A Dictionary of Music and Musicians/Beethoven, Ludwig van, catalogue
Catalogue of Beethoven's printed works, compiled from Nottebohm's Catalogue (B. & H. 1868), the Letters, the Works themselves, and other sources.
PF. = Pianoforte. V. = Violin. Va.= Viola. C. = Cello. Cbass = Contrabass. Clav. = Clavecin. Clar.= Clarinet. Ob. = Oboe. Fl.= Flute. Orch. = Orchestra. Aut. = Autograph, ann. = announced. arrt. = arrangement.
I. WORKS WITH OPUS NUMBERS.
| Op. | Description. | Composed. | Original Publisher. | Dedicated to |
|---|---|---|---|---|
| 1 | Three Trios, PF. V. C. (E♭, G, C minor). (For No. 3 compare Op. 104.) | Before April 1795. | Artaria, Vienna, about Ap. 1795. | Pr. Carl von Lichnowsky. |
| 2 | Three Sonatas. Clavecin or PF. (F minor, A, C). (For No. 1 see No. 152). | . . . . . . | Artaria Vienna Mar 9 1796. | Joseph Haydn. |
| 3 | Grand Trio, V. Va. C. (E♭) possibly the result of an attempt at a string quartet. | 1792, at Bonn.—Aut. S. Thalberg. | Artaria, Vienna, Feb. 8, 1797. | |
| 4 | Grand Quintet V. V. Va. Va. C. (E♭). An arrt. of the original Op. 103. | . . . . . . | Artaria. Vienna, Feb. 8, 1797. | |
| 5 | Two Grand Sonatas, PF. C. (F, G minor). | . . . . . . | Artaria, Vienna Feb. 8 1797. | Frederick William II, King of Prussia. |
| 6 | Sonata 4 hands, Clav. or PF. (D). | . . . . . . | Artaria, Vienna, 1797 | |
| 7 | Grand Sonata, Clav. or PF. (E♭). | . . . . . . | Artaria, Vienna, Oct. 7 1797. | Countess Babette von Keglevics. |
| 8 | Serenade V. Va. C. (D). See Op 42. | . . . . . . | Artaria, Vienna ann. Oct. 7 1797. | |
| 9 | Three Trios, V. Va. C. (G, D, C minor). | . . . . . . | Traeg, Vienna, ann. July 21, 1798. | Count von Browne (with preface). |
| 10 | Three Sonatas, Clav. or PF. (C minor, F, D). | Before July 7, 1798. | Eder, Vienna, ann. Sept. 26. 1798. | Countess von Browne. |
| 11 | Grand Trio, PF. Clar. (or V.) C. (Bb). | . . . . . . | Mollo, Vienna, ann. Oct 3 1798. | Countess von Thun. |
| 12 | Three Sonatas, Clav. or PF. V. | . . . . . . | Artaria, Vienna, ann. Jan. 12 1799. | A. Salieri |
| 13 | Grand Sonata pathétique Clav. or PF. (C minor). | . . . . . . | Eder, Vienna, 1799 | Pr. Carl von Lichnowsky. |
| 14 | Two Sonatas, PF. (E, G). | . . . . . . . | Mollo. Vienna, ann. Dec. 21, 1801. | Baroness von Braun. |
| 15 | Grand Concerto, PF. and Orch. (C). (Really the second.) | At latest 1796.—Aut. C. Haslinger, Vienna. | Mollo, Vienna, Mar. 1801. | Princess Odenscalchl, née Keglevics. |
| 16 | Grand Quintet. PF. Ob. Clar. Bassoon, Horn or V. Va. C. (E♭). Arrd. by Beethoven as a Quartet for PF. V. Va. C. Also arrd. as String Quartet and marked Op. 75. | Before April 6, 1797. | Mollo, Vienna, Mar. 1801. | Pr. Schwarzenberg. |
| 17 | Sonata, PF. Horn, or C. (F). | Before April 18, 1801. | Mollo, Vienna, Mar. 1801. | Baroness von Braun. |
| 18 | Six Quartets. V. V. Va. C. (F, G, D, C minor, A, B♭). | Nos. 1 and 6 in 1800. | Mollo, Vienna. Pt. I (1–3), Summer, 1801; Pt. II (4–6), Oct. 1801. | Pr. von Lobkowitz. |
| 19 | Concerto, PF. and Orch. (B♭). (Really the first.) See No. 151. | Before March 1795.—Aut. C. Haslinger, Vienna. | Hoffmeister & Kühnel, Leipzig. | Charles Nikl Noble de Niklsberg. |
| 20 | Septet. V. Va. Horn, Clar. Bassoon. C. Cbass. (E♭). | Before April 2, 1800.—Aut. Mendelssohns, Berlin. | Hoffmelster & Kühnel, Leipzig. In 2 parts in 1802. | Empress Maria Theresa. |
| 21 | Grand Symphony (C). (The first.) | Before April 2, 1800. | Hoffmeister & Kühnel, Leipzig, end of 1801. | Baron van Swieten. |
| 22 | Grand Sonata, PF. (B♭). | Before end of 1800. Revised copy, Peters, Leipzig. | Hoffmeister & Kühnel, Leipzig, 1802. | Count von Browne. |
| 23 | Two Sonatas, PF. V. (A minor, F). | First two movements of Sonata 1, composed in 1800. | Mollo, Vienna, ann. Oct. 28, 1801. | Count M. von Fries. |
| 24 | Sonata in F, PF. V. (Op. 23). Op. 24 was originally PF. score of Prometheus, now Op. 43. | Aut. Imperial Lib. Vienna. | Originally published as Op. 23. No. 2. but made Op. 24 before 1803. | Idem. |
| 25 | Serenade Fl. V. Va. See Op. 41. | . . . . . . | Cappl, Vienna, Early in 1802. | |
| 26 | Grand Sonata Clav. or PF. (A♭). | . . . . . . | Cappl, Vienna, ann. Mar. 3, 1802. | Pr. C. Lichnowsky. |
| 27 | No. 1. Sonata quasi una Fantasia, Clav. or PF. (E♭). | . . . . . . | Cappl, Vienna, both ann. Mar 3, 1802. | Princess J. Liechtenstein. |
| No 2. Sonata quasi una Fantasia, Clav. or PF. (C# minor.) ['Moonlight']. | . . . . . . | . . . . . . | Countess Giulietta Giucciardi. | |
| 28 | Grand Sonata, PF. (D). ['Pastoral']. | 180l.—Aut. J. Kafka, Vienna. | Bureau des Arts et d'Industrle, Vienna. | Joseph Edlen von Sonnenfels. |
| 29 | Quintet, V. V. Va. Va. C. (C). | 1801.—Aut. Mendelssohns, Berlin. | Breitkopf & Härtel. Leipzig. | Count M. v. Fries. |
| 30 | Three Sonatas, PF. V. (A, C minor, G.) | 1802.—Aut. of No. 1, Müller of Meiningen. | Bureau des Arts et d'Industrle, Vienna, ann. May 28, 1803. | Alexander I, Emperor of Russia. |
| Op. | Description. | Composed. | Original Publisher. | Dedicated to |
|---|---|---|---|---|
| 31 | Three Sonatas, Clav. or PF. (G, D minor, E♭). | Nos. 1 and 2, 1802. | Nos. 1 and 2 in 'Repertoire des Clavecinistes'; No. 5, Nägeli, Zürich, early in 1803. Then (with B.'s corrections) 'Deux Sonates ... op. 31 ... Edition trés correcte,' N. Simrock, Bonn: and then as 'Deux Senates pour le Clavecin ou Pianoforte,' Cappi, Vienna. No. 3 in Nägeli's 'Repertoire.' No. 11, 1804. In 1805 as 'Trois Sonates p. Clavecin ou Pianoforte ... œuvre 29, Cappi, Vienna. | |
| 32 | Song, 'An die Hoffnung,' Tiedge's 'Urania' {E♭). | . . . . . . | Kunst und Industrie Comptoir Vienna, ann. Sept. 18, 1805. | |
| 33 | Seven Bagatelles, PF. (E♭, C, F, A, C, D, F minor). | 1782–l802.—Aut. J. Kafka, Vienna. | Bureau des Arts et d'Industrie, Vienna, ann. May 28, 1803. | |
| 34 | Six Variations on an original theme, PF. (F). | Close of 1802. | Breitkopf & Härtel, Leipzig, 1803. | Princess Odeschalcht. née. Keglevics. |
| 35 | [15] Variations with a fugue, on theme from Prometheus, PF. (E♭). | 1802.—Aut. Breitkopf & Härtel, Leipzig. | Breitkopf & Härtel, Leipzig, 1803. | Count M. Lichnowsky. |
