Lesson, Lesson with the Parson (1877); Father with his Children praying to Madonna (1878); Country Physician (1879); Clymene and her Sisters at Phaëton's Grave (1880); Father and Son (1882); Two Sons at their Mother's Deathbed (1883).—Sigurd Müller, 151.
HELT-STOKADE, NICOLAAS VAN,
born at Nymwegen about 1614, died in
1669. Dutch school; history and portrait
painter, pupil of David Rykaert the elder;
for a time court-painter in France, but lived
mostly in Rome and Venice, though at Amsterdam
in 1654. Many European princes
ordered pictures of him, as he was an excellent
colourist. He supplied the landscapes
of Wynants, Hackaert, and De Heusch with
figures. Works: Grain Market under Joseph
in Egypt, Town Hall, Amsterdam; Figures
in Border of a Forest (by Wynants,
1659), Hague Museum; Susanna at the
Bath, Leipsic Museum; Male Portrait, Old
Pinakothek, Munich.—Immerzeel, iii. 115;
Kramm, v. 1575; De Stuers, 186; Van den
Branden, 871.
HÉMICYCLE, Paul Delaroche, Palais des
Beaux-Arts, Paris; encaustic painting, H.
15 ft. × about 50 ft. Scene—the portico of
an Ionic temple; in centre sits Apelles enthroned,
with Ictinus on his right and
Phidias on his left. Near them are five allegorical
figures: in front, Fame, nude, kneeling,
casting out wreaths from a heap at her
side; back of her, at left, seated, are Greek
Art and Gothic Art, the latter (with the
model of a cathedral) a portrait of Delaroche's
wife, daughter of Horace Vernet;
at right, Roman Art and Renaissance Art.
On each side of this ideal group extend the
wings of the picture, in which are grouped
the great artists of the world, standing or
sitting in their habits as they moved of old.
The work contains 75 colossal figures. The
original, called the Hémicycle because it
occupies the semicircular frieze of the amphitheatre
of the Beaux-Arts, was painted
in 1837-41. Delaroche received for it 80,000
francs, the price set for a canvas of fifteen
figures, the work originally contemplated.
It was injured by fire in 1855, but the damage
was repaired by the artist himself, aided
by Mercier and Fleury. The engraving by
Henriquel Dupont cost eight years' labour.
Delaroche made for Dupont's use a copy of
the work, in small (1853), now owned by
W. T. Walters, Baltimore. There is a photogravure
of it in Art Treasures of America,
together with a key to the figures. The
original sketch for the large work is in the
Nantes Museum.—Art Treas. of Amer., i.
82; Mrs. Jameson; Gaz. des B. Arts (1860),
viii. 354.
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HEMISSEN (Hemishem, Hemsen), JAN
VAN, born at Hemishem (Hemixem), near
Antwerp, about 1500, died at Haarlem between
1555 and 1566. Flemish school.
Real name Jan Sanders. History and portrait
painter, pupil at Antwerp of Hendrik
van Cleve in 1519, master of the guild before
1524, its dean in 1548; removed to
Haarlem in 1551. Although, in his time,
the influence of the Italian school asserted
itself strongly, he adhered to the old traditions,
and took Quinten Massys for his
model. Works: Calling of St. Matthew,
Museum, Antwerp; do., Theodor van Lerius,
ib.; do., Ghent Museum; Prodigal
Son (1556), Brussels Museum; Tobias restoring
his Father's Sight (1555), Louvre,
Paris; Christ driving out the Money-Changers
(1556), Nancy Museum; Madonna, Village
Physician, Madrid Museum; Abraham's
Sacrifice, Germanic Museum, Nuremberg;
Calling of St. Matthew (1536), Isaac blessing
Jacob, Holy Family (1541), Old Pinakothek,
Munich; Mocking of Christ (1544), Schleissheim
Gallery; Calling of St. Matthew, do.
(1537), do. (1548), St. Jerome, St. William,
Portrait of Mabuse, Vienna Museum; St.
Ursula, Adoration of the Magi, Prince Albert
Collection, London. His
daughter and pupil, Catharina,
was an artist of merit; went
with her husband, a musician,
to Spain, where both entered the service of
the Queen of Hungary. A Male Portrait by