petition. That is never the case at the Yeko-in, though it may possibly happen at performances in the provinces. The wrestler cannot afford to trifle with his duties at the Yeko-in. He enters the arena once every second day, or five times altogether during a tournay. On his first appearance he becomes entitled to a daily salary the equivalent of two shillings, and if he loses more than one out of his five bouts, he cannot look for an increase of emoluments. Four victories and one defeat, or three victories and two draws, entitle him to an additional sixpence, and five victories raise his stipend to three shillings. Thus working his way gradually upward, he reaches the coveted figure of twenty shillings (10 yen), obtains a place (seki) among the names printed in capitals on the roll, and is called a Seki-tori (placeholder), or, less aristocratically, a juryo-dori (ten-yen-receiver). Seventy shillings is the limit of his regular earnings at one tournay, and whatever his stipend, he never fails to hand over a liberal portion to his teacher. But this sum, which is paid by the lessee, represents only a fraction of the successful wrestler's earnings. His progress is keenly watched by numerous enthusiasts among the audience, and often when he spreads his victorious arms in the ring, the cheering onlookers doff their mantles or surcoats and fling them at his feet, redeeming them afterwards for substantial sums. Besides, in the intervals between the Yeko-in tournays, the wrestlers travel from place
74
