English. Of these perhaps the most noteworthy is "Maître Adam, le Calabrais," which is unknown to many of the admirers of the romancer, even to those who pursue him in the huge list of Calmann-Lévy. According to his witty epilogue, Dumas first heard the story from the lips of a peasant at Mugnano; but the intimate knowledge of Calabrian life, customs, and superstitions displayed suggests the assistance of Fiorentino, Dumas's Italian assistant. The result is an admirable story, told in most humorous fashion.
The "Maître d'Armes," the second book of this trio, Mr Saintsbury has pronounced "very poor stuff." Yet it was translated by a peer of the realm, and has been issued also for the use of schools. We fancy that on this occasion our author is to be taken more literally than usual in his explanation of the story's origin. Dumas supplied an introductory page to his friend Grisier's journal of a visit to St Petersburg, and possibly selected passages and rewrote them. "The public are warned that nothing of what follows is mine," writes Dumas, "not even the title." That is plain enough, and the internal evidence proves it. The story of the exiling of a Russian noble for complicity in the plot of 1825,[1] and of the devotion of the mistress who followed him to far Siberia, forms only a minor portion of
- ↑ The plot forms the subject of Jokai's romance, "The Green Book."
