Page:02.BCOT.KD.HistoricalBooks.A.vol.2.EarlyProphets.djvu/1168

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Verse 39


And he put the stands five on the right side of the house and five on the left; and the (brazen) sea he put upon the right side eastwards, opposite to the south. The right side is the south side, and the left the north side. Consequently the stands were not placed on the right and left, i.e., on each side of the altar of burnt-offering, but on each side of the house, i.e., of the temple-hall; while the brazen sea stood farther forward between the hall and the altar, only more towards the south, i.e., to the south-east of the hall and the south-west of the altar of burnt-offering. The basins upon the stands were for washing (according to 2Ch 4:6), namely, “the work of the burnt-offering,” that is to say, for cleansing the flesh and fat, which were to be consumed upon the altar of burnt-offering. By means of the stands on wheels they could not only easily bring the water required near to the priests who were engaged in preparing the sacrifices, but could also let down the dirty water into the chest of the stand by means of a special contrivance introduced for the purpose, and afterwards take it away. As the introduction of carriages for the basins arose from the necessities of the altar-service, so the preparation of ten such stands, and the size of the basins, was occasioned by the greater extension of the sacrificial worship, in which it often happened that a considerable number of sacrifices had to be made ready for the altar at the same time. The artistic work of these stands and their decoration with figures were intended to show that these vessels were set apart for the service of the sanctuary. The emblems are to some extent the same as those on the walls of the sanctuary, viz., cherubim, palms, and flowers, which had therefore naturally the same meaning here as they had there; the only difference being that they were executed there in gold, whereas here they were in brass, to correspond to the character of the court. Moreover, there were also figures of lions and oxen, pointing no doubt to the royal and priestly characters, which were combined,