Villa Malta, Madonna, Scene from Hermann and Dorothea, Scene from Oberon, Schack Gallery, Munich; Uhland's Peasant Rules, Stettin Museum.—Allgem. d. Biog., xxiii. 552; Cotta's Kunstbl. (1839), 17, 74; (1842), 366; (1844), 212; (1847), 104; D. Kunstbl. (1854), 426; (1858), 89; Hagen, i. 411; Illustr. Zeitg. (1876), i. 336; Kugler, Kl. Schriften, iii. 18; Kunst-Chronik, xvii. 415; Müller, 391; Nagler, x. 207; do., Mon., ii. 634; Raczynski, ii. 272; Reber, ii. 95; Regnet, ii. 63; Söltl, 309; Zeitschr. f. b. K., iv. 7, 72.
NEUSTÄTTER, LOUIS, born in Munich
in 1829. Genre and portrait painter, pupil
of Munich Academy and of Bernhardt; in
1852 studied in Paris for a short time under
Cogniet, then went to Rome and Naples;
painted portraits in Vienna in 1854-64, and
returned to Munich, where he has since
produced a number of genre pictures.
Works: Mourning Orphans; Young Widow;
Reverie; Breakfast; Five Pictures from
Children's Life; Visit to Foster-Parents;
Getting Provisions; Burial of Canary Bird;
Enticing (1883).—Müller, 392.
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NEUVILLE, ALPHONSE (MARIE) DE,
born at St. Omer
(Pas-de-Calais), May
31, 1836, died in Paris,
May 20,1885. Battle
and genre painter,
pupil of Picot; studied
three years in
École de Droit, Paris,
but gave up law for
art, and soon won a
place among the fore-*most
French military painters. Medals: 3d
class, 1859; 2d class, 1861; L. of Honour,
1873; Officer, 1881. Works; The Gervais Battery,
Attack on Malakoff (1859); Capture of
Naples by Garibaldi (1860); Chasseurs of the
Guard (1861); Attack in Streets of Magenta
(1864), St. Omer Museum; Chasseurs Crossing
the Tchernaia (1868), Lille Museum;
Bivouac before Bourget (1872), Dijon Museum;
Last Cartridges (1873); Attack by
Fire on Barricaded House at Villersexel
(1874); Surprise in Environs of Metz in
1870 (1875); Episode in Battle of Forbach
in 1870 (1877); Defence of Le Bourget
(1879), W. H. Vanderbilt, New York; The
Adieu, J. J. Astor, ib.; In the Trenches
(1874), Information (1876), Attack at Dawn,
W. T. Walters, Baltimore; Episode in Battle
of Gravelotte, Panorama of Battle of
Champigny (with Detaille, 1881); Cemetery
of St. Privat (1881), John G. Johnson, Philadelphia;
Drummer, Forty-Second Highlanders
in Egypt in 1882 (1882), H. C. Gibson,
ib.; Soldier Drinking, Fletcher Harper,
New York; Cavalryman and Two Horses,
W. Rockefeller, ib.; Reconnoitring of General
Ducis, C. S. Smith, ib.; Hauling by the
Capstan, J. H. Stebbins, ib.; Reconnoitring,
Daniel Catlin, St. Louis; Beleaguered, H.
L. Dousman, ib.; On Guard, S. A. Coale,
ib.; do., Charles Parson, ib.; Flag of Truce
(1885, last work, unfinished).—L'Artiste
(1885), i. 469; Athenæum (1880), i. 384;
(1885), i. 669; Bellier, ii. 157; Claretie,
Peintres (1874), 219, 329; Gaz. des B. Arts
(1881), xxiv. 47; (1885), xxxii. 164; Kunst-Chronik,
xv. 387; xvii. 3, 276, 385, 517;
xix. 42; xx. 552; Mag. of Art (1885), 225;
Montrosier, ii.; Rev. des Deux Mondes
(1874), iii. 675; Richard, En Campagne
par A. de N., Paris (1886).
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NEVE, FRANS DE, born at Antwerp, June 11, 1606, died probably in 1681. Flemish school; history and portrait painter, formed himself almost exclusively after the works of Rubens and Van Dyck, and after-*wards in Rome after Ráphael and the antique. A Solomon's Judgment, by him, is in the Liechtenstein Gallery, Vienna.—Nagler, x. 213; Kramm, iv. 1194; Van den Branden, 906.
NEWELL, HUGH, born in Ireland, contemporary.
Genre painter, pupil of Couture
in Paris; studied also in Antwerp, and