| 36 | Symphony No. 2, Orch. (D). | Close of 1802. First performance, April 5, 1803. | Bureau des Arts et d'Industrie, Vienna, Mar. 1804 (Parts) Score. | Prince Carl Lichnowsky. |
| 37 | Grand Concerto, PF. and Orch. (C minor). | 1800.—Aut. C. Haslinger, Vienna. | Bureau des Arts et d'Industrie, Vienna, Nov. 1804. | |
| 38 | Trio, PF. Clar. V. or C. (E♭), arranged by author from Septet, Op. 20. | 1802.—Aut. of V. part. Simrock. | Bureau des Arts et d'Industrie Vienna, Jan. 1803. | Prof. J. A. Schmidt, with Preface |
| 39 | Two Preludes, through all 12 major keys, PF. or Organ. | 1789.—Revised copy. Artaria in Vienna. | Hoffmeister & Kühnel, Leipzig, close of 1803. | |
| 40 | Romance, V. and Orch. (G.) | 1803 | Hoffmeister & Kühnel, Leipzig, 1803. | |
| 41 | Serenade PF. F. or V. (D) from the Serenade, Op. 25; revised by composer. | . . . . . . | Hoffmeister & Kühnel, 1803. | |
| 42 | Notturno, PF. Va. (D), arranged from the Serenade, Op. 8. | . . . . . . | Hoffmeister & Kühnel, Leipzig, 1804. | |
| 43 | The men of Prometheus Ballet, Nos. 116. | . . . . . . | Artaria, Vienna, June 1801 (PF. arrangement only). | |
| 44 | Fourteen Variations, PF. V. C. (E♭). | 1792 or 1793. | Hoffmeister & Kühnel, Leipzig, 1804. | |
| 45 | Three Grand Marches, PF. 4 hands (C, E♭, D). | . . . . . . | Bureau des Arts et d'Industrie, Vienna, Mar. 1804. | Princess Esterhazy, née Liechtenstein. |
| 46 | Adelaide, by Matthisson, Cantata, for Soprano with PF. (B♭). | 1795(?). | Artaria, Vienna, Feb. 1797. | Matthisson. |
| 47 | Sonata ['Kreutzer'], PF. V. (A). 'Per il Pianoforte ed un Violino obligato, scritta in uno stilo molto concertante quasi come d'un Concerto.' | Mar. 17, 1803. | N. Simrock, Bonn, 1805. | R. Kreutzer. |
| 48 | Six Songs by Gellert, for Soprano:—Bitten; Die Liebe des Nächsten; Vom Tode; Die Ehre Gottes; Gottes Macht; Busslied. | . . . . . . | Artaria, Vienna, 1803. | Count Browne. |
| 49 | Two Easy Sonatas, PF. (G minor, G major). | Not later than 1802. | Bureau des Arts et d'Industrie, Vienna, ann. Jan. 19, 1805. | |
| 50 | Romance, V. and Orch. (F). | Aut. F. Amerling, Vienna. | Bureau des Arts et d'Industrie, Vienna, May 1805. | |
| 51 | Two Rondos, PF. (C, G). | . . . . . . | Artaria, Vienna. No. 1, 1797. No. 2, Sept. 1802. | Countess Henrietta von Lichnowsky. |
| 52 | Eight Songs:—Urian's Reise (Claudius); Feuerfarb (Mereau); Das Liedchen v. d. Ruhe (Ueltzen); �Mailied (Goethe); Molly's Abschied (Bürger); Die Liebe (Lessing); Marmotte (Goethe); Das Blmchen Wunderhold (Bürger). | Mostly very early. | Kunst und Industrie Comptoir, Vienna. June 1805. | |
| 53 | Grand Sonata ['Waldstein '], PF. (C). See No. 170. | 1804.—Aut. J. Kafka, Vienna. | Bureau des Arts et d'Industrie, Vienna, May 1805. | Count von Waldstein. |
| 54 | ['LIst'] Sonata, PF. (F). | . . . . . . | Bureau des Arts et d'Industrie Vienna Ap. 1806. | |
| 55 | Sinfonia erolca, No. 3 (E♭). | Aug. 1804.—Revised copy. J. Dessauer, Vienna. | Contor delle Arti e d'Industria, Vienna, in Parts. Score. | Prince von Lobkowitz. |
| 56 | Grand Concerto [Triple], PF. V. C. and Orch. (C). | 1804. | Bureau des Arts et d'Industrie, Vienna ann. July 1, 1807. | Prince von Lobkowitz. |
| 57 | ['LIVth'] Sonata, PF. (F minor), so-called 'Appassionata.' | 1804. | Bureau des Arts et d'Industrie, Vienna, ann. Feb. 18. 1807. | Count Francis v. Brunswick. |
| 58 | Fourth Concerto, PF. and Orch. (G). | 1805. | Kunst und Industrie Comptoir, Vienna, Aug. 1808. | Archduke Rudolph of Austria. |
| 59 | Three Quartets ['Rasoumoffsky'], V. V. Va. C. (F, E minor, C). (7th, 8th, & 9th.) | Before Feb. 1807.—Aut. No. 1. Mendelssohns, Berlin. 'Begun May 26, 1806.' Aut. No.3. Thielenlus, Charlottenburg. No date. | Schreyvogel & Co. Pesth, Jan. 1808. | Count von Rasoumoffsky. |
| 60 | Fourth Symphony (B♭). | 1806. | Bureau des Arts et d'Industrie, Pesth and Vienna. Mar. 1809. | Count Oppersdorf. |
| 61 | Concerto. V. and Orch. (D). | 1806. First played Dec. 23, 1806.—Aut. Imperial Library, Vienna. | Bureau des Arts et d'Industrie, Vienna and Pesth, Mar. 1809. | Stephan von Breuning. |
| Concerto, PF. and Orch., arranged by author from his First Concerto for Violin (D). | April 1807. | Bureau des Arts et d'Industrie, Vienna and Pesth, Aug. 1808. | Madame von Breuning. | |
| 62 | Overture to Coriolan. | April 1807.—Aut. Herr Paterno, Vienna. | Bureau des Arts, et d'Industrie, Vienna. Jan. 1808. | M. [H. J.] de Collin. |
| 63 | Scena ed Aria. 'Ah, perfido!' Sopr. and Orch. | Prague, 1796. | Hoffmeister & Kühnel, Leipzig, 1805. | Countess von Clary. |
| 64 | Twelve Variations on 'Ein Mädchen' (Zauberflöte), PF. C. (F). | . . . . . . | J. Traeg, Vienna, Sept. 1798. | |
| 67 | Symphony, No. 5 (C minor). | Begun 1805; first played Dec. 22, l808.—Aut. Mendelssohns, Berlin. | Breitkopf & Härtel, Leipzig, Ap. 1809. | Prince von Lobkowitz and Count Rasoumoffsky. |
| Op. | Description. | Composed. | Original Publisher. | Dedicated to |
|---|---|---|---|---|
| 68 | Pastoral Symphony. No. 6 (F). | Aut. Baron van Kattendyke, Arnheim. | Breitkopf & Härtel. Leipzig, Ap. 1809. | Prince Lobkowitz and Count Rasoumoffsky. |
| 69 | Grand Sonata, PF. C. (A). | . . . . . . | Breitkopf & Härtel, Leipzig, Ap. 1809. | 'My friend Baron von Gleichenstein.' |
| 70 | Two Trios. PF. V. C. (D, E♭). | Close of 1808. | Breitkopf & Härtel, Leipzig, 1809. | Countess Marie von Erdody. |
| 71 | Sextet, Clr. Clar. Cor. Cor. Fag. Fag. (E♭) | Early. | Breitkopf & Härtel, Leipzig, Jan. 1810. | |
| 72 | Fidelio, or Wedded Love. | Begun 1803. Produced in 3 Acts. Nov. 20, 1805; Overture, 'No.2.' | ||
| Reduced to 2 Acts and reproduced Mar. 29, 1806; Overture, 'No. 3.' | PF. Score, Breitkopf & Härtel. Leipzig, 1810 | |||
| Much revised and again produced May 23. 1814. Overture in E first played at second performance. | PF. Score, Artaria, Vienna, Aug. 1814. 'Leonore, Oper in 2 Akten v. L. van Beethoven; vollständlger Klavierauszug der 2ten Bearbeitung [1806] mit den Abweichungen der 1sten.' with preface by O. Jahn, Sept. 1851. (B. & H. Leipzig.) | Archduke Rudolph. | ||
| Overture, 'No. 1.' composed for a proposed perframance in Prague, 1807, but not played. See Op. 138. | ||||
| 73 | Concerto, PF. and Orch. (E♭), the Fifth | 1809.—Aut. G. Haslinger, Vienna. | Breitkopf & Härtel, Leipzig, May 1811. | Archduke Rudolph. |
