touch with modern physics. Bergson's procedure is largely based on the contention that mechanics cannot explain certain empirical facts, such as the supposed identity of the vertebrate eye and the eye of the scallop. But the fact here is merely one of a certain resemblance of pattern, which may well be explained by the mechanical principles of convergent evolution. Peirce's account involves no rejection of the possibility of mechanical explanations. Indeed, by carrying chance into the laws of mechanics he is enabled to elaborate a positive and highly suggestive theory of protoplasm to explain the facts of plasticity and habit.[1] Instead of postulating with Spencer and Bergson a continuous growth of diversity, Peirce allows for growth of habits both in diversity and in uniformity. The Spencerian mechanical philosophy reduces all diversity to mere spatial differences. There can be no substantial novelty; only new forms or combinations can arise in time. The creative evolution of Bergson though intended to support the claims of spontaneity is still like the Spencerian in assuming all evolution as proceeding from the simple to the complex. Peirce allows for diversity and specificity as part of the original character or endowment of things, which in the course of time may increase in some respects and diminish in others. Mind acquires the habit both of taking on, and also of laying aside, habits. Evolution may thus lead to homogeneity or uniformity as well as to greater heterogeneity.
Not only has Peirce a greater regard than even Bergson for the actual diversity and spontaneity of things, but he is in a much better position than any other modern phi-*
- ↑ Pp. 249 ff.
