Page:Cyclopedia of painters and paintings (IA cyclopediaofpain02cham).pdf/202

As You Like It; Scene in the Wardrobe, Scene from Merry Wives, Mephistopheles behind the Scene, Unmistakable Defeat (1873); Capuchin mending his Cowl; Difficult Choice; Ekkehard and the Cellarer; Hunter's Cant (1874); Convent Brewery; Once and Now (1877); Humourous Reading in Convent Library (1879); Art Amateur in Curiosity Shop, Sunday Hunter (1880); Siesta in the Monastery, Bright as Gold (1881); Peasant Theatre (1882); Tavern Scene (1883); Monastic Hospitality, Silesian Tippler and the Devil (1884); The Convent Pike, In the Liquor Shop, Game of Tarock, Faust in Auerbach's Cellar (1885); Abbe's Weakness, Testing Wines, John D. Lankenau, Philadelphia.—Brockhaus, viii. 578; Illustr. Zeitg. (1874), i. 371; ii. 190; (1878), i. 7, 13; ii. 285; (1881), ii. 368; (1882), ii. 9, 608; (1884), i. 479; Deutsche illustr. Zeitg. (1885), i. 98; Die Kunst für Alle, i. 75; Kunst-Chronik, v. 122; ix. 240; x. 475; xix. 486; xx. 744; Müller, 222; Zeitschr. f. b. K., viii. 121; x. 31.

GRYEFF (Grief, Grijff), ADRIAAN DE, born at Antwerp (?) in 1670 (?), died at Brussels (?) in 1715. Flemish school; landscape, animal, and still-life painter in the manner of Jan Fyt. There is no evidence of his birth at Antwerp, where he appears first in 1689, when married; seems to have lived at Brussels until 1692, then settled at Antwerp, where he entered the guild in 1699. Said to have afterwards returned to Brussels. Works: Landscape with Dead Game, Huntsman and Dogs, Louvre, Paris; Dead Birds, Fruits and Vegetables, Lille Museum; Poultry, Dead Game, Cherbourg Museum; Dead Game (2), Rouen Museum; Hares and Partridges, Dijon Museum; Dogs and Dead Game (3), Basle Museum; Landscapes with Dead Game and Dogs (2), Poultry Yards (2), Hermitage, St. Petersburg; Allegory on War and Peace, New York Museum; Dogs and Game, Historical Society, New York; Rabbits and Fowl, Mrs. Joseph Harrison, Philadelphia.—Van den Branden, 1106.

GSELLHOFER, KARL, born in Vienna, Oct. 28, 1779, died there, May 17, 1858. History, portrait, landscape, and miniature painter, pupil of Vienna Academy under Füger; became professor there in 1819. Many of his landscapes are in the collections of the Imperial family.—Wurzbach, v. 403.

GUARDI, FRANCESCO, born in Venice in 1712, died in 1793. Venetian school; architecture and landscape painter, pupil and imitator of Canaletto; painted many views of Venice, which, though less precise in perspective and architectural detail than those of his master, are charming in style and execution. Works: View of Venice, S. M. de la Salute, Fête of Corpus Domini, Fête of Jeudi Gras, Procession of Doge to S. Zaccaria, Grand Hall in Palazzo Ducale, Louvre, Paris; Isle of S. Giorgio, Museo Civico, Venice; Views (2) in Venice, Verona Museum; Views in Venice (3), Bergamo Gallery; Grand Canal, Fondaco dei Tedeschi, Modena Museum; Interior of S. Marco, Brussels Museum; Views (2) in Venice, Nantes Museum; do. (4), Berlin Museum; View in Venice, Church and Piazza of S. Marco, National Gallery, London; View on the Grand Canal, Seven Views of Venice, Bridgewater Gallery, ib.; Church on Grand Canal, South Kensington Museum, ib.; Views in Venice, Fitzwilliam Museum, Cambridge; Church of San Giorgio, Piazetta of San Marco, Glasgow Gallery; The Doge's State Barge, National Gallery, Dublin; The Rialto, Santa Maria della Salute—Venice, New York Museum.—Seguier; Wurzbach, vi. 7.

GUARIENTO DA PADUA, 14th century (1316-75). Venetian school. He painted frescos in the Eremitani, Padua, which, though much repainted, show that he inherited the Byzantine manner of the prede-