and eclipsed on the last occasion of a new play from the same hand. The first act is full of brilliant satirical description and humorous analysis of humours: the commentator Compass, to whom we owe these masterly summaries of character, is an excellent counterpart of that 'reasonable man' who so constantly reappears on the stage of Molière to correct with his ridicule or control by his influence the extravagant or erratic tendencies of his associates. Very few examples of Jonson's grave and deliberate humour are finer than the ironical counsel given by Compass to the courtly fop whom he dissuades from challenging the soldier who has insulted him, on the ground that the soldier
has killed so many
As it is ten to one his turn is next:
You never fought with any, less, slew any;
And therefore have the [fairer] hopes before you.
The rest of the speech, with all that follows to the close of the scene, is no less ripe and rich in sedate and ingenious irony. There is no less admirable humour in the previous discourse of the usurer in praise of wealth—especially as being the only real test of a man's character:—
For, be he rich, he straight with evidence knows
Whether he have any compassion
