iii. 765; Riegel, Beiträge, ii. 426; Van der Willigen, 184.
HUGUENOT, Sir John Everett Millais,
Mrs. Miller, Preston, England; canvas, H.
3 ft. 2 in. × 2 ft. 1 in. Incident founded on
the order of the Duc de Guise, that every
Catholic should bind a strip of white linen
round his arm on the morning of St. Bartholomew's
Day (Aug. 15, 1572), when the
bell of the Palais de Justice should give the
signal for the massacre. The Huguenot of
the picture gravely refuses to permit his
Roman Catholic mistress to bind a white
scarf around his arm, as he takes a last embrace;
at the same time the rose in her
bosom falls to the ground, shedding its
leaves. Royal Academy, 1852; painted for
David T. White, a dealer, for £150, to which
£50 was added after the engraving by T. O.
Barlow had proved remunerative. This picture
brought Mr. Millais to the height of
his reputation. The Huguenot was painted
from Mr. Arthur, now General Lempriere,
and the Catholic from Miss Ryan, who sat
also for the Puritan Maiden in the Proscribed
Royalist. Sketch in water-colours, Mr. C.
Langton, Liverpool.
HUGUET, VICTOR PIERRE, born in
Lude (Sarthe); contemporary. Genre and
landscape painter, pupil of Émile Loubon;
paints pleasing though sketchy Eastern landscapes
and scenes. Medals: 3d class, 1873;
2d class, 1882. Works: Caravans; Wells
in Algiers; Camels Grazing, Ruins of Roman
Aqueduct in Algeria (1868); Hunting
with the Falcon in Algeria (1874); River
Cheliff in Algeria (1879); Wandering Tribe
in Algeria (1882); Evening in the Douars
near Biskra (1884).
HULLE, ANSELMUS VAN, born at
Ghent in 1594, died about 1668. Flemish
school. Real name Anselmus Hebbelynck.
History and portrait painter, master of the
guild at Ghent in 1620, subdean in 1632;
settled early in Holland, where his talent
was much appreciated. Prince Frederik
Hendrik sent him to Münster in 1648 to
paint the portraits of the envoys to the Congress
there at the close of the Seven Years'
War, and after Prince Frederik's death he
was appointed court-painter to the Emperor
Ferdinand III. Works: Pietà (2), Ghent
Museum.—Immerzeel, ii. 64; Kramm, iii.
766.
HULSMAN, JOHANN, flourished in Cologne
about middle of 17th century. German
school; history and portrait painter,
pupil of Augustin Braun; possessed of
great inventive power, and an able colourist,
worthy to be ranked with the best masters
of Rubens' school. Works: View of Castle
and City of Heidelberg (1630), Carlsruhe
Gallery; Legend of St. Nicholas (1643), St.
Ursula Church, Cologne; Assumption, Apostle
Church, ib.; Portrait of General Johann
von Werth, St. Veronica, Museum, ib.; Elegant
Assembly at Meal Out-of-Doors (1644),
Germanic Museum, Nuremberg.—Allgem.
d. Biogr., xiii. 335; Nagler, Mon., iii. 981.
HULST, FRANS DE, died in Haarlem,
Dec. 29, 1661. Dutch school; landscape
painter, master of the guild at Haarlem in
1631. Resembles in his early manner Salomon
van Ruysdael, in his later, Roelof de
Vries. Works: Dutch City on a Canal,
Berlin Museum; Village on Downs of
Scheveningen (1644), Gotha Museum; View
of Eastern Gate at Hoorn, View of Nymwegen,
Rotterdam Museum.—Meyer, Gemälde
d. köngl. Mus., 218.
HULST, JAN BAPTIST VAN DER, born
at Louvain, March 2, 1790, died at Brussels
in June, 1862. History and portrait painter,
pupil of Louvain Academy under J. G.
Geedts; went in 1819 to Paris, and in 1826
to Rome, whence he visited Naples, Florence,
and Venice; was made court-painter
to the King of Holland in 1830, and subsequently
member of Amsterdam Academy.
Works: Miracle of the Holy Sacrament, St.
James's, Louvain; Series of Family Portraits,
Duke of Arenberg, Brussels.—Immerzeel,
ii. 65; Kramm, vii. 87.
HULST, PEETER VAN, died in Antwerp
in 1628. Flemish school; landscape painter,
pupil of Ghielis Vinbons in 1583; his
