying to keep old friendships and still put the play on, why, I'm glad I'm merely a silent partner in the production. Spence solves the difficulty by sending to New York for a professional director which plays no favorites but picks out for the parts the ones he thinks best suited for 'em and advises the others to buy tickets.
If I had a dollar for every time I have wished I never thought of opening my theatre with a amateur show, there's no sixty banks in the world would be big enough to hold my jack. Battling Luck delivered three punches at me as the net result of that play which cost me a young fortune and come mighty near costing me Judy, the world's championship, and my life!
