beautiful and typical instance of the author's lyric power: but, however inferior it may be to what he would have made of so beautiful a subject in the freshness and fullness of his inventive and fanciful genius, it is is still ingenious and effective after a fashion; and the first song is so genuinely graceful and simple as to remind us of Wordsworth in his more pedestrian but not uninspired moods or measures of lyrical or elegiac verse.
The higher genius of Ben Jonson as a comic poet was yet once more to show itself in one brilliant flash of parting splendour before its approaching sunset. The Magnetic Lady.No other of his works would seem to have met with such all but universal neglect as The Magnetic Lady; I do not remember to have ever seen it quoted or referred to, except once by Dryden, who in his Essay of Dramatic Poesy cites from it an example of narrative substituted for action, 'where one comes out from dinner, and relates the quarrels and disorders of it, to save the undecent appearance of them on the stage, and to abbreviate the story.' And yet any competent spectator of its opening scenes must have felt a keen satisfaction at the apparent revival of the comic power and renewal of the dramatic instinct so lamentably enfeebled
