Pass near Meran (1840); Target Shooting in Tyrol (1841); Smithy in the Ramsau (1842); Zell am See (1843); Dachstein and Gosau Lake, Hunting Scene, Mountain-Path near Meran (1844); Evening, Chamois Hunt, Poachers (1845); Four Seasons (1847); Alp, Ein Schiffzug (1848); Chamois-Hunt, Peasant Horses, Return from Stag-Hunt (1850); Well in Tyrol (1852), Smithy in Salzburg (1853), National Gallery, Berlin; Cows, Sheep, and Horse in Shallow Water, Leipsic Museum; Wolves and Dead Horse, Städel Gallery, Frankfort; Evening in Tyrolese Alps, Stettin Museum; Wolves and Deer, Wild Boar and Wolf, South Kensington Museum, London; On the Atter Lake, Cows and Sheep (1858).—Allgem. d. Biogr., viii. 420; Andresen, iii. 1; Brockhaus, vii. 594; Kunst-Chronik, xix. 335, 517; Dioskuren (1862), 242; Eitelberger, Kunsthist. Schr., i. 92; Wurzbach, v. 104; ix. 414; Zeitschr. f. b. K., xviii. 137, 177, 251, 282, 321; xix. 176.
GAUERMANN, JAKOB, born at Oeffinger,
Würtemberg, in 1773, died in Vienna, March
27, 1843. Landscape and genre painter,
pupil of Stuttgart Academy. After travelling
through Switzerland in the service of a
Heilbronn savant he went to Vienna in 1798,
became member of the Academy, and in 1818
painter to Archduke John, for whom he executed
many views in the Austrian Alps.
Works: Eighty views in Styria (1811-21),
Archduke John's Collection; others in Albertina
Collection, Vienna Academy, and in
private galleries of England.—Allgem. d.
Biogr., viii. 422; Andresen, v. 268; Brockhaus,
vii. 594; Wurzbach, v. 107.
GAUFFIER, LOUIS, born at La Rochelle
in 1761, died in Florence, Oct. 20, 1801.
History painter, pupil of Hugues Taraval,
won the grand prix de Rome in 1784. He
married at Rome Pauline Chatillon, genre
painter, pupil of Drouais, several of whose
pictures were engraved by Bartolozzi.
Works: Abraham and the Angels, Alexander
and Hephæstion (1789); Cornelia Mother of
the Gracchi (1792), Three Young Men appearing
to Abraham (1793), Louvre; The
Shepherd Faustulus carrying Romulus and
Remus, Cherbourg Museum; Roman Ladies
offering their Jewels to their Country;
Achilles recognized by Ulysses; Jacob and
Rachel; Sacrifice to the Manes; Raising of
Lazarus, Perpignan Museum; Seven in Montpellier
Museum; others in Marseilles, Toulon,
and Narbonne Museums, and Uffizi,
Florence.—Villot, Cat. Louvre; Lejeune,
Guide, i. 395; iii. 302; Larousse.
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GAUGENGIGL, IGNAZ (MARCEL MICHAEL MARTIN JOSEPH), born in Passau, Bavaria, in 1856. Genre painter, pupil of the Munich Academy under Professor Raab and Wilhelm Diez. Removed to America in 1879, and settled in Boston. Works: Le Refugée (1882), W. Weld, Boston; My Studio (1883), Henry S. Shaw, ib.; Bellissima (1883), Col. Jonas H. French, ib.; Difficult Question (1884), Josiah M. Fiske, New York; The Story (1885), H. W. Rice, Boston; After the Storm (1885), John A. Lowell, ib.; On the Promenade (1885), Willard White, ib.
GAUL, GILBERT, born in Jersey City,
N. J., in 1855. Genre painter, pupil of J. G.
Brown and of the National Academy. Exhibited
first at National Academy in 1872; elected
A.N.A. in 1880, N.A. in 1882. Works: Indian
Girl, Coquette (1880); Old Beau (1881);
Charging the Battery, Stragglers, News from
Home (1882); Silenced, Cold Comfort on
the Outpost (1883); On the Look-out, Guerillas
returning from a Raid (1885).
GAUL, GUSTAV, born in Vienna, Feb.
6, 1836. Portrait painter, pupil of Rahl;
visited Germany, Holland, France, and
Italy; studied especially Rubens and Rembrandt
and the old Venetian masters.
Works: Portraits of Sophie Schröder (1860)
