pictures, enlivened with figures, are vividly conceived and powerful in tone. Not to be confounded with Peeter Verhulst, alias Floris, of Mechlin, who became master of the guild at Antwerp in 1589, and took Jan Wildens as a pupil in 1596, nor with Pieter van der Hulst, called Zonnebloem, landscape and still-life painter (born at Dordrecht, Feb. 25, 1651, died in 1708), by whom there is a Village View (1652) in the Städel Gallery at Frankfort. Work, Flemish Kirmess (1628), Brunswick Museum.—Riegel, Beiträge, ii. 88.
HULSWIT, JAN, born at Amsterdam,
April 11, 1766, died there, Aug. 8, 1822.
Landscape painter, pupil of Pieter Barbiers,
the younger (born in 1749); member of
Royal Institute of the Netherlands and of
Amsterdam Academy. Works: Landscapes
(2, 1807, 1813), City Gate (1807), Amsterdam
Museum; Landscape, Städel Gallery, Frankfort.—Immerzeel,
ii. 66.
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HUMBERT, FERDINAND, born in
Paris, Oct. 8, 1842.
Genre and portrait
painter, pupil of
Picot, Cabanel, and
Eugène Fromentin.
A skilful realist, and
vigorous colourist.
Medals: 1866, 1867,
1869; 3d class, 1878;
L. of Honour, 1878.
Works: Flight of
Nero (1865); Œdipus and Antigone Finding
the Bodies of Eteocles and Polynices
(1866), Aurillac Museum; Ambroise Paré
and the Duke de Nemours (1868); Dr. Nélaton;
Massaouda (1869); John Baptist and
the Fortune-Teller (1872); Delilah (1873);
Madonna and St. John (1874), Luxembourg
Museum; Christ at the Column (1875), Orleans
Museum; Woman taken in Adultery
(1877); Rape of Dejanira (1878); Salome
(1880); Child's Portrait (1884); The End of
the Day (1885).—Bellier, i. 794; Larousse,
Supplement.
HUMBERT, JEAN CHARLES FERDINAND,
born at Dardagny, near Geneva, in
1813, died at Geneva, March 20, 1881. Animal
and landscape painter, pupil in Paris
of Ingres and of Diday, but studied chiefly
from nature. Medal, 3d class, Paris, 1842;
honorary member of St. Petersburg Academy,
1860; Russian Order of Stanislaus,
1860; Italian Order of St. Maurice and
Lazarus, 1863. Works: Cattle Drinking,
Basle Museum; Herd Crossing River (1846),
Berne Museum; The Ford, Musée Rath,
Geneva.
HUMMEL, KARL, born in Weimar in
1821. Landscape painter, pupil of Preller,
with whom he visited Holland, Norway,
Rügen, and Tyrol; lived in Italy in 1842-46,
and painted many landscapes in the ideal
style of Claude Lorrain. Professor at the
Weimar Art School since 1859. Works:
Mountainous Landscape (1854); Gardens
of Armida, View of Brienz Lake (1858),
View in Lauterbrunn Valley (1859), German
Landscape (1860), Leipsic Museum;
Rape of Hylas; Seneca's Tower in Corsica;
Flight to Egypt; Garden of Belriguardo;
Tyrolese Landscape; View of Mühlberg;
Views of Bohemian Forest; Monte Rotondo
in Corsica; Ajaccio seen from Campo dell'
Oro; Capo di Sorrento; Civita Castellana;
Monte-Soracte.—Müller, 269; Nagler, Mon.,
iii. 271.
HUMPHREY, OZIAS, born at Honiton,
Devonshire, Sept. 8, 1742, died in London,
March 9, 1810. Studied drawing in the
school of William Shipley, London, and
miniature painting under Samuel Collins,
at Bath. In 1764 he settled in London, and
gained much reputation as a miniature
painter. In 1773 he accompanied Romney
to Italy, and in 1785 went to India, where
he painted many illustrious natives. His
crayon portraits were much esteemed. He
became A.R.A. in 1779, and R.A. in 1791.—Redgrave;
Cat. Nat. Port. Gal.; Cat. S.
Kensington Mus.; Nat. Port. Exhib. (1867);
Sandby, ii. 214.
HUNDERTPFUND, LIBERAT, born in
Bregenz, Nov. 11, 1806, died there, March
