know. . . . Probably the discussion would be going on yet, but the War put an end to it, and the picture in 1915 still adorned the Art Gallery; and we hope it may continue to do so, though it was rumoured that Mr. Orpen had offered to substitute something less recondite. However, this anecdote will perhaps illustrate the vividness of the interest which Adelaide takes in artistic and intellectual movements. It is an interest which may be perceived in its active University, a University that has contributed several first-class men to English Universities, and is no less perceptible in its society which reproduces very closely the social atmosphere of an English University town such as Cambridge. The resemblance becomes closer still if the comparison is made between Adelaide's flowering and tree-shaded suburbs and the residential environs which stretch away from the University town at home.
Such is Adelaide. Beyond and outside it, and on the farther side of the tree-covered barrier of hills is rural South Australia, which, if one were to indicate on a map, one might shade off to the northward as the population grew less dense and the region of widely separated sheep stations became more prevalent. As the herbage grows more scanty and the water supply more precarious, the sheep stations themselves become