| 74 | Quartet ['Harfen'], V. V. Va. C.(E♭). (The 10th.) | 1809.—Aut. Mendelssohns, Berlin. | Breitkopf & Härtel, Leipzig, Dec. 1810. | Prince Lobkowitz. |
| 75 | Six Songs, Sopr. and PF. 'Kennst du das Land,' 'Herz mein Herz,' and 'Es war einmal,' Goethe; 'Mit Liebesblick,' Halem; 'Einst wohnten' and 'Zwar schuf das Glück,' Reissig. | No. 1, May 1810. No. 4, 1803.—Aut. of 5 & 6 Artaria, Vienna. | No. 4 Appendix to Leipzig A. M. Z. Oct 1810. Nos. 5 & 6 In 'Deutsche Gedichte,' July 1810, Artaria, Vienna. | |
| Op. 75, Breitkopf & Härtel, Leipzig, Dec. 1810 | Princess von Kinsky. | |||
| Op. 75 is also marked to an arrt. of Op. 16 as a string quartet. | . . . . . . | C Haslinger. | ||
| 76 | [6] Variations. PF. (D). See Op. 113. | 1809(?) | Breitkopf & Härtel, Leipzig, Dec. 1810. | 'To his friend Oliva.' |
| 77 | Fantaisie. PF. (G minor). | 1808(?) | Breitkopf & Härtel, Leipzig, Dec. 1810. | Count Francis von Brunswick. |
| 78 | Sonata, PF. (F#). | Oct. 1809. | Breitkopf & Härtel, Leipzig, Dec. 1810. | Countess Thèrese von Brunswick. |
| 79 | Sonatina, PF. (G). | Before Dec. 1808. | Breitkopf & Härtel, Leipzig, Dec. 1810. | |
| 80 | Fantasia, PF. Orch. Chorus. Words by Kuffuer. The theme of the variations is Beethoven's song 'Gegenliebe.' See No. 254. | Performed Dec. 22, 1808. | Breitkopf & Härtel, Leipzig, July 1811. | Maximilian Joseph, King of Bavaria. |
| 81a | Sonata, PF. (E♭), 'Les Adieux, l'Absence, et le Retour.' | May 4, 1809. | Breitkopf & Härtel, Leipzig, July 1811. | Archduke Rudolph. |
| 81b | Sextett V. V. Va. C. 2 Cors (E♭) | . . . . . . | N. Simrock, Bonn, 1810. | |
| 82 | Four Ariettas and a duet, Sopr. and PF. Words by Metastasio. 1. 'Dimmi ben mio.' 2. 'T'intendo, si.' 3. 'Che fa, il mio bene' (buffa). 4. 'Che fa il mio bene' (seria). 5. 'Odi l'aura.' German words by Schreiber. | No. 4, 1809.—Aut. No. 1, Artaria. | Breitkopf & Härtel, Leipzig, May 1811. | |
| 83 | Three Songs by Goethe. Sopr. and PF. 1. 'Trocknetnicht.' 2. 'Was zieht mir.' 3. 'Kleine Blumen.' | 1810. | Breitkopf & Härtel, Leipzig, Nov. 1811. | Princess von Kinsky. |
| 84 | Music to Goethe's Egmont. Overture. 1. Song. 'Die Trommel.' 2. Entracte I. 3. Entracte II. 4. Song, 'Freudvoll und leidvoll.' 5. Entracte III. 6. Entracte IV. 7. Clara's death. 8. Melodrama. 9. Battle Symphony. | 1810.—Aut. of Overture. F. Hauser, Munich. Do. of No. 8, Frl. Kistner, Leipzig. First performance, May 24, 1810. | Breitkopf & Härtel, Leipzig; Overture, Feb. 1811. Other movements, April 1812. | |
| 85 | Christus am Oelberge, 'Mount of Olives,' S. T. B. Chorus. Orch. | 1800. First performance April 5, 1803, Vienna. | Breitkopf & Härtel, Leipzig, Oct. 1811. | |
| 86 | Mass, S. A. T. B. Chorus, Orch. (C) | 1807. First performance, Sept. 8. 1807, Eisenstadt. | Breitkopf & Härtel, Leipzig, Nov. 1812. | Pr. Nicholas Esterhazy de Galantha. |
| 87 | Grand Trio for V. V. Va. (C) taken, with Beethoven's approbation, from a MS. Trio for 2 Oboes and Engl. horn. | 1794(?).—Aut. of original, Artaria. | Artaria, Vienna, April 1806 (for V.V. Va.) The original by Breitkopfs in the complete edition. | |
| 88 | Song, 'Das Glück der Freundschaft,' S. and PF. (A). | . . . . . . | Löschenkohl, Vienna, 1803. Hoffmeister & Kühnel. with Italian text added, April 1804. | |
| 89 | Polonaise. PF. (C). | 1814(?). | P. Mechetti. Vienna, Mar. 1815 (without Opus number). | Empress of Russia. |
| 90 | Sonata. PF. (E minor). | Aug. 16, 1814. | Steiner, Vienna, June 1815. | Count Moritz von Lichnowsky. |
| 91 | Wellington's Victory, or the Battle of Vittoria, Orch. Battle fought June 21, 1813. News reached Vienna, July 27, 1813. | First performance, Dec. 8, 1813. | Steiner, Vienna, Mar. 1818. | Prince Regent of England |
| 92 | Seventh Grand Symphony, Orch. (A). | May 13, 1812.—Aut. Mendelssohns, Berlin. First performance Dec. 8, 1813. | Steiner. Vienna. Score, Dec. 21, 1816. Two-hand arrangement corrected by Beethoven. | Count von Fries. Empress of Russia. |
| 93 | Eighth Grand Symphony, Orch. (F). | Linz. Oct. 1812.—Aut. C. Haslinger, Vienna. First performance, Feb. 27, 1814. | Steiner, Vienna. Score, 1816. Two-hand arrangement corrected by Beethoven. | |
| 94 | Song, 'An die Hoflhung,' by Tiedge, S. and PF. | 1816(?). | Steiner, Vienna, Ap. 1818. | Princess Kinsky. |
| 95 | Quartet, V. V. Va. C. (F minor). (The 11th.) | Oct. 1810.—Aut. Hofbibliothek, Vienna. | Steiner. Vienna, Dec. 1816, Parts. | 'His friend N. Zmeskal von Domauovetz.' |
| 96 | Sonata. PF. V. (G). | 1812. First performance Jan. 1813. by Archduke Rudolf and Rode | Steiner, Vienna. July 1816, Parts. |
| Op. | Description. | Composed. | Original Publisher. | Dedicated to |
|---|---|---|---|---|
| 97 | Trio, PF. V. C. (B♭). | 1811, Mar. 3–26.—Aut. Mendelssohns, Berlin | Steiner, Vienna, 1816, Parts. | |
| 98 | Six Songs, 'An die ferne (aut. entfernte) Geliebte. Liederkreis,' by A. Jeitteles. | April 1816. | Steiner, Vienna, Dec. 1816. | Prince Joseph von Lobkowitz. |
| 99 | Song, 'Der Mann von Wort,' by Kleinschmid (G). | Aut. Gurckhaus, Leipzig. | Steiner, Vienna, Nov. 1818. | |
| 100 | Duet, 'Merkenstein near Baden,' by J. B. Rupprecht. (F) | Dec. 22, 1814 (?) | Steiner, Vienna, Sept. 1816. | Count von Dietrichstein (Dedn. by Rupprecht). |
| 101 | Sonata, PF. (Hammer-klavier) (A). | First performance Feb. 18, 1816. | Steiner, Vienna, Feb. 1817. | Baroness Dorothea Ertmann. |
| 102 | Two Sonatas, PF. C. (C, D). | July and Aug. 1815.—Aut. {'Freie Sonata '), 0. Jahn, Bonn. | Simrock, Bonn and Cologne, 1817. Artaria, Vienna, Jan. 1819. | No dedication. Countess von Erdödy. |
| 103 | Octet, 2 Ob. 2 Clars. 2 Cors. 2 Fag. (E♭). The original of Op. 4. | Aut. Artaria. | Artaria, Vienna, 1884. | |
| 104 | Quintet, V. V. Va. Va. C (C minor), arranged by Beethoven from op. 1, no. 3. | Aug. 14, 1817.—Aut. Artaria. | Artaria. Vienna, Feb. 1819, Parts. | |
| 105 | Six very easy themes varied, PF. F. or V. | 1818, 1819. | Artaria, Vienna, Sept. 1819. | |
| 106 | Grand Sonata, PF. (Hammer-Klavier) (B♭). | 1818. | Artaria, Vienna, Sept. 1819. | Archduke Rudolph. |
| 107 | Ten [national] themes with variations, PF. F. or V. | 1818–20. | N. Simrock, Bonn and Cologne, 1820. | |
