into which a worthy professor of music is hurried, by the reckless pursuit of a field-fare." Gautier in one of his books refers to "that chastre, whose adventures Dumas has told so vivaciously and wittily." The two authors heard the story from the lips of the unfortunate musician himself, and "de Mirecourt's" assertion that Dumas stole the tale from Méry is disproved by that writer in the preface to his own version.
"Le Chateau d'Eppstein" or "Albine" was the outcome of a social gathering at Florence in 1841, and was told to Dumas and the company by one of the guests. That is our author's explanation: his "commentators" declare "Albine" to be a story of the Rhineland (title and author not given). "Jacquot sans Oreilles"—not, one is disappointed to find, a pillorying of M. "de Mirecourt"—was similarly "supplied" to Dumas by an officer whose acquaintance he made during his Russian travels in 1858. The "Aventures de Lyderic" which appeared in 1842, is the story of Siegfried, made familiar to the public by Wagner.
We now enter upon the most important period of our author's career as a writer of romance. Up to this time he has possessed some very praiseworthy ideals, but has failed to devote much care—except, perhaps, in the case of "Acté"—to the realisation of them. We have seen him displaying wit and
