(1837), Entry of Charles II. into Antwerp, Mass in Honor of Bertall de Haze (1855), Studio of Frans Floris (1868), Oath of Charles V. (1869), Brussels Museum; Flemish Church in 17th Century (1844-50), Dutch Company in 17th Century (1847), Dürer painting Erasmus (1857), National Gallery, Berlin; Armourer, Musical Party (1847); Frans Floris going to a Festival (1850), Archers' Festival in Honor of Rubens (1851), Antwerp Museum; Louis XI. and Tristan the Hermit, Synagogue in Prague, Kums Collection, Antwerp; Artist's Studio (1851), Two Flemish Fishermen Scenes, Huybrechts Collection, Antwerp; Flemish Inn, Museum Fodor, Amsterdam; Burgomaster Six in Rembrandt's Studio (1849), Artist's Studio (1850), Prince Gortschakoff, St. Petersburg; Feast of Otto Vaenius (1852); Erasmus in his Study (1853); Walk outside the Gate, New Year's Day in Flanders, Dürer looking at Procession in Antwerp (1855); Grietje, Bagpipers (1856); Plantin and Family going to Church, Episode from Reformation (1857); Mary of Burgundy giving to the Poor of Bruges, Sermon of Haemstedes, Luther as Chorister in Eisenach, Luther's Home in Wittenberg (1858); Institution of the Golden Fleece (1859); Declaration, Portrait of Quinten Massys (1863), Calvary (1857), Kirmess Scene in Antwerp (1858, fresco in Leys Mansion, Antwerp); Four Scenes from History of Antwerp, Allegorical Figures and Portraits of twelve Princes (1864-69), City Hall, Antwerp. Works in United States: Halt at the Tavern, Historical Society, New York; Marguerite Leaving Church, August Belmont, ib.; Revival of Catholic Worship in the Low Countries in 1599 by Albert of Austria, D. O. Mills, ib.; Lucas Cranach painting Portrait of Luther, Education of Charles V., Conferring Citizenship on Palavicini, Soldiers' Amusements, W. H. Vanderbilt, ib.; Luther, G. I. Seney sale, ib.; Interview, B. Wall, Providence; The Message, H. C. Gibson, Philadelphia; Guard-Room, Mrs. W. P. Wilstach, ib.; Edict of Charles V. (1859), W. T. Walters, Baltimore.—Annuaire de l'Acad. roy. de Belgique (1872), 201; Art Journal (1866), 197; Ch. Blanc, Art. d. m. Temps, 209; Dioskuren (1869), 253; Gaz. des B. Arts (1856), xx. 297; Illustr. Zeitg. (1872), i. 211; Immerzeel, ii. 173; Kramm, iv. 976; Reber, iii 84; Riegel, Wandmalerei in Belgien, 62; Rooses (Reber), 468; Rossetti, F. A., 120; Van den Branden, 1403; Zeitschr. f.b. K., xv. 333, 370.
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LEYVA, DIEGO DE, Fray, born at Haro, Old Castile, about 1580, died at Miraflores, Nov. 24, 1637. Spanish school; Supposed to have studied in Rome; settled at Burgos and married; after death of his wife became a monk in the Chartreuse of Miraflores (1634), where he spent the rest of his life in religious duties and in painting devotional subjects.—Stirling, ii. 732; Cean Bermudez.
LHERMITTE, LÉON AUGUSTIN, born
in Mont-Saint-Père (Aisne), Jan. 31, 1844.
Genre painter, pupil of Lecoq de Boisbaudran.
Medals: 3d class, 1874; 2d class,
1880; L. of Honour, 1884. Works: The
Harvest (1874); New Wine; Washing Sheep;
Market in Landerneau; Ploumanach's Pardon
(1879); The Grandfather (1880); Party
of Four (1881); Harvesters' Wages (1882),
Luxembourg Museum; Harvest-Time, Girl
Sewing (1883); The Vintage (1884), William
Schaus, New York; Wine (1885).—Bellier,
i. 1045.
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LIBER, ancient pictures. See Echion, Nicias.
LIBERALE DI JACOPO DA VERONA,
born in Verona in 1451, died there, Aug. 12,
1536. Venetian school; history painter, pupil
of Stefano dai Libri, a miniaturist of Verona,
