(all Christian). About £20,000 is granted annually by the state for the purposes of education.
Finance.—Owing to the havoc wrought during repeated insurrections, the impoverishment of the peasants, the desolation of the districts formerly inhabited by the Moslem agricultural population, and the drain of gold resulting from the sale of Moslem lands and emigration of the former proprietors, together with other causes, the financial situation has been unsatisfactory. Notwithstanding the advance of £160,000 made by the four protecting powers after the institution of autonomous government and the profits (£61,937) derived from the issue of a new currency in 1900, there was at the beginning of 1906 an accumulated deficit of £23,470, which represents the floating debt. In addition to the above-mentioned debt to the powers, the state contracted a loan of £60,000 in 1901 to acquire the rights and privileges of the Ottoman Debt, to which the salt monopoly has been conceded for 20 years. In the budgets for 1905 and 1906 considerable economies were effected by the curtailment of salaries, the abolition of various posts, and the reduction of the estimates for education and public works. The estimated revenue and expenditure for 1906 were as follows:—
| Revenue. | |
| Drachmae (gold). | |
| Direct taxes | 1,494,000 |
| Indirect taxes | 1,715,000 |
| Stamp dues | 351,700 |
| Other sources | 780,967 |
| 4,341,667 | |
| Expenditure. | |
| Drachmae (gold). | |
| High Commissioner | 200,000 |
| Financial administration | 694,670 |
| Interior (including gendarmerie) | 1,678,566 |
| Education and Justice | 1,453,500 |
| 4,026,736 | |
The salary of the high commissioner was reduced in 1907 to 100,000 drachmae.
Improved communications are much needed for the transport of agricultural produce, but the state of the treasury does not admit of more than a nominal expenditure on road-making and other public works. On these the average yearly expenditure between 1898 and 1905 was £13,404. The prosperity of the island depends on the development of agriculture, the acquirement of industrious habits by the people, and the abandonment of political agitation. The Cretans were in 1906 more lightly taxed than any other people in Europe. The tithe had been replaced by an export tax on exported agricultural produce levied at the custom-houses, and the smaller peasant proprietors and shepherds of the mountainous districts were practically exempt from any contribution to the state. The communal tax did not exceed on the average two francs annually for each family. The poorer communes are aided by a state subvention. (J. D. B.)
Archaeology.
The recent exploration and excavation of early sites in Crete have entirely revolutionized our knowledge of its remote past, and afforded the most astonishing evidence of the existence of a highly advanced civilization going far back behind the historic period. Early, Middle and Late “Minoan” periods. Great “Minoan” palaces have been brought to light at Cnossus and Phaestus, together with a minor but highly interesting royal abode at Hagia Triada near Phaestus. “Minoan” towns, some of considerable extent, have been discovered at Cnossus itself, at Gournia, Palaikastro, and at Zakro. The cave sanctuary of the Dictaean Zeus has been explored, and throughout the whole length and breadth of the island a mass of early materials has now been collected. The comparative evidence afforded by the discovery of Egyptian relics shows that the Great Age of the Cretan palaces covers the close of the third and the first half of the second millennium before our era. But the contents of early tombs and dwellings and indications supplied by such objects as stone vases and seal-stones show that the Cretans had already attained to a considerable degree of culture, and had opened out communication with the Nile valley in the time of the earliest Egyptian dynasties. This more primitive phase of the indigenous culture, of which several distinct stages are traceable, is known as the Early Minoan, and roughly corresponds with the first half of the third millennium B.C. The succeeding period, to which the first palaces are due and to which the name of Middle Minoan is appropriately given, roughly coincides with the Middle Empire of Egypt. An extraordinary perfection was at this time attained in many branches of art, notably in the painted pottery, often with polychrome decoration, of a class known as “Kamares” from its first discovery in a cave of that name on Mount Ida. Imported specimens of this ware were found by Flinders Petrie among XIIth Dynasty remains at Kahun. The beginnings of a school of wall painting also go back to the Middle Minoan period, and metal technique and such arts as gem engraving show great advance. By the close of this period a manufactory of fine faience was attached to the palace of Cnossus. The succeeding Late Minoan period, best illustrated by the later palace at Cnossus and that at Hagia Triada, corresponds in Egypt with the Hyksos period and the earlier part of the New Empire. In the first phase of this the Minoan civilization attains its acme, and the succeeding style already shows much that may be described as rococo. The later phase, which follows on the destruction of the Cnossian palace, and corresponds with the diffused Mycenaean style of mainland Greece and elsewhere, is already partly decadent. Late Minoan art in its finest aspect is best illustrated by the animated ivory figures, wall paintings, and gesso duro reliefs at Cnossus, by the painted stucco designs at Hagia Triada, and the steatite vases found on the same site with zones in reliefs exhibiting life-like scenes of warriors, toreadors, gladiators, wrestlers and pugilists, and of a festal throng perhaps representing a kind of “harvest home.” Of the more conventional side of Late Minoan life a graphic illustration is supplied by the remains of miniature wall paintings found in the palace of Cnossus, showing groups of court ladies in curiously modern costumes, seated on the terraces and balustrades of a sanctuary. A grand “palace style” of vase painting was at the same time evolved, in harmony with the general decoration of the royal halls.
It had been held till lately that the great civilization of prehistoric Greece, as first revealed to us by Schliemann’s discoveries at Mycenae, was not possessed of the art of writing. In 1893, however, Arthur Evans observed some signs on seal-stones from Crete which led him to believe that a Minoan script. hieroglyphic system of writing had existed in Minoan times. Explorations carried out by him in Crete from 1894 onwards, for the purpose of investigating the prehistoric civilization of the island, fully corroborated this belief, and showed that a linear as well as a semi-pictorial form of writing was diffused in the island at a very early period (“Cretan Pictographs and Prae-Phoenician Script,” Journ. of Hellenic Studies, xiv. pt. 11). In 1895 he obtained a libation-table from the Dictaean cave with a linear dedication in the prehistoric writing (“Further Discoveries,” &c., J.H.S. xvii.). Finally in 1900 all scepticism in the learned world was set at rest by his discovery in the palace of Cnossus of whole archives consisting of clay tablets inscribed both in the pictographic (hieroglyphic) and linear forms of the Minoan script (Evans, “Palace of Knossos,” Reports of Excavation, 1900–1905; Scripta Minoa, vol. i., 1909). Supplementary finds of inscribed tablets have since been found at Hagia Triada (F. Halbherr, Rapporto, &c., Monumenti antichi, 1903) and elsewhere (Palaikastro, Zakro and Gournia). It thus appears that a highly developed system of writing existed in Minoan Crete some two thousand years earlier than the first introduction under Phoenician influence of Greek letters. In this, as in so many other respects, the old Cretan tradition receives striking confirmation. According to the Cretan version preserved by Diodorus (v. 74), the Phoenicians did not invent letters but simply altered their forms.
There is evidence that the use in Crete of both linear and pictorial signs existed in the Early Minoan period, contemporary with the first Egyptian dynasties. It is, however, during the Middle Minoan age, the centre point of which corresponds with the XIIth Egyptian dynasty, according Earlier pictographic script. to the Sothic system of dating, c. 2000–1850 B.C., that a systematized pictographic or hieroglyphic script makes its appearance which is common both to signets and clay tablets. During the Third Middle Minoan period, the lower limits of which approach 1600 B.C., this pictographic script finally gives way to a still more developed linear system—which is itself divided into an earlier and a later class. The earlier class (A) is already found in the temple repositories of Cnossus belonging to the age immediately preceding the great remodelling of the
