he produced a representation of "The Board of Irish Agriculture sowing the Seeds of Progress in Ireland." It was a picture which was full of remarkably fine drawing, as one might expect from one of the best two draughtsmen in Britain, and the nude figure of the lady distributing seed (on the left of the canvas), as well as the two naked babies in the middle, and the black-clothed missioner on the right, were all admirable. But what did it mean? Most English critics were silent on this point, and nobody seems to have troubled Mr. Orpen to explain himself, for, as Wilde wrote to Whistler, "to be great is to be misunderstood." However, the picture was bought for the Adelaide Art Gallery, which is rightly anxious to collect work of the younger artists, and made no mistake in choosing Mr. Orpen as one of the most brilliant among them.
When, however, the picture was hung at Adelaide, the people gasped. Then they wrote to the newspapers. Then artists wrote to the newspapers. Some of them sympathised with the public bewilderment. One of them, the best of Australian water-colourists, bludgeoned the public for their ignorance in not appreciating the colour and drawing of the masterpiece; but he did not insult the picture by saying what it meant, and that was what the public wanted to
