- seum; Grandier's Apology (1839), Bordeaux
Museum; Adoration of the Magi (1843), Préfecture de la Seine, Paris; Captain Tronçon du Coudray, Battle of Rocroy, Siege of Landau, Battle of Pozzolo, Skirmish of Tirlemont, Capture of Furnes, Assault of Sierk, Surrender of Dunkirk, Versailles Museum; The Crib (1852); Holy Family (1859); Beethoven with Peasants, Prayer (1865); Inspiration (1868); Isaac and Rebekah (1869); Holy Family (1870); Mozart in the Sistine Chapel, Debrey Mill on Montmartre (1879); Virgin and Child (1880).—Bellier, i. 845; Larousse.
JOVER, FRANCISCO; contemporary.
History painter, studied in Madrid and Rome;
devoted himself specially to fresco painting,
which he revived in Spain. Works: Columbus
as a Prisoner on board his Ship (1862);
Philip II. blessing his Children (1864); Cardinal
Ximenes delivering Christians in Oran
(1871); Treaty of Cambray; Papal Court
and Capuchin Saint.
JOYANT, JULES ROMAIN, born in
Paris, Aug. 16, 1803, died there, July 6,
1854. Landscape and architecture painter,
pupil of Bidauld, Lethière, and of the architect
Huyot. His pictures are well composed
and correctly drawn, and the colouring is
rich and agreeable. His masterly pen-and-ink
sketches are much sought after. Medals:
2d class, 1835; Brussels, 1845; L. of Honour,
1852. Works: Palace of the Doges in
Venice (1835); View of S. M. della Salute in
Venice (1835), Nantes Museum; Ponte Rialto
(1841), Amiens Museum; Campo Vaccino
in Rome (1843), Dijon Museum; Riva
dei Schiavoni (1844); Old Palace of the
Popes at Avignon (1845); Square of S.
Marco in Venice.—Bellier, i. 845; Larousse.
JUAN DE AUSTRIA, DON, Velasquez,
Madrid Museum; canvas, H. 6 ft. 7 in. × 4
ft. A buffoon, called Don Juan de Austria,
or the Artillerist, standing, looking front;
dress, black jacket, red stockings, and black
hat with red feather; ground strewn with
weapons and armour; through a doorway,
the sea and a burning ship. Latest manner.
Engraved by Fosseyeux; Allais; E. Lingée
(as portrait of F. Cortes). Etched by F.
Goya; B. Maura; Rajon.—Curtis, 32; Gaz.
des B. Arts (1880); xxi. 126; Madrazo, 628.
JUAN DE BARBALONGA. See Vermeyen.
JUAN DE DIOS, SAN, Murillo, Hospital
de la Caridad, Seville; canvas, H. 11 ft. 7 in.
× 8 ft. 10 in. The Saint, sinking to his knees
under the weight of a half-naked pauper
whom he bears on his back, beholds with
awe an angel who assists him to rise. Companion
to St. Elizabeth of Hungary. Painted
for La Caridad in 1674, and still in original
position. Copy by Dauzats in LouisPhilippe
sale.—Curtis, 251; Stirling, ii. 855; Davies,
Murillo, 81, 94.
JUAN, SHIPWRECK OF DON (Naufrage
de Don Juan), Eugène Delacroix, Louvre,
Paris; canvas, H. 4 ft. 3 in. × 6 ft. 4 in.;
signed, dated 1840. Illustration of Byron's
"Don Juan" (Ch. ii. 74-75). Don Juan and
his companions in an open boat at sea. Presented
to State in 1883 by Mme. Adolphe
Moreau, who was once offered 300,000 francs
for it. Salon, 1841; Exposition Universelle,
1855. Lithographed by Français; engraved
by Desmadryl in l'Artiste.—Robaut, Delacroix,
190.
JUBILEO DE LA PORCIUNCULA. See
Francis of Assisi, St.
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Payment of Judas, Fra Angelico, Florence Academy.
JUDAS, KISS OF, Ernest Hébert, Luxembourg Museum, Paris; canvas, H. 8 ft. 4 in. × 6 ft. 1 in. Christ, in the Garden of Gethsemane, surrounded by soldiers, one of whom is ready to seize him, whilst another
