the book, and is not developed, as Dumas would have found himself forced to develop anything of his own. It may be added, that during his travels in Russia in 1858, our author was introduced to the hero and heroine of the adventure. The book had the honour of being forbidden in Russia.
The remaining work of this year was "Le Capitaine Pamphile," which narrates the adventures of a sort of nautical Crusoe in northern America. It should appcal particularly to children, for whom it was written, and if the entertaining digressions respecting the author's pets be forgiven or skipped, the rest of the book will be found capital reading. The note of humour in Dumas, which appears first in this book and in "Maître Adam," is not too frequently present in his later works.
Yet it is rather gaiety than any other quality which pervades the only attempt at story-telling made by Dumas during 1841 and 1842. It may be remembered that he was busy writing his three comedies for the Théâtre Français at this time. and also his "Impressions de Voyage" in the south of France and Mediterranean. At Marseilles, Dumas and his friend Méry enjoyed an experience which each utilised in his own way. Hayward, in his essay on our author, says, "One of the most amusing stories composed by Dumas is 'La Chasse au Chastre,' in which he depicts the trials and perils
