action, to prove that his ancestor was not one of Henri's mignons. The trial showed the collaborators to be right, even in this trifling respect!
The closing scene of the book—the death of Bussy—draws this warm tribute from Mr Lang:
"I know four good fights of one against a multitude. These are the Death of Gretir the Strong, the Death of Gunnar of Lithend, the Death of Hereward the Wake, and the Death of Bussy D'Amboise."
"Le Bâtard de Mauléon," or "The Half-Brothers," was written, as we know by a passage in the "Histoire de mes Bêtes," in the château of Monte Cristo, by Dumas and Maquet; and the dog Mouton, a new recruit for the menagerie of the "palace," was woven into the story by his master. The scene on this occasion is laid in Spain, in the days of Du Guesclin and the Black Prince; and those interested in comparing the methods of romancists should read Dr Doyle's "White Company," which is of the same period, and into which many of the same characters are introduced. Froissart's chronicles formed the base for Dumas's story, and even Agénor de Mauléon himself is to be found in the pages of the old chronicler. In spite of some "purple passages," however—Mr Saintsbury instances Du Guesclin's negotiations with the Free Companies, and the
