Troyon in Paris, where and in Italy he spent several years. Has travelled much in Europe and the East. Works: Mackerel Fleet off Beverly Coast, Harbour Bar at Cape Ann (1869); Palazzo Ducale at Venice (1875); Windmills at Delfthaven (1876); Forest Sanctuary (1878); Minieh on the Nile (1879).
GEBAUER, CHRISTIAN DAVID, born
at Neusalz, Silesia, Oct. 15, 1777, died at
Aarhus, Jutland, Sept. 15, 1831. Animal
painter, pupil of Copenhagen Academy and
of Lorentzen; went to Dresden in 1813,
where he painted military scenes, and especially
illustrated Cossack life. Visited Germany
in 1827, and afterwards established a
school of drawing at Aarhus. Works: The
Stud (1807); Horse Fair (1810); Stags fighting
(1823), Landscape with Cattle (1824),
Bull and Cow, Sleighing near Munich
(1828), Copenhagen Gallery.—Weilbach.
An image should appear at this position in the text. To use the entire page scan as a placeholder, edit this page and replace "{{missing image}}" with "{{raw image|Cyclopedia of painters and paintings (IA cyclopediaofpain02cham).pdf/136}}". Otherwise, if you are able to provide the image then please do so. For guidance, see Wikisource:Image guidelines and Help:Adding images. |
GEBHARDT, EDUARD VON, born at
St. Johannis, Esthland,
June 1 (13),
1838. History painter,
pupil of St. Petersburg
Academy under
Lessing, and of Carlsruhe
Art School, then
in Düsseldorf under
Wilhelm Sohn; travelled
through Europe,
and settled at Düsseldorf,
where he became
professor at the Academy in 1873. Member
of Munich and Berlin Academies. Gold
medal, Berlin, 1872; Medal, Vienna, 1873.
Works: Christ's Entry into Jerusalem (1863);
Raising of Jairus' Daughter (1864); Dives
and Lazarus (1865); Christ on the Cross
(1866), Cathedral, Reval; Religious Conversation
(1866); Vibrations of the Pendulum;
The Brothers van Eyck; Last Supper (1870),
National Gallery, Berlin; Descent from the
Cross (1872); Ecce Homo, Crucifixion (1873),
Kunsthalle, Hamburg; Disciples at Emmaus
(1876); Reformer at Work (1877), Leipsic
Museum; Old German Housewife (1879);
Ascension, Christ walking on the Sea (1881);
The Convent Scholars (1882); Pietà, Crucifixion
(1884).—Brockhaus, vii. 613; Müller,
196; Kunst-Chronik, vii. 465; xix. 35, 128;
Zeitschr. f. b. K., vii. 361; Westermann's
Monatshefte, li. 279.
GEBHARDT, LUDWIG, born in Munich,
July 20, 1830. Landscape painter, pupil of
Munich Academy, then studied from nature
in the Bavarian Alps and in North Italy.
Works: Ammerland on Lake Starnberg, St.
Bartholomew on the Königsee, View on Lake
Constance, Leutstetten with Lake Starnberg,
Upper Isar Valley, Mountains by Moonlight,
View in Ziller Valley.—Müller, 197.
GEBLER, FRIEDRICH OTTO, born in
Dresden, Sept. 18, 1838. Animal painter,
pupil of Dresden Academy, then in Munich
of Piloty. Rivals the old Dutch masters in
his finely-painted and humourous pictures.
Medals in Berlin (1874) and Munich (1883).
Works: Rest in the Wood at Noon, Obstinate
Sheep, Disturbed Domestic Peace
(1863); Spoiled Repast, Sheepfold (1870);
Poodle as Watchman in Sheepfold (1873);
Art-Critics in the Stable (1873), Sheep and
Spaniel (1878), National Gallery, Berlin;
Visit to the Stable (1876); Sheep returning
before Storm, Expectation, Two Poachers
(1880), Dresden Gallery; Reynard's End
(1883), New Pinakothek, Munich.—Illustr.
Zeitg. (1884), i. 90; Müller, 197; Meyer,
Conv. Lex., xxi. 309.
An image should appear at this position in the text. To use the entire page scan as a placeholder, edit this page and replace "{{missing image}}" with "{{raw image|Cyclopedia of painters and paintings (IA cyclopediaofpain02cham).pdf/136}}". Otherwise, if you are able to provide the image then please do so. For guidance, see Wikisource:Image guidelines and Help:Adding images. |
GEDDES, ANDREW, born in Edinburgh
in 1789, died in London, May 5, 1844. Portrait
and subject painter; pupil in 1807 of
the Royal Academy, where he exhibited in
1810 his Draught-Players. Then spent four
years at Edinburgh painting portraits. Visited
Paris in 1815, Italy in 1828, and Holland
in 1839. Returned to England in 1831,
and was elected
an A.R.A.
in 1832. He
was a good
etcher, particularly
of
portraits. Works: Discovery of the Scottish
Regalia (1821); Christ and the Woman