TORQUATO TASSO. Lyric drama in 4 acts; libretto by Ferretti, music by Donizetti. Produced at the Teatro Valle, Rome, in the autumn of 1833; at H. M. Theatre, London, Mar. 3, 1840.
TORRANCE, Rev. George William, M.A., Mus.D. University of Dublin, born at Rathmines, Dublin, in 1835. Educated as a chorister in Christ Church Cathedral, he afterwards became successively organist of Blackrock, Dublin, and of the city churches of St. Andrew and St. Anne. Among his earlier compositions was a 'Te Deum' and' Jubilate,' sung in Christ Church Cathedral. At 19 he composed his first oratorio, 'Abraham,' which was performed in 1855 at the Ancient Concert Rooms, Dublin, by all the leading musicians of the city, Sir Robert Stewart presiding at the organ and the composer conducting. 'Abraham' was performed four times in two years. It was rightly deemed a wonderful work for a mere lad to produce; the airs were written after the manner of Beethoven, the choruses followed that of Handel: of plagiarism there was none, and if the work was lacking in experience, it was yet a bold and successful effort for a boy in his teens. In 1856 Mr. Torrance visited Leipsic, and during his studies in that city became acquainted with Moscheles and other eminent musicians. Upon his return he produced an opera 'William of Normandy,' and several minor works, some of which have since been published. In 1859 Mr. Torrance entered the University of Dublin, with a view to studying for the ministry of the Church of England; here he graduated in Arts in 1864, and produced the same year a second oratorio, 'The Captivity,' to Goldsmith's words. He took the degree of M.A. at the University in 1867, was ordained deacon in 1865, and priest in 1866.
In 1869 he emigrated to Melbourne, Victoria. In 1879 he obtained the degrees of Mus. B. and Mus. D. from Dublin University, on the recommendation of Sir Robert Stewart, Professor of Music in the University, the 'Acts' publicly performed for the degree being, for Mus.B. a Te Deum and Jubilate (composed 1878), for Mus.D. a selection from his oratorio 'The Captivity.' He received an honorary degree of Mus.D. ad eundem from the Melbourne University, the first and only degree yet conferred in Music by that University.
In 1882 Dr. Torrance produced a third oratorio, 'The Revelation'; this was performed with great success in Melbourne, the composer conducting. He was elected president of the Fine Arts section of the 'Social Science Congress' held in Melbourne in 1880, when he delivered the opening address on Music, since published. In 1883 he was appointed by the Governor of Victoria to be one of the Examiners for the 'Clarke Scholarship' in the Royal College of Music.
He is also the author of a paper on 'Cathedrals, their constitution and functions,' and is at present Incumbent of Holy Trinity Church, Balaclava, near Melbourne, a handsome new church recently built, with a fine 3-manual organ constructed specially to be played by himself during service.
We believe Dr. Torrance to be the only Doctor of Music in the southern hemisphere—although many able musicians are settled in the principal cities.
TORVALDO E DORLISKA. Opera in 2 acts; libretto by Sterbini, music by Rossini. Produced at the Teatro Valle, Rome, Dec. 26, 1815; and reproduced at Paris, Nov. 21, 1820. The piece was a failure.
TOSI, Pier Francesco, the son of a musician of Bologna, must have been born about 1650, since we learn from the translator of his book that he died soon after the beginning of George II's reign (1730) above eighty years old.[1] In the early part of his life he travelled a great deal, but in 1693 we find him in London, giving regular concerts,[2] and from that time forward he resided there almost entirely till his death, in great consideration as a singing-master and a composer. A volume in the Harleian Collection of the British Museum (no. 1272) contains seven songs or cantatas for voice and harpsichord, with his name to them. Galliard praises his music for its exquisite taste, and especially mentions the pathos and expression of the recitatives. When more than seventy Tosi published the work 'cantori antichi e moderni, o sieno osservnzioni sopra il canto figurato. . . .' (Bologna 1723), which was translated after his death into English by Galliard—'Observations on the Florid Song, or sentiments of the ancient and modern singers,' London, 1742—second edition, 1743; and into German by Agricola.—'Anleitung zur Singkunst,' Berlin, 1757. It is a practical treat; se on singing, in which the aged teacher embodies his own experience and that of his contemporaries, at a time when the art was probably more thoroughly taught than it has ever been since. Many of its remarks would still be highly useful.
TOSTI, Francesco Paolo, an Italian composer, born April 7, 1847 [App. p.799 "April 9, 1846"], at Ortona sul mare, in the Abruzzi. In 1858 his parents sent him to the Royal College of St. Pietro a Majella at Naples, where he studied the violin under Pinto, and composition under Conti and the venerable Mercadante. The young pupil made wonderful progress, and was by Mercadante appointed maestrino or pupil teacher, with the not too liberal salary of 60 francs a month. He remained in Naples until the end of 1869, when, feeling that his health had been much impaired by overwork, he went back to Ortona with the hope of regaining strength. However, as soon as he got home he was taken seriously ill with bronchitis, and only after seven months recovered sufficiently to go to Rome and resume work. During his illness he wrote 'Non m'ama più' and 'Lamento d'amore'; but it was with difficulty that the young composer could induce a publisher to print these songs, which have since become so popular, and it was not till a considerable time after they