| 108 | Twenty-five Scotch Songs, 2 Voices and small chorus, PF. V. C. | May 1815(?). | Schlesinger, Berlin. | Pr. Radzivil. |
| 109 | Sonata, PF. (E). | 1820(?).—Aut. Schlesinger, Baden-Baden. | Schlesinger, Berlin, Nov. 1821. | Frl. Maximiliana Brentano. |
| 110 | Sonata. PF. (Hammerklavier). (A♭). | Dec. 25, 1821.—Aut. Artaria, Vienna. | Schlesinger, Berlin and Paris, Aug. 1822. | |
| 111 | Sonata, PF. (C minor); the last sonata. | Jan. 13, 1822.—Aut. Artaria, Vienna | Schlesinger, Berlin and Paris, April 1813. | Archduke Rudolf (ded. by publishers). |
| 112 | Calm sea and prosperous voyage. S.A.T.B. and Orch. Goethe's words. | 1815.—Revised copy, C. Haslinger, Vienna. | Steiner & Co. Vienna, Feb. 28, 1823. | Goethe. |
| 113 | The Ruins of Athens. Kotzebue's words. Chorus and Orch. Overture and 8 numbers. For No. 4, see op. 76. | 1811. Produced Feb. 9, 1812.—Aut. of Overture and Nos. 3, 6, 8, and corrected copy of No.7, C.Haslinger. Aut. No. 2, Artaria. | Artaria, Vienna. 1846. | King of Prussia. |
| 114 | March and Chorus (E♭) from 'Ruins of Athens,' for the Dedication of the Josephstadt Theatre, Vienna. | . . . . . . | Steiner & Co. Vienna, 1824. | |
| 115 | Grand Overture in C, composed (gedichtet) for grand Orchestra; sometimes called 'Namesfeier.' | 'Am ersten Weinmonath (October) 1814.' Produced Dec. 25, 1815. | Steiner & Co. Vienna, 1825. | Prince Radzivil. |
| 116 | Terzetto, 'Tremate,' S.T.B. (B♭). | 1802. | Steiner & Co. Vienna, 1826. | |
| 117 | King Stephen, Grand Overture (E♭) and 9 numbers. | 1811, for performance with Op. 113 on Feb. 9, 1812. | T. Haslinger, Vienna, 1815, Overture, Score alone. The other numbers in Breitkopf 's general edition. | |
| 118 | Elegiac Song. S. A. T. B. and Strings (E). In memory of Eleonora Pasqualati, died Aug. 23, 1811. | 'Summer 1814.'—Aut. C. Haslinger, Vienna. | T. Haslinger, Vienna, July 1826. | 'His friend' Baron Pasqualati. |
| 119 | New Bagatelles, easy and agreeable, PF. (G minor, G, D, A, C minor, G, G, C, C, A minor, A, B♭, G). | Nov. 1–6, 1822. | Nos. 7–11 in Starke's Vienna PF. School, 1821. Nos.l–ll. Schlesinger, Paris, end of 1823. No. 12 Diabelli & Co. Vienna, 1828 or later. | |
| 120 | 33 Variations on a Waltz (by Diabelli) (C), composed for a collection called 'Vaterlndischer Knstlerverein.' | 1823(?).—Aut. C. A. Spina, Vienna. | Cappi & Diabelli, Vienna, June 1823. | Mad. Antonia von Brentano. |
| 121a | Adagio, Variations, and Rondo, PF. V. C. (G). | . . . . . . | Steiner & Co. Vienna May 7, 1824. | |
| 121b | Opferlied, by Matthisson, Sopr. with Chorus and Orch. | 1822(?). The original version 1802. Produced Ap. 4, 1824.—Aut. PF. score, G. Petter, Vienna. | Schott & Sons, Mainz, 1825. | |
| 122 | Bundeslied, by Goethe (B♭), S. A. Chorus and Wind. | 1823.—Aut. PF. score, G. Petter, Vienna. | Schott & Sons, Mainz, 1825. | |
| 123 | Mass in D, 'Messe Solennelle.' | 1823.—Aut. Kyrie, Imp. Library, Berlin; the rest, Artaria, Vienna. A revised MS. (M. Solennis) in the Musikgesellschaft Library, Vienna. | Schott & Sons, Mainz, April, 1827. | Archduke Rudolph. |
| 124 | Overture In C, called 'Weihe des Hauses.' Written for opening of Josephstadt Theatre, Vienna. | End Sept. 1822.—Aut. Artaria, Vienna. | Schott & Sons, 1826. | Prince N. Galitzin. |
| 125 | Symphony, No. 9 (D minor), Grand Orch. S. A. T. B. and Chorus. | 1823.—Aut. of first three movements in Imp. Library, Berlin. Portions of Finale, Artaria, Vienna. | Schott & Sons, 1826. | King of Prussia. |
| 126 | Six Bagatelles, PF. (G, G minor, E♭, B minor, G, E♭, E♭). | Early in 1823.—Aut. Ritter von Pfusterschmid, Vienna. | Schott & Sons, Mainz, 1825. | |
| 127 | Quartet. V. V. Va. C. (The 12th) (E♭). | 1824.—Aut. first movement, Mendeissohns, Berlin; second do. Artaria, Vienna. | Schott & Sons, Mainz, Mar. 1826, Parts. | Prince N. Galitzin. |
| 128 | Arietta. The Kiss,' by Weisse. | End of 1822.—Aut. formerly Ascher, Vienna. | Schott & Sons, Mainz, early 1825. | |
| 129 | Rondo a capriccio, PF. (G.), 'Fury over a lost groschen, vented in a caprice.' | . . . . . . | A. Diabelli & Co. Vienna, 1828. |
| Op. | Description. | Composed. | Original Publisher. | Dedicated to |
|---|---|---|---|---|
| 130 | Quartet. VV. Va. C. (B♭). (The 13th.) | 1825 and (finale) Nov. 1826.—Aut. First movement Mendelssohns, Berlin; second do. F. Gross; third do. J. Hellmesberger; Cavatina, Artaria; Finale Ascherall in Vienna. Produced with op. 133 as finale, Mar. 21. 1826. | Artaria. Vienna. May 7. 1827. | Prince N. Galitzin. |
| 131 | Quartet, V. V. Va. C. (C♯ minor). 'Fourth Quartet.' (The 14th.) | Oct. 1826.—Aut. First movement, Mendelssohns, Berlin. Revised MS. Schotts. Mainz. | Schott & Sons, Mainz, Ap. 1827. | Baron von Stutterheim. |
| 132 | Quartet. V. V. Va. C. (A minor), 'Second Quartet.' (The 15th.) | 1825. Produced Nov. 6, 1825.—Aut. Mendelssohns, Berlin. | Schlesinger, Berlin, Sept. 1827. | Prince N. Galitzin. |
| 133 | Grand Fugue. V. V. Va. C. (B♭) 'Tantôt libre. tantôt recherchée.' Originally the Finale to Op. 130. | Aut. ('Ouvertura'), Artaria, Vienna. | M. Artaria, Vienna, May 10. 1827. | Archduke Rudolph. |
| 134 | Grand Fugue (Op. 133), arranged by the Author for PF. 4 hands. | . . . . . . | M. Artaria, Vienna, May 10, 1827. | Archduke Rudolph. |
| 135 | Quartet, V. V. Va. C. (F.)—(the last.) | Gneixendorf, Oct. 30, 1826.—Aut. of second and fourth movements formerly with Ascher, Vienna. Aut. of the parts, Schlesinger, Baden-Baden. | Schlesinger. Berlin. Sept. 1827. | 'His friend Johann Wolfmayer.' |
| 136 | Der glorreiche Augenblick ('the glorious moment'}, Cantata, S. A. T. B. Chorus and Orch; words by A. Weissenbach. 6 numbers. | Sept. 1814. Produced Nov. 29, 1814.—Aut. C. Haslinger, Vienna. | T. Haslinger, Vienna, 1896. | The Sovereigns of Austria, Russia and Prussia. |
| Also as Preis der Tonkunst ('Praise of Music') by F. Rochlitz. | . . . . . . | T. Haslinger, Vienna, 1836. | ||
| 137 | Fugue, V. V. Va. C. (D). Composed for a collection of B.'s works projected by Haslinger, now in the Gesellschaft der Musikfreunde, Vienna. | Nov. 2, 1827. | T. Haslinger, Vienna. 1827. | |
| 138 | Overture, Orch. (C), known as 'Leonora, no. 1,' but really Leonora, no. 3. See Op. 72. | 1807(?). Revised MS. score. C. Haslinger, Vienna. | T. Haslinger, Vienna, 1898. Score. |
