alone. Love too. But there also, taking one's way alone, happily alone in all the wonders of communion, swept up on the winds, but never swept away from one's very self. Two eagles in mid-air, maybe, like Whitman's Dalliance of Eagles. Two eagles in mid-air, grappling, whirling, coming to their intensification of love-oneness there in mid-air. In mid-air the love consummation. But all the time each lifted on its own wings: each bearing itself up on its own wings at every moment of the mid-air love consummation. That is the splendid love-way.
| · | · | · | · | · | · | · |
The party was festive at dinner-time, the women in their finest dresses, new flowers on the table, the best wine going. It was Sunday evening. Aaron too was dressed—and Lady Franks, in black lace and pearls, was almost gay. There were quails for dinner. The Colonel was quite happy. An air of conviviality gathered round the table during the course of the meal.
"I hope," said Aaron, "that we shall have some music tonight."
"I want so much to hear your flute," said his hostess.
"And I your piano," he said.
"I am very weak—very out of practise. I tremble at the thought of playing before a musician. But you must not be too critical."
"Oh," said Aaron, "I am not a man to be afraid of."
"Well, we will see," said Lady Franks. "But I am afraid of music itself."
"Yes," said Aaron. "I think it is risky."
"Risky! I don't see that! Music risky? Bach? Beethoven! No, I don't agree. On the contrary, I think it is most elevating—most morally inspiring. No, I tremble before it because it is so wonderful and elevating."
"I often find it makes me feel diabolical," said he.
"That is your misfortune, I am sure," said Lady Franks. "Please do take another—but perhaps you don't like mushrooms?"
