battle of Najara—this story of the days of Don Pedro the Cruel has not the best qualities of its author, for which, perhaps, we may blame the uncongenial time and place. Quérard states that the end is wholly Maquet's.
There remains for 1846 "Les Deux Diane," which, if a certain letter from Dumas be not a forgery, was entirely the work of M. Paul Meurice. It is probable, however, that the plot is "the master's." The style is certainly not Dumas's, being entirely sentimental, and the romance is said to have been suggested by "Une Fille Naturelle," by one Félix Davin.
Our readers will remember that in the autumn of this year Dumas departed hurriedly for Madrid, accompanied, it is true, by Maquet, but bent upon pleasure-seeking and the pursuit of material for further "Impressions de Voyage." "Joseph Balsamo" ("The Memoirs of a Physician"), which was appearing serially, suddenly suspended publication, leaving young Gilbert, the hero, lying senseless in the road whilst his thoughtless creator "did" Spain and Algeria. The unfortunate youth remained in this inconvenient position until Dumas restored him to life on his return. This suspension of consciousness suggests the magnetic trances of which our author so frequently makes use in this story. He has told us (in "Bric-à-Brac")