II. WORKS WITHOUT OPUS NUMBERS.
1. FOR ORCHESTRA, AND ORCHESTRAL INSTRUMENTS.
| 139 | 12 Minuets, D, B♭, G, E♭, C, A, D, B♭, G, E♭, C, F. | Before Nov. 22, 1795.—Rev MS. Parts, Artaria, Vienna | PF. arrangement, Artaria & Co. Dec. 1795. Score, B. & H. edition. | |
| 140 | 12 Deutsche Tnze, C, A, F, B♭, E♭, G, C, A, F, D, G, C. | Before Nov. 22, 1795. | PF. arrangement, Artaria & Co. Dec. 1795. Score, B & H. edition. | |
| 141 | 12 Contretnze, C, A, D, B♭, E♭, C, E♭, C, A, C, G, E♭. N.B. No. 7 is the dance used in the Finale of Prometheus, the Eroica, etc. No. 11 also used in Finale of Prometheus. | Nos. 2, 9, 10, 1802. | Nos. 8, 7, 10, 4, 9, 1, for PF. only. Mollo & Co. Vienna. April 1802. Early in 1803. Orch. Parts of the 12. Score. B & H. edition. | |
| 142 | Minuet of congratulation (E♭), for Hensler, Director of New Josephstadt Theatre. | Nov, 1822.[1] | Artaria, Parts 1835. Score, B. & H. edition. | |
| 143 | Triumphal March, for Kuffner's 'Tarpeia' or 'Hersilla' (C). | Before Mar. 26, 1813. Revised Parts, C. Haslinger, Vienna. | For PF. in 'Die musik, Biene' Pt. 5, No. 9, Vienna 1819. In Score after 1827, T. Haslinger, Vienna. | |
| 144 | Military March (D). | Before June 4, 1816. | For PF. Cappi & Czerny, Vienna. Ap. 1827. In Breitkopf's complete ed. | |
| 145 | Military March (F), (Zapfenstreich). For the Carrousel on Aug. 25, 1810. | 1809. | Schlesinger. Berlin, 1822. | |
| 146 | Rondino (E♭), 2 Ob. 2 Clar. 2 Cors. 2 Fags. | Very early.—Aut. C. A. Spina, Vienna. | ||
| 147 | 3 Duos, Clar. and Fag. (C, F, B♭). | . . . . . . | Lefort, Paris, 1815 (?). | |
| 148 | Allegro con Brio. V. Orch.(C). Fragment of 1st movement of a V. Concerto. Completed by Jos. Hellmesberger. | 1800?—Aut. Library of the Gesellschaft der Musikfreunde, Vienna. | F. Schreiber, Vienna. 1879. Score. | Dr. G. von Breuning. |
| 149 | Muslk zu einem Ritterballet. | 1791(?) | Rieter-Biedermann, Leipzig, 1872. Arranged for Piano by F. Dulcken. |
2. FOR PIANOFORTE, WITH AND WITHOUT ACCOMPANIMENT.
| 150 | Sonatina for the Mandoline and Cembalo (C minor). | Aut. British Museum Add. MSS. 29,801. | 'Dictionary of Music and Musicians' (Macmillans, London), under 'Mandoline.' Also by Ricordi. | |
| 151 | Rondo, PF. and Orch. (B♭). Probably finished by Czerny. Perhaps intended for op. 19. | Aut. Dlabelli. | A. Diabelli & Co., Vienna. June 1829. | |
| 152 | 3 Quartets. PF. V. Va. C. (E♭, D, C). N.B. Adagio of No. 8 is employed in Op. 2, No. 1. | 1785.—Aut. Artaria. | Artaria, Vienna, 1832. | |
| 153 | Trio, PF. V. C. (E♭). | 1785(?)—Aut. Wegeler. | Dunst, Frankfort, 1830. | |
| 154 | Trio in one movement, PF. V. C. (B♭). | June 2, 1812.—Aut. Brentanos at Frankfort. | Dunst, Frankfort, 1830. | |
| 155 | Rondo. Allegro, PF. and V. (G). | Probably sent to Eleonora von Breuning in 1794. | Simrock, Bonn, 1808. | |
| 156 | 12 Variations on 'Si vuol ballare.' PF. and V. (F). | . . . . . . | Artaria, Vienna. July 1793. | Eleonora von Breuning. |
| No. | Description. | Composed. | Original Publisher. | Dedicated to |
|---|---|---|---|---|
| 157 | 12 Variations on 'See, the conquering hero,' PF. and C. (G). | Aut. in Gesellschaft d.M.F. Library, Vienna. | Artaria, Vienna, 1797. | Princess Lichnowsky. |
| 158 | 7 Variations on 'Bei Männern,' PF. and C. (E♭). | Jan. 1, 1802.—Aut. F. Amerling, Vienna. | Mollo, Vienna, ann. Ap. 3, 1892. | Count von Browne. |
| 159 | Variations on a theme by Count Waldstein, PF. 4 hands (C). | . . . . . . | Simrock, Bonn, 1794. | |
| 160 | Air with [6] Variations on Goethe's 'Ich denke dein,' PF. 4 hands (D). | 1800. | Kunst und Industrie Comptoir, Vienna, Jan. 1805. | Countess Josephine Deym and Countess Theresa Brunswick. |
| 161 | 3 Sonatas, PF. (E♭ F minor, D). | 'These Sonatas and the Dressler Variations my first work,' L. v. B. | Bossler, Spire, 1783. | Elector Maximilian Frederic of Cologne. |
| 162 | Sonata [called Easy], PF. (C), two movements only, the second completed by F. Ries. | . . . . . . | Dunst, Frankfort, 1880. | Eleonora von Breunlng. |
| 163 | 2 Sonatinas, PF. (G, F). Not certainly Beethoven's | . . . . . . | J. A. Böhme, Hamburg, after 1827. | |
| 164 | Rondo, Allegretto, PF. (A). | . . . . . . | Bossler, Spire, 1784. | |
| 165 | Minuet, PF.(E♭). | 1783(?). | Bureau des Arts et d'Industrie, Vienna, Jan. 1805. | |
| 166 | Prelude, PF. (F minor). | 1785(?). | Do. Jan. 1805. | |
| 167 | 6 Minuets, PF. (C, G, E♭, B♭, D, C). Perhaps written for Orch. | . . . . . . | Artaria, Vienna, March 1796. | |
| 168 | 7 Ländler dances (all in D). | . . . . . . | Artaria, Vienna, 1799. | |
| 169 | 6 Ländler dances (all in D but No. 4 in D minor), also for VV. and C. | 1802. | Artaria, Vienna, Sept. 1802. | |
| 170 | Andante [favori] PF. (F), said to have been intended for Op. 53. | 1804(?) | Bureau des Arts et d'Industrie, Vienna, May 1806. | |
| 171 | 6 Allemandes, PF. and V. No. 6, in G, for PF. | . . . . . . | L. Malsch Vienna July 1814. | |
| 172 | Ziemlich lebhaft, PF. (C minor). | Aug. 14, 1818, written by request. | Berlin Musikzeitung, Dec. 8, 1824. | |
| 173 | Bagatelle, PF. (A minor), 'Für Elise am 27 April zur Erinnerung von L. v. Bthvn.' | Aut. in the papers of Frau Therese von Drossdick geb. Mallatte. | In Nohl's 'Neue Briefe Beethovens,' 1867, p. 28. | |
| 174 | Andante maestoso (C), arranged from the sketch for a Quintet and called 'Beethovens letzter musikalische Gedanke.' | Nov. 1826(?) | A. Diabelli, Vienna, 1840. | |
| 175 | 10 Cadences to Beethoven's PF. Concertos in C, B♭, C minor, G and D (arrt. of Violin Concerto, see Op. 61). Also 2 to Mozart's PF. Concerto in D minor. | Auts. of 10. Breitkopf & Härtel. | Breitkopf & Härtel, Leipzig, Compl. Edition. No 11 had appeared in the Vienna 'Zeitschrift für Kunst' Jan. 23, 1836. | |
