Page:Wanderings of a Pilgrim Vol 1.djvu/298

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rustling of the leaves sounds like the falling of rain; this is accounted for by the almost constant trembling of its beautiful and sacred leaves, which is occasioned by the great length and delicacy of the foot stalks; whence it is called Chalada, or the tree with tremulous leaves. The leaves are of a beautiful bright glossy green, heart-shaped, scalloped, and daggered; from their stalks, when gathered, a milky juice pours out; on wounding the bark of the trunk this milk is also poured out, with which the natives prepare a kind of birdlime.

There is a remarkable similarity between the Ancient Britons and the Hindoos: on the sixth day of the moon's age, which is called Aranya-Shashti, "women walk in the forests, with a fan in one hand, and eat certain vegetables, in hope of beautiful children. See the account, given by Pliny, of the druidical misletoe, or viscum, which was to be gathered when the moon was six days old, as a preservative from sterility[1]." The Hindoo women eat the fruit of the peepul tree, and believe it to have the same wondrous qualities. There is another similarity between the hill tribes and the Ancient Britons, which will be mentioned hereafter. The peepul is sacred to Vishnoo, one of the Hindoo Triad; they believe a god resides in every leaf, who delights in the music of their rustling and their tremulous motion.

During the festival of the Muharram, the followers of the prophet suspend lamps in the air, and in their houses, made of the skeleton leaves of the peepul tree, on which they paint figures; some of these lamps are beautifully made; no other leaves will form such fine and delicate transparencies; I have tried the large leaf of the teak tree, but could not succeed as well with it as with that of the ficus religiosa. The Chinese paint beautifully on these leaves, first putting a transparent varnish over them. At Schwalbach, in Germany, I purchased skeleton leaves of the plane, in the centre of which the figure of Frederick the Great was preserved in the green of the leaf, whilst all around the skeleton fibres were perfect; how this is accomplished, I know not. The skeleton leaves are very beautiful, and easily prepared[2]".

  1. Vide Moor's Pantheon.
  2. Appendix, No. 19.