"For such godless people I should not wish to work; nor do they require it. Nature itself entices a man to frivolities, the world gives sufficient evil example, and Satan himself drills them and whispers in their ears what they are to do and when. Thus that Naso, an excellent master of the devil's works, wrote well when he said:—
'Est deus in nobis, agitante calescimus illo
Impetus hic sacræ semina mentis habet?
Satan excited him (Ovid), and sharpened his wits to enable him to write those insidious and penetrating carmina on matters of love, by means of which he then caught young men, just as a bird-catcher catches titmice on a sticky lime-twig. Why, even among those of our own language (i.e. nation) there were similar verses, before the devil induced the people of our corner of the world to give way entirely to gluttony and drunkenness. Such worldly songs, written down in musical notes or in words in a masterly manner, we remember to have heard in our childhood, and we wondered at them. Such people (the writers of worldly songs) then I do not endeavour to instruct. They have their own good teacher who incites them."
Blahoslav's views expressed in his preface are infinitely more interesting than the contents of the little book itself. Blahoslav deals in separate chapters with the subjects of songs, the words, the rhythm, the "clauses," and the syllables.
The Replika proti Misomusūm—written, like all the existent works of Blahoslav, with the exception of a small Latin historical treatise, in the national language—has already been mentioned. Bishop Augusta had, in his sermons and elsewhere, spoken contemptuously of