| 176 | [9] Variations and a March by Dressler, Harpsichord (Clavecin), (C minor). | 1780(?) said by B. to be his first work, with the Sonatas, No. 161. | Götz, Mannheim, early in 1783. | Countess Wolf-Metternich. |
| 177 | 24 Variations on Rghini's air 'Vieni (sic. I. e. 'Venni') amore,' Harpsichord (Clavecin) (D). | 1790. | Traeg, Vienna, 1801. | |
| 178 | [13] Variations on Dittersdorfs air 'Es war einmal,' PF. (A). | 1792(?). | Simrock, Bonn, early 1794. | |
| 179 | [9]Variatlons on Paisiello's air 'Quant' è più bello,' PF. (A). | 1795. | Traeg, Vienna. Dec. 1795. | Prince C. von Lichnowsky. |
| 180 | [6] Variations on Paisiello's duet 'Nel cor più,' PF. (G). | 1795(?) 'Perdute per la—ritrovate par L. v. B.' | Traeg, Vienna, March 1796. | |
| 181 | 12 Variations on minuet [a la Viganò] from Haibel's ballet 'Le nozze disturbate,' PF. (C). | 1795(?) | Artaria, Vienna, Feb. 1796. | |
| 182 | 12 Variations on the Russian dance from Paul Wranizky's 'Waldmädchen,' for Clavecin or Pianoforte. | 1796 or 7. | Artaria, Vienna, Apr. 1797. | Countess von Browne. |
| 183 | 6 easy Variations on a Swiss air, Harpsichord or Harp (F). | Revised copy, Simrock of Bonn. | Simrock, Bonn, 1798. | |
| 184 | 8 Variations on Grétry's air 'Une fièvre brûlante,' PF. | . . . . . . | Traeg, Vienna, Nov. 1798. | |
| 185 | 10 Variations on Salieri's air 'La Stessa, la Stessissima,' Clavecin or PF. | 1799. | Artaria, Vienna, Mar. 1799. | Countess Babette de Keglevics. |
| 186 | 7 Variations on Winter's quartet 'Kind willst du,' PF. (F). | . . . . . . | Mollo, Vienna, Dec. 1799. | |
| 187 | 8 Variations on Süssmayr's trio 'Tändeln und scherzen,' PF. (F). | 1799. | F. A. Hoffmeister. Dec. 1799. | Countess von Browne. |
| 188 | 6 very easy Variations on an original theme, PF. (G). | 1800(?) | Traeg, Vienna. Dec. 1801. | |
| 189 | [7] Variations on 'God save the King,' PF. (C). | . . . . . . | Bureau des Arts et d'Industrie, Vienna, March 1804. | |
| 190 | [5] Variations on 'Rule Britannia,' PF. (D). | . . . . . . | Bureau des Arts et d'Industrie, Vienna, June 1804. | |
| 191 | 32 Variations, PF. (C minor). | 1806(?) | Bureau des Arts et d'Industrie, Vienna, April 1807. | |
| 192 | [8] Variations on 'Ich hab' ein kleines Hüttchen nur,' PF. (B♭). | 1794(?) | Dunst, Frankfort, 1831. |
3. WORKS FOR VOICES.
| 193 | Bass Solo, Chorus, Orch. 'Germania!' Finale for Treitschke's Singspiel 'Gute Nachricht.' | First performance April 11, 1814. | Hoftheater Musik-Verlage, Vienna, June 1814, PF. arrangement. | |
| 194 | Bass solo, Chorus, Orch. 'Es ist vollbracht.' Finale to Treitschke's Singspiel ' Die Ehrenpforten.' | First performance July 15, 1815. | Sterner, Vienna, July 24, 1815, PF. arrangement. | |
| 195 | 'Miserere' and 'Amplius.' Dirge at B.'s funeral . Chorus of 4 eq. voices and 4 trombones. Adapted by Seyfried from two of 3 MS. Equali for trombones, written at Linz, Nov. 2, 1812. | Nov. 2, 1812.—Aut. Haslinger. | Haslinger, Vienna, June 1827. |
| No. | Description. | Composed. | Original Publisher. | Dedicated to |
|---|---|---|---|---|
| 196 | Cantata on the death of the Emperor Joseph II. (Feb. 20. 1790). 'Todt! Todt! stöhnt es aus,' for Solos, Chorus and Orchestra (C minor). | Bonn 1791. | Breitkopf & Härtel, Leipzig, 1887. PF. score. | |
| Another Cantata (Sept. 30, 1790}, 'Er schlummert,' on the accession of Leopold II. is in the press (1887). | ||||
| 197 | Song of the monks from Schiller's William Tell—'Rasch tritt der Tod.' 'In recollection of the sudden and unexpected death of our Krumpholz. May 3, 1817.' T.T.B. (C minor). | May 3, 1817.—Aut. formerly A. Fuchs. | 'Neue Zeitschrift der Musik,' June 1839 | |
| 198 | Chorus, 'O Hoffnung' (4 bars); for the Archduke Rudolph (G.) | 'Spring 1818.' | In Steiner's 'Musikalisches Museum,' 1819, Part 7. See also Nohl's 'Neue Briefe Beethovens,' 1867, p. 168. | |
| 199 | Cantata, S. A, B. and PF. (E♭). | 'Evening of April 12, 1823.' for the birthday of Prince Lobkowitz.—Aut. Ottokar Zeithamer, Prague. | Nohl's 'Neue Briefe Beethovens,' 1867, p. 221. | |
| 200 | Cantata, 'Graf, Graf lieber Graf.' Voices and PF. (E♭) to Count Moritz Lichnowsky. | . . . . . . | Nohl's 'Briefe Beethovens,' 1865, p. 107. | |
| 201 | Cantata, 'Seiner kaiserlicher Hohelt' (C). To the Archduke Rudolph. | Jan. 12, 1820.—Aut. in the Library of the Gesellschaft der Musikfreunde, Vienna. | Nohl's 'Briefe Beethovens.' 1865, p. 203. | |
| 202 | Cantata (4 bars), on the arrival of Herr Schlesinger of Berlin—'Glaube und hoffe' (B♭). Comp. No. 22. | Sept. 21, 1819. | Marx, 'Beethoven,' vol. ii. | |
| 203 | Melodram for speaking voice and Harmonica, 'Du dem sie gewunden,' written for Duncker's 'Leonora Probaska' (D). | 1814.—Aut. Gesellschaft der Musikfreunde, Vienna. | 'Dictionary of Music and Musicians' (Macmillans, London), under 'Harmonica.' | |
| 204 | Canon[2] a 3 to Heltzen's 'Im Arm der Liebe,' comp. op. 52, no. 3. | 1795(?) | Breitkopf's general edition no. 296. | |
| 205 | Canon[2] a 4, ' Ta, ta, ta, lieber Mälzel.' (B♭). | Spring of 1812.[3] | Hirschbach's ' Musikalisch-kritisches Repertorium,' 1844. | |
| 206 | Canon[2] a 3 to Schiller's[4] 'Kurz ist der Schmerz' (F minor), for Herr Naue.' | Vienna, Nov. 23, 1813. | Neue Zeitschrift für Musik. | |
| 207 | Canon[2] a 3 'Kurz ist der Schmerz' (F), for Spohr. | Vienna, March 3, 1816. | Spohr's Selbstbiographie, 1860, vol. ii. | |
| 208 | Canon (Räthsel Canon) to Herder's 'Lerne Schweigen o Freund' (F), for Neate, Jan. 16. 1816. | End of 1815(?) | Vienna, Allgemeine Musik. Zeitung, March 6, 1817. | |
| 209 | Canon[2] a 3 'Rede, rede, rede,' for Neate. | Vienna, Jan. 24, 1816.—Aut. of 208 and 209 in Neate's album. | Breitkopf's general Edition, no. 256. | |
