a yard diameter, a whole room and many persons in it may be seen at once; not that it can comprehend that room or those persons, but that it represents them to the sight.
But the author of The Duke of Lerma is to be excused for his declaring against the unity of time; for, if I be not much mistaken, he is an interested person; the time of that play taking up so many years as the favour of the Duke of Lerma continued; nay, the second and third act including all the time of his prosperity, which was a great part of the reign of Philip the Third: for in the beginning of the second act he was not yet a favourite, and before the end of the third was in disgrace. I say not this with the least design of limiting the stage too servilely to twenty-four hours, however he be pleased to tax me with dogmatizing in that point. In my dialogue, as I before hinted, several persons maintained their several opinions: one of them, indeed, who supported the cause of the French poesie, said, how strict they were in that particular; but he who answered in behalf of our nation, was willing to give more latitude to the rule; and cites the words of Corneille himself, complaining against the severity of it, and observing what beauties it banished from the Stage[1]. In few words, my own opinion is this, (and I willingly submit it to my adversary, when he will please impartially to consider it,) that the imaginary time of every play ought to be contrived into as narrow a compass as the nature of the plot, the quality of the persons, and variety of accidents will
- ↑ See p. 52.
