Page:Cyclopedia of Painters and Paintings, 1887, vol 2.djvu/187

GIROLAMO 1857, 3,100 francs. Bellier do In Chavig- and 1520, are in the Berlin Museum ; Ma- nerie, i. 601 ; Ch. Blanc, Keolc francaise ; donna and Saints, dated 1518, L'Annun/i- Villot, Cat. Louvre ; Gaz. des 11 Arts (1S74|, ata, Panna ; Marriage of the Virgin, and x. 464 ; Gauticr, Guide au Louvre, IIJ ; the Annunciation, Nativity, and Flight into Meyer, Gesch., 91. Egypt, in a predella, Bologna Pinae. Va- GIROLAMO DI BEXVEXUTO, born in sari says lie was chiefly known as a portrait 1470, died in 1524. Sienesc school ; son painter. ('. C., X. Italy, i. <!01 ; Vasari, and pupil of Ben venuto del Guasta. Painted ed. Mil., v. 1*2; Cli. Blanc, Eeolebolonaise. in 1508 a Virgin of the Snow, in S. Donien- GIROLAMO DAI LIHRI, born in Verona ico, Siena, which, though resembling his in 1474, died July 22, 1555. Venetian father's productions, is more pleasing, school. Son of Francesco dai Libri, a inin- There are several pictures by him in the iaturist (or illuminator of books, whence he Siena Academy, and a S. Chiara with a got his name), of whom no vestige has been kneeling Pilgrim in the Osservanza out- preserved, and grandson of Stefano da /evio. side Siena. 0. <t C'., Italy, iii. 71!. His first picture, Christ deposed from the GIROLAMO BRESCIANO. See ,SVa,W</.,. Cross, in the Church of Malscsinc, painted GIKOLAMO DA CARPI, born at Ferrara when sixteen years old, is an illustration of about 1501, died about 15(11. Lombardo- liis education in the school of a miniaturist, Ferrarese school. Real name de' Sellari or but in his later works, inspired by a deep de" Livizzani, but called da Carpi because study of the Mantcgnesques, lie exhibits the his father, Tommaso, was born there. Pu- form and the spirit of a greater art. His pil of Benvenuto Garofalo ; afterwards Madonna and Saints, lately in Hamilton painted at Bologna, and later studied works Palace, near Glasgow, is a good example of of Correggio and Parmigianino in Modcna this style. Later he shows the influence of and Parma. Though he imitated them, he Francesco Moroni 1 , as in the Madonna and was not a servile copyist, but had a style of Saints, Berlin Museum. Still later he ac- his own. Painted in fresco and in oil, and quires a more modern treatment in (-very was very successful in port raits ; was also an branch of pract ice, as seen in the Concep- architect. Among his works are: Adora- tion, in S. Paolo, Verona. The culminating tion of the Magi, and Madonna, Bologna point in his career is reached in the Virgin Academy ; Christ in the House of Martha in Glory and the Madonna and Saints and Mary, Uth'xi, Florence; Entombment, (15:50), Verona Museum; and in the Ma- Palazzo Pitti, ib. ; Portrait of Archbishop donna and St. Anne, National ( lallery, Lon- Salimbeni, ib. ; Christ on the Mount of ()1- don. Beginning as a miniaturist, he rose to ives, ib.; Venus and Cupid, Dresden Gal- a high place amongst the painters of North lery. Vasari, ed. Mil., vi. 400; Lanzi, iii. Italy, being neither a plagiarist noraservilo 204 ; Ch. Blanc, EYole ferraraise ; Cittadella, copyist. His son, Francesco (born 1500), Memorie di . . . Garofalo (Ferrara, 1872); was a miniature and oil painter. C. <V ('., Lavice, 0.'5. X. Italy, i. 4'M ; Burekhardt, (IOC, ; Liibke, GIHOLAMO DA COTIGXOLA, born in Gesch.'d. ital. Mai., ii. 578. Cotignola about 1481, died in 1550. Bo- GIROLAMO DA SAXTA CROCK, born lognese school. Heal name Girolamo Mar- at Santa Croec ('!), near Bergamo, flourished cLesi, son of Antonio M. ; pupil of /aga- at Venice in 1520-4!). Venetian school; nelli (?) and of Francesco Franeia, but in his history and landscape painter, perhaps pu- later days an imitator of Raphael and Michel- pil and assistant of Francesco da Santa angelo. A Nativity of 1513, in his early Croce, of whom he may and may not have style, is in Lord Ashburton's Collection, been a relative ; further developed under Examples of his later manner, dated 1516 influence of Giovanni Bellini and the great 147