| 210 | Canon[2] a 3. 'Glück, Glück, zum neuen Jahr' (F), for Countess Erddy, comp. no. 220. | Vienna, Deo. 31, 1819. | Breitkopf's general Edition. | |
| 211 | Canon[2] a 4, 'Alles Gute! Alles Schöne!' (C), for the Archduke Rudolph. | Jan. 1, 1820.—Aut. Gesellschaft der Musikfreunde, Vienna. | Breitkopf & Härtel's general Edition, no. 256. | |
| 212 | Canon[2] a 2, 'Höffmann! Höffmann![5] sei ja kein Hofmann' (C). | 1820 (?) | Cäcilia. April 1825. | |
| 213 | Canon 3 in 1, 'O Tobias!' (D minor). for Tobias Haslinger. | Baden, Sept. 10. 1821. | Allgemeine Musikalische Zeitung (Leipzig), 1863, p. 727. | |
| 214 | Canon[2] a 6, to Goethe's 'Edel sei der Mensch' (E). | 1823(?) | Vienna Zeitschrift für Kunst etc. June 21, 1823. | |
| 215 | Canon 4 in 1, 'Schwenke dich ohne Schwänke,' for Schwenke of Hamburg. | Vienna, Nov. 17, 1824. | Cäcilia, April 1825. | |
| 216 | Canon[2] a 3, 'Kühl, nicht lau' (B♭), referring to Fr. Kuhlau. | Baden, Sept. 3. 1825. | Seyfried, L v. Beethoven's Studien, 1832; Anhang, p. 25. | |
| 217 | Canon[2] a 3, 'Signor Abate!' (G minor), on Abbé Stadler. | . . . . . . | Breitkopf s general Edition, no. 256. | |
| 218 | Canon[2] a 3, 'Ewig dein' (C), perhaps for Baron Pasqualati. | Aut. J. Street, Esq., London. | Allgemeine Musik Zeitung, 1863, p.856. | |
| 219 | Canon 3 in 1, 'Ich bitt' dich,' on the scale of E♭, for Hauschka. | . . . . . . | Breitkopf s general Edition, no. 256. | Dedicate al signore Illustrissimo Hauschka dal suo servo L. v. B. |
| 220 | Canon (free) 4 in 1 to Goethe's 'Glück zum neuen Jahr,' (E b). Comp. no. 210. | . . . . . . | In 'Lieder von Göthe und Matthisson' etc., J. Riedl's Kunsthandlung, Vienna and Pesth, May 1816. | |
| 221 | Canon (Räthsel canon) 'Si non per portas' (F), to M. Schlesinger. | Vienna, Sept. 26, 1825. | Appendix to Marx's 'Beethoven,' 1859. | |
| 222 | Canon in 8va (A), Souvenir pour Monsieur S. de M. Boyer par Louis van Beethoven.' | Baden, Aug. 3, 1825.—Aut. O. A. Schulz, Leipzig. | Nohl's 'Neue Briefe Beethovens,' 1867. p. 274. | |
| 223 | 25 Irish Songs, for Voices with PF. V. C.:—1. 'The Return to Ulster' (F minor). 2. 'Sweet power of song' a 2 (D). 3. 'Once more I had thee' (F). 4. 'The morning air' (G minor). 5. The Massacre of Glencoe ' (A minor). 6. 'What shall I do ' a 2 (D). 7. 'His boat comes on the sunny tide' (D). 8. 'Come, draw we round' (D minor). 9. 'The soldier's dream' (E♭). 10. 'The | . . . . . . | Contained in a select collection of original Irish airs for the Voice, united to characteristic English poetry written for this work; with symphonies and accompaniments for the Pianoforte, Violin, and Violoncello, composed by Beethoven. By George Thomson, Edinburgh, vol. 1. 1814. |
| No. | Description. | Composed. | Original Publisher. | Dedicated to |
|---|---|---|---|---|
| Deserter' (F). 11. 'Thou emblem of faith' (C minor). 12. 'English Bulls' (D). 13. 'Musing on the roaring ocean' (C). 14. 'Dermot and Shelah' (G). 15. 'Let brain-spinning swains' (A). 16. 'Hide not thine anguish ' (D). 17. 'In vain to this desert,' a 2 (D). 18. 'They bid me slight,' a 2 (D minor). 19. 'Wife, children, and friends' a 2 (A minor). 20. 'Farewell bliss' a 2 (D minor). 21. 'Morning a cruel turmoiler is' (D). 22. 'Garryone' (D); comp. no. 212, no. 7. 23. 'The wandering gypsy' (F). 24. 'Shall a son of O' Donnel' (F). 25. 'O harp of Erin' (E♭); comp. no. 212, no. 2. | ||||
| 224 | 20 Irish Songs:—1. 'When eve's last rays,' a 2. 2. 'No riches from his scanty store.' 3. 'The British light dragoons.' 4. 'Since greybeards inform us.' 5. 'I dreamed I lay,' a 2. 6. 'Sad and luckless.' 7. 'O soothe me, my lyre.' 8. 'Norah of Balmagairy.' 9. 'The kiss, dear maid.' 10. 'The hapless soldier,' a 2. 11. 'When far from the home.' 12. ' I'll praise the saints.' 13. 'Sunshine.' 14. 'Paddy O'Rafferty.' 15. "'Tis but in vain.' 16. 'O might I but my Patrick love!' 17. 'Come, Darby dear, easy.' 18. 'No more, my Mary.' 19. 'Judy, lovely, matchless creature.' 20. 'Thy ship must sail.' | May(?) 1815.—Aut. of Nos. 6, 7, 8, 9, 11, 16, 17, 18, 20. Artaria, Vienna. | Nos. 1 to 4 in vol. i. (1814) of foregoing publication; nos. 5 to 20 in vol. ii. (1816). | |
| 225 | 12 Irish Songs:—1. 'The Elfin Fairies.' 2. 'O harp of Erin'; comp. no. 210, 25. 3. 'The farewell song.' 4. 'S. Patrick's day.' 5. 'O who, my dear Dermot.' 6. 'Put round the bright wine.' 7. 'Garryone'; comp. no. 210, 22. 8. 'Nora Creina.' 9. 'O would I were but that sweet linnet!' a 2. 10. 'The hero may perish,' a 2. 11. 'The soldier in a foreign land.' a 2. 12. 'He promised me at parting,' a 2. | . . . . . . | Nos. 2 and 7 in vol. i. of above (1814), nos. 1, 3, 4, 5, 6, 8, 9, 10, 11, 12 in vol. ii. of the same. | |
| 226 | 26 Welsh Songs:—1. 'Sion the son of Evan,' a 2. 2. 'The monks of Bangor's march,' a 2. 3. 'The cottage maid.' 4. 'Love without hope.' 5. 'The golden robe.' 6. 'The fair maids of Mona.' 7. 'O let the night my blushes hide.' 8. 'Farewell, farewell, thou noisy town.' 9. 'The Æolian harp.' 10. 'Ned Pugh's farewell.' 11. 'Merch Megan.' 12. 'Waken lords and ladies gay.' 13. 'Helpless woman,' 14. 'The dream,' a 2. 15. 'When mortals all.' 16. 'The damsels of Cardigan.' 17. 'The dairyhouse.' 18. 'Sweet Richard.' 19. 'The Vale of Clwydd.' 20. 'To the blackbird.' 21. 'Cupid's kindness.' 22. 'Constancy,' a 2. 23. 'The old strain.' 24. 'Three hundred pounds.' 25. 'The parting kiss.' 26. 'Good night.' | |||
| 227 | 12 Scottish songs:—1. 'The banner of Buccleuch,' S. T. B. 2. 'Duncan Gray,' S. T. B. 3. 'Up, quit thy bower,' S. S. B. 4. 'Ye shepherds of this pleasant vale,' S. T. B. 5. 'Cease your funning.'[6] 6. 'Highland Harry.' 7. 'Polly Stewart.' 8. 'Womankind,' S. T. B. 9. 'Lochnagar.' S. T. B. 10. 'Glencoe,' S. T. B. 11. 'Auld Lang Syne,' S. T. B. 12. 'The Quaker's wife,' S. T. B. | Aut. No. 6, Artaria, Vienna. | No. 5, 6, 7, 8, 9, 10, 11 published in vol. vi. of above collection, 1841. | |
