- cal subjects are treated in the style of Delacroix.
Medals: 1865, 1867, 1869; 1st class, 1878; L. of Honour, 1872. Works: Hecuba (1865); Joash saved from the Slaughter of the King's Sons (1867), bought by the State; Hebrew Captive weeping over the Ruins of Jerusalem (1869); Herodias (1872); Christ at the Tomb (1873); Sarpedon (1874), Luxembourg Museum; Christ on the Mount (1879).—Revue des Deux Mondes, 1873; Müller, 336.
An image should appear at this position in the text. To use the entire page scan as a placeholder, edit this page and replace "{{missing image}}" with "{{raw image|Cyclopedia of painters and paintings (IA cyclopediaofpain03cham).pdf/96}}". Otherwise, if you are able to provide the image then please do so. For guidance, see Wikisource:Image guidelines and Help:Adding images. |
LEWIS, JOHN FREDERICK, born in London, July 14, 1805, died at Walton, Aug. 15, 1876. Figure painter, son and pupil of F. C. Lewis, engraver and landscape painter; began as an animal painter, and in 1825 published a collection of etchings. Became an associate of Society of Painters in Water Colours in 1828; travelled in Germany, Spain, Italy, Turkey, and the East, living in Egypt ten years; returned to England in 1851, and in 1855 was elected president of Water Colour Society. Began to paint in oils in 1856, and frequently exhibited Eastern scenes; elected an A.R.A. in 1859, and R.A. in 1866. Works in oil: Love Missive (1855); Frank Encampment in the Desert of Mt. Sinai, Greeting in the Desert, Street Scene in Cairo (1856); Syrian Sheik (1857); Waiting for the Ferry-Boat—Upper Egypt (1859); Door of a Café in Cairo (1866); Armenian Lady (1868); Prayer of Faith (1872); Midday Meal—Cairo, On the Banks of the Nile (1876). Works in water colour: Christine Spy before Zumalacarregui (1834); Easter Day at Rome (1840); A Harem (1850); Arab Scribe (1852); Halt in the Desert, Camels and Bedouins, Roman Pilgrims (1854); Well in the Desert (1855). Frederick C. Lewis (1813-1875), his brother, spent many years in the East, especially in India, where he painted numerous pictures.—Sandby, ii. 339; Wilmot-Buxton, 180; Art Journal (1858), 41; (1876), 329.
LEYBOLD, KARL, born at Stuttgart in
1786, died there in 1844. History and
portrait painter, son of the engraver Johann
Friedrich Leybold; pupil of Vienna Academy
under Wächter, lived in Rome in 1807-15,
and removed in 1821 from Vienna to
Stuttgart, where he became professor at the
Art-school in 1829, and inspector of the Gallery
in 1842. Honorary member of Vienna
Academy in 1836. Works: Beneficence of
Cimon; Education of Bacchus, Nymphs
resting by a Spring, Portraits of Dannecker
(2), Stuttgart Museum; Portraits of King
William and Queen Pauline of Würtemberg,
Queen Sophie of the Netherlands, Heinrich
von Cotta.—Cotta's Kunstbl. (1845), 169.
An image should appear at this position in the text. To use the entire page scan as a placeholder, edit this page and replace "{{missing image}}" with "{{raw image|Cyclopedia of painters and paintings (IA cyclopediaofpain03cham).pdf/96}}". Otherwise, if you are able to provide the image then please do so. For guidance, see Wikisource:Image guidelines and Help:Adding images. |
LEYDEN, LUCAS VAN, born in Leyden
in 1494, died
there in 1533;
Dutch school.
Real name Lucas
Jacobaz; pupil
of his father,
Huig Jacobaz,
and of Cornelis
Engelbrechtszen.
Historical
and genre painter,
and one of the great masters of the Dutch
school. Friend of Albert Dürer, who mentions
him in his Diary. Patronized by
Charles V. and by the Archbishop Margaret,
he had a vessel splendidly fitted up, in which
he sailed about the Dutch coasts and rivers.
Master of Antwerp guild in 1522. His pictures
are rare, but his admirable engravings
are numerous and highly valued. Works
characterized by realistic treatment of sacred
subjects, and thoroughly original as to invention
and execution. He never idealized;
even in his altar-pieces the heads are portraits
of living persons; as a rule, their type
is ugly but expressive, and he often shows
considerable dramatic power; besides, we
meet in his works with a great variety of
dramatis personæ, such as saints, gods of