WITCHCRAFT: A TRAGEDY.
69
ness here: the kitchen and the byre set thee better than lobbies and chambers. [Exit Bawldy.] That callant lurks about the house like a brownie. He's a clever varlet, too: he can read the kittle names in the Testament, and ding the dominie himsel at the quastions and caratches. He's as cunning and as covetous as ony gray-haired sinner i' the parish;—a convenient tool, I suspect, in the hands of a very artful woman. [Exit.
SCENE IV.
The Apartment of Annabella, who enters, and throws herself into a chair, remaining silent for a short time, and then speaks impatiently.
ANNABELLA.
Enter Phemy.
PHEMY.