| 228 | 12 Songs of various nationality, for Voice, PF. V. C.:—1.'God save the king,' Solo and Chorus. 2. 'The Soldier' (The Minstrel Boy). 3. 'Charlie is my darling,' S. S. B. 4. 'O sanctissima!' (Sicilian Mariner's Hymn), S. S. B. 5. 'The Miller of the Dee,' S. T. B. 6. 'A health to the brave,' a 2. 7. 'Robin Adair,' S. T. B. 8. 'By the side of the Shannon.' 9. 'Highland Harry,' Solo and Chorus. 10. 'Johnny Cope.' 11. 'The Wandering Minstrel,' Solo and Chorus. 12. 'La gondoletta.' | Nos. 2, 6, 7, 8, 11. May 1815. | Nos. 2, 6, 8, 11, published by Thomson, Edinburgh, 1816; nos. 3 and 5 by him. 1831. |
| No. | Description. | Composed. | Original Publisher. | Dedicated to |
|---|---|---|---|---|
| 229 | Song. 'Schilderung eines Mädchens.' | 1781(?) | Bossler of Spire, in 'Blumenlese für Klavierliebhaber, '1783'—'von Herrn Ludwig van Beethoven, alt ellf Jahren.' | |
| 230 | Song to Wirth's 'An einen Säugling.' | . . . . . . | Bossler of Spire, in 'Neue Blumenlese für Clavierliebhaber,' 1784. | |
| 231 | Song. 'Farewell to Vienna's citizens,' to Friedelberg's words. Solo. | Nov. 15, 1796. | Artaria & Co. Vienna, Nov. 19, 1796. | Obristwacht-meister von Kövesdy. |
| 232 | War Song of the Austrians, to Friedelberg's words. Solo and Chorus, with PF. | . . . . . . | Artaria & Co. Vienna, April 14, 1797. | |
| 233 | Song to Pfeffel's 'Der freie Mann.' | 1795(?)—Aut. Artaria, Vienna. | Simrock, Bonn, with another text by Wegeler—'Maurerfragen.' In 1808 with original text and with op. 75, no. 2, and Opferlied.' no. 221. | |
| 234 | Opferlied, to Matthisson's 'Die Flamme lodert,' comp. op. 121 b. | 1795(?) | See no. 220. | |
| 235 | Song. 'Zärtliche Liebe' to Herrosen's 'Ich liebe dich' Voice and PF. (G.) N.B. begins with second stanza. | Aut. Dr. Schneider, Vienna. | Traeg, Vienna, June 1803. 'II Lieder, no. 1 ... von Ludwig van Beethoven.' | |
| 236 | Song. 'La Partenza,' to Metastasio's 'Ecco quel fiero istante' (A). | Revised copy. C. A. Spina, Vienna. | Traeg, Vienna, June 1803. 'II Lieder, no. 2 etc.' See no. 222. | |
| 237 | Song. 'Der Wachtelschlag' (the Quail) to Santer's 'Horch! wie schalt's.'(F.) | . . . . . . | Kunst- und Industrie Comptoir Vienna, March, 1804. | |
| 238 | Song 'Als die Geliebte sich trennen wollte,' words translated by S. von Breuning from the French of G. Bernard (E♭). | . . . . . . | Allgemeine Musik Zeitung, Leipzig Nov. 22. 1809. | |
| 239 | Arietta, to Carpani's 'In questa tomba oscura' (A♭). | 1807(?)—Aut. Artaria, Vienna. | The sixty-third of a collection of settings of Carpani's poem published by Mollo, Vienna. Sept. 1808. | |
| 240 | Song, 'Andenken' to Matthisson's 'Ich denke dein' (D). | . . . . . . | Breitkopf & Härtel, May 1810. | |
| 241 | Four settings of Goethe's 'Sehnsucht.'—'Nur wer die Sehnsucht kennt.' Soprano and PF. Nos. 1, 2. 4. G minor ; No. 3, E♭. | . . . . . . | No. 1, Appendix to 'Prometheus,' no. 3; April 1808. The 4 settings appeared at Der Kunst und Industrie Comptoir, Vienna, Sept. 22, 1810. | |
| 242 | Song, to Reissig's 'Lied aus der Ferne'—'Als mir noch.' Voice and PF. (B♭). | 1809.—Aut. Artaria, Vienna. | Breitkopf & Härtel, May 1810. | |
| 243 | Song, to Reissig's 'Der Liebende' 'Welch ein wunderbares Leben.' Voice and PF. (D). | Aut. Artaria, Vienna. | A. Kühnel, Leipzig, in 'Achtzehn deutsche Gedichte,' etc., July 1810. | |
| 244 | Song, to Reissig's 'Der Jüngling in der Fremde.'—'Der Frühling entblühet' (B♭}. | . . . . . . | A. Kühnel. Leipzig, with the foregoing. | |
| 245 | Song, to Reissig's 'Des Krieger's Abschied' (E♭). | 1814. | P. Mechetti, Vienna, in 'Sechs deutsche Gedichte,' etc., June 1815. | |
| 246 | Song, to Reissig's 'Sehnsucht '—' Die stille Nacht.' | 1815 or 1816. | Artaria & Co., Vienna, in 'Drei deutsche Gedichte,' etc., June 1816. | |
| 247 | Song, to Stoll's An die Geliebte'—'O dass ich dir.' 2 versions in N. | Dec. 1811.—Aut. Petter, Vienna | Vienna, in 'Friedensblätter.' July 12, 1814. | |
| 248 | Song (Bass), to F. R. Herrmann's 'Der Bardengeist'—'Dort auf dem hohen Felsen' (G.) | Nov. 3, 1813. | Musenalmanach for 1814, Vienna. | |
| 249 | Song, to Treitschke's 'Ruf vom Berge' 'Wenn ich ein Vöglein wär' (A). | Dec. 3. 1816. | Appendix to F. Treitschke's Poems, June 1817. | |
| 250 | Song, to Wessenberg's 'Das Geheimniss'—'Wo blüht das Blümchen.' | 1815. | Wiener, Moden-zeitung. Feb. 29, 1816. | |
| 251 | Song, to Carl Lappe's ' So oder so.'—'Nord oder Sud?'(F). | 1817. | Wiener Moden-zeitung, Feb. 15, 1817. | |
| 252 | Song, to von Haugwitz's 'Resignation.' 'Lisch aus, mein Licht!' (D). | End of 1817. | Wiener Zeitschrift für Kunst, March 31, 1818. | |
| 253 | Song, to Goethe's 'Abendlied unter'm gestirntem Himmel.'—'Wenn die Sonne nieder sinket' (E). | March 4. 1820.—Aut. Hofbibliotheck, Vienna. | Wiener Zeitschrift für Kunst, March 28, 1810. | |
| 254 | Two songs to Bürger's words, 'Seufzer eines Ungeliebten,' and 'Gegenliebe.' For 'Gegenliebe,' see op. 80. | 1795(?) | Diabelli & Co., Vienna, April 1837; with no. 255. | |
| 255 | Song, to Herder's 'Die laute Klage.'—'Turteltaube' (C minor). | 1809(?). | See the foregoing. | |
| 256 | Song, 'Gedenke mein! ich denke dein' (E♭). | . . . . . . | Haslinger, Vienna. 1844. |
[ G. ]
- ↑ See 'Zweite Beethoveniana' p. 396 note.
- ↑ 2.00 2.01 2.02 2.03 2.04 2.05 2.06 2.07 2.08 2.09 2.10 2.11 These are more properly Rounds.
- ↑ Schindler, confirmed by Nottebohm, 'Zweite Beethoveniana' (1887), p. 113.
- ↑ Jungfrau von Orleans.
- ↑ Hoffmann in Nohl, 'Briefe Beethovens,' no. 328; but Hofmann in B. & H.'s edition, no. 256. See Thayer's 'Chron. Verzeichniss,' no. 228.
- ↑ This is possibly a Welsh, possibly an Old English air.