Melon Market in Cavaillon (1865); Little Thieves (1866); Girl with a Frog (1868); Brotherly Help (1869); Collecting Cocoons in Salon (1870); Departure of a Herd to the Mountains (1872); Returning to the Farm (1873); Grandmother (1875); Walk by the Sea in Provence (1876); Faithful Guardian (1877); Infant and Lamb (1879); Herd in Provence (1880); Sheep at the Drinking Place (1882); Corner of the Fold, Sheep on the Mountain (1883).
JOURDY, PAUL, born in Dijon, Dec. 15,
1805, died in Paris, Oct. 28, 1856. History
painter, pupil of Lethière and Ingres; won
grand prix de Rome in 1834, and became a
painter of merit. Medals: 2d class, 1842;
1st class, 1847; from 1851 till his death he
was president of the central committee of
artists in Paris. Works: Homer chanting
his Verses (1834); Eve Tempted (1836);
Girl fastening her Earring (1839), King of
Holland; Prometheus Chained (1842), Dijon
Museum; Christ with the Doctors (1843),
Public School, Bourges; Baptism of Christ
(1846), Church of the White Friars, Paris;
Good Samaritan (1847), bought by State;
Seven Sacraments (1850, fresco), Church of
St. Elizabeth, Paris; Woman Bathing (1852);
Joys of Peace (1857); Achilles and Scamander,
Theseus recognized by his Father,
Dijon Museum; Portrait of Nicolas Malebranche,
Versailles Museum.—Bellier, i. 841.
JOUVENET, JEAN, born at Rouen, April,
1644, died in Paris, April 5, 1717. French
school; history painter, son and pupil of
Laurent Jouvenet (1609-81), completed
his education in Paris, where he was sent
at seventeen, and took Poussin for his
model. His picture of Moses striking the
Rock won for him the favour and good offices
of Lebrun. He became a member of the
Academy in 1675, professor in 1681, director
in 1705, and rector in 1707. In his old
age, having lost the use of his right arm
by palsy, he painted the Magnificat, now in
Notre Dame, with his left hand. Many of
his works have been engraved. Works:
Christ healing a Paralytic (1673), Visitation
(called Magnificat), Notre Dame; Esther
swooning before Ahasuerus (1675), painted
for Academy; Christ with Mary and Martha,
Christ healing the Sick (1689), Miraculous
Draught of Fishes (1706), Raising of
Lazarus (1706), Christ driving out the
Money Changers (replicas in Lyons Museum
and Schwerin Gallery) (1706), Descent
from the Cross (1697), Ascension (1711),
Pilgrims of Emmaus, Feast in House of Simon,
Extreme Unction, View of High Altar
in Notre Dame at Paris, Portrait of Fagon—Physician
of Louis XIV., Louvre, Paris;
Pentecost, Versailles Chapel; Twelve Apostles,
Invalides; Isaac blessing Jacob (1692),
Presentation (1692), Vision of St. Theresa,
St. Cecilia, Death of St. Francis, Apotheosis
of St. Luke, Apotheosis of St. John, Annunciation
(1685), Ascension (1716), and others,
Rouen Museum; others in Grenoble, Nancy,
Toulouse, Caen, Nîmes, Mans, Lille, Reims,
Rennes, Orléans, and other provincial galleries;
St. Peter healing the Sick, Basle
Museum; Apollo appearing to Priestess,
The Virgin bending over the sleeping Infant
Christ, Darmstadt Museum; Portraits of
Priests (2), Old Pinakothek, Munich; St.
Ann and the Virgin, Uffizi, Florence; Visitation
of St. Isabel, Madrid Museum.—Bellier,
i. 843; Ch. Blanc, École française; Jal, 709;
Revue des Beaux Arts (1859), 357; Larousse;
Mémoires inédits, ii. 23.
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JOUY, JOSEPH NICOLAS, born in Paris, Sept. 11, 1809. History and battle painter, pupil of Devéria, Lethière, and Ingres. First painted portraits and then several battle pieces for Versailles; has also treated religious subjects. Medals: 3d class, 1834; 2d class, 1835; 1st class, 1839. Works: Portrait of a Young Greek (1833); Combat of Heilsberg (1838), Versailles Mu-
