This page has been proofread, but needs to be validated.
OF DRAMATIC POESY.
123

What has been said of the unity of place, may easily be applied to that of time: I grant it to be impossible, that the greater part of time should be comprehended in the less, that twenty-four hours should be crowded into three: but there is no necessity of that supposition. For as Place, so Time relating to a play, is either imaginary or real: the real is comprehended in those three hours, more or less, in the space of which the play is represented; the imaginary is that which is Supposed to be taken up in the representation, as twenty-four hours more or less. Now no man ever could suppose that twenty-four real hours could be included in the space of three: but where is the absurdity of affirming that the feigned business of twenty- four imagined hours may not more naturally be represented in the compass of three real hours, than the like feigned business of twenty-four years in the same proportion of real time? For the proportions are always real, and much nearer, by his permission, of twenty-four to three, than of four thousand to it.

I am almost fearful of illustrating any thing by similitude, lest he should confute it for an argument; yet I think the comparison of a glass will discover very aptly the fallacy of his argument, both concerning time and place. The strength of his reason depends on this, That the less cannot comprehend the greater. I have already answered, that we need not suppose it does: I say not that the less can comprehend the greater, but only that it may represent it: as in a glass or Mirrour of half