and in Dresden, Antwerp, Düsseldorf, and Paris. In 1876 became one of the directors of the Boston Art Museum drawing and painting schools. Medal at Dresden. Paints chiefly interiors with figures, especially fishermen. Works: The Lorelei; Scene from Schiller's Kabale und Liebe; Portrait of Rev. Dr. Waterston and of Franklin.
GRÜNENWALD, ALEXANDER, born
in the Rosenau, near Coburg, March 22,
1849. Genre painter, pupil of Munich
Academy under Strähuber, Anschütz, and
Diez; studied especially the Dutch masters
of genre; visited England in 1875. Works:
Meeting after Boar-Hunt (1875); End of
Card Game (1876); Lansquenets at Dice
(1877); Retainer (1878).—Müller, 221.
GRÜNENWALD, JAKOB, born at Bünzwangen,
Würtemberg, Sept. 30, 1821. History
and genre painter, pupil of Stuttgart
Art School under Dietrich and Neher; continued
his studies in Munich, and became
professor at the art-school of Stuttgart in
1875. Works: Christ healing the Sick;
Bridal Couple at Grandmother's; Shepherd's
Return; Hail-Storm (1865), Stuttgart Gallery;
Interrupted Wedding Procession
(1868); Return Home; German Family of
16th Century (1879); Surprised Gypsies;
Battle of Sendling (fresco, 1863), National
Museum, Munich.—Brockhaus, viii. 572;
Kunst-Chronik, xiv. 78; Müller, 221.
GRÜNEWALD, MATTHIAS, born at
Aschaffenburg, died there after 1520. German
school; history painter, one of the
great masters, styled by Sandrart the German
Correggio, with whose works his show
a striking affinity; lived in his native town
and in Mentz the greater part of his life,
but called by contemporaries Matthes von
Aschaffenburg. Works: Altar of Isenheim,
Colmar Museum; St. Lawrence, St.
Cyriac, Frankfort Museum; Conversion of
St. Maurice, Old Pinakothek, Munich;
Resurrection, Basle Museum (lately contested);
St. Anthony, Cologne Museum;
Crucifixion, Schleissheim Gallery; Last
Judgment, Germanic Museum, Nuremberg;
several (recently verified), Vienna Museum.—Allgem.
d. Biogr., x. 52; Ch. Blanc, École
allemande; Dohme, 1i.; Förster, Denkmale,
VIII. iii. 11; Kunstblatt (1841), 104; (1846),
32, 48; Kunst-Chronik, xv. 633; xvi. 721;
Repertorium f. K., i. 411; vii. 133, 245;
Woltmann, D. Kunst i. Elsass, 247; W. &
W., ii. 436; Zeitschr. f. b. K., i. 257; vi.
138; viii. 321.
GRUSS, ANTON, born at Schaab, Bohemia,
in 1804, died in Vienna in 1872. History
painter, pupil of Prague Academy
under Kadlik; became director of the Harrach
Gallery in Vienna. Works: St. Aloysius
(1839); St. Peter and St. Paul; Madonna;
St. Wenceslaus; Last Judgment; Faith,
Hope, and Love.—Allgem. d. Biogr., x. 66.
GRUSS, JOHANN, born at Schaab, Bohemia,
Nov. 22, 1790, died in Leitmeritz,
Aug. 8, 1855. History painter, pupil of
Prague Academy; perfected himself by
copying in the Prague and Dresden Galleries.
Works: Great Altarpiece, Stadtkirche,
Reichstadt; St. Philomena; St. Cecilia.—Allgem.
d. Biogr., x. 67.
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GRÜTZNER, EDUARD, born at Gross
Carlowitz, Silesia,
May 26,
1846. Genre
painter, pupil of
Munich Academy
and of Piloty;
devoted
himself to humourous
genre,
and at once attained
great success
with his scenes from Shakespeare. Afterwards
the amusing sides of monastic and
hunting life became his principal themes.
Professor at the Munich Academy. Gold
medal, Berlin, 1872. Honorary Member
of Munich Academy, 1885. Works: The
Seven Arts; In the Convent Cellar; Tasting
Wine; Sleepless Night; Falstaff at the Inn
(1869); Tippling Scene from Ivanhoe; Falstaff
reviewing his Recruits; Falstaff and
Companions in Woods (1870); Scene from
