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(see Plate III. fig. 13), which for its size is, externally at least, the most richly ornamented building in the world. It has lately been filled up with stones and sand, as the only method the Archaeological Survey could devise to prevent its threatened collapse.

In the later examples of the style the spire is still a square curvilinear pyramid, to the faces of which are added smaller copies of the same form, carrying up the offsets of the walls; and in some examples these are multiplied to an extraordinary extent.

The Mahommedan architecture, also known as Indian Saracenic, begins in India with the 13th century and varied much at different periods and under the various dynasties, imperial and local. The imperial rulers at Delhi, for the first three centuries, were Pathāns, and were succeeded in 1526 by Baber, who founded the Mogul dynasty. Under the earlier Pathān emperors the style of building was massive but profusely ornamented and of extreme beauty in its details. Among the examples of this style may be instanced the Qutb Minār at Delhi (see Plate I. fig. 9), one of the finest pillars in the world, built in the first quarter of the 13th century. It is still 240 ft. high and ornamented by projecting balconies and richly carved belts between; the three lower storeys are cut up by projecting vertical ribs that add to its beauty. Beside it the tomb of Altamsh is also profusely sculptured and of extreme beauty of detail, and other examples are seen in the eastern portion of the adjoining mosque, the tomb of Alā-ud-dīn Khilji, and the Alai Darwāza. After about 1320 the Pathān architecture is marked by a stern simplicity of design and a solemn gloom and nakedness, in marked contrast to the elaborate richness of ornamentation of the preceding period. The tomb of Ghiyās-ud dīn Tughlak at New Delhi, with its sloping walls and massive solidity, is a typical example of this period, as is also the Kalān mosque at Delhi completed in 1386.

Early in the 15th century, however, a reaction had set in, and the later style was hardly less rich and much more appropriate for its purposes than the earlier in the end of the 12th and early 13th century. The façades of the mosques became more ornamental, were often encrusted with marble, and usually adorned with rich and beautiful sculpture. This was clearly a return to the elaborateness of the past, but with every detail fitted to its place and purpose and presenting one of the completest architectural styles of the world.

About the beginning of the 15th century several local dynasties arose, each of which developed a style more or less their own. Of the Shārki dynasty of Jaunpur only three great mosques in that city have come down to us, with several tombs. The cloisters surrounding the open courts of the mosques and the galleries within are closely allied to the Hindu style, being constructed with short square pillars having bracket capitals supporting lintels and roof of flat slabs. But the gateways and main features of the mosques are arched. The mosque itself consists of a central square hall covered by a lofty dome of the whole width of it, in front of which stands the great propylon or gate, of massive outline and rising to the full height of the central dome. This propylon had a large recessed arch between the two piers, in the lower portion of which was the entrance to the mosque, whilst the upper formed a pierced screen. On each side of the dome is a compartment divided into two storeys by a stone floor supported on pillars, and beyond this, on each side, is a larger apartment covered by a pointed ribbed vault. The ornamental work is bold and striking rather than delicate, and the mihrābs or qiblas are marked by severe simplicity, and form a link in the evolution of the later form under Mogul rule. These buildings afford a marked expression of strength combined with a degree of refinement that is rare in other styles. Other examples of this style are met with at Benares, Kanauj and places within the Jaunpur kingdom.

In 1401 Dilawar Khān assumed independence in Malwa, of which Māndu became the capital, and his son Hoshang adorned it with important buildings. They are of a modified form of the Pathān style of the 14th century. Among them the finest is the great Jama Masjid, which was finished by Mahmūd Shāh I. in 1454. It covers a nearly square area, 290 ft. from east to west by 275 ft. from north to south, exclusive of the porch on the east, which projects about 56 ft. Inside, the court is an almost exact square, surrounded by arches on each side, standing on plain square piers 10 ft. high, each of a single block of red sandstone; behind these are triple arcades on the north and south, a double one on the east, and on the west the mosque, having three great domes on its west side. This court, in its simple grandeur and expression of power, may be regarded as one of the very best specimens of this style to be found in India. The tombs and palaces of Māndu, mostly much ruined, it would occupy too much space to describe. But here, as elsewhere, the available materials have exercised a marked influence upon the architecture; the prevalence of a red sandstone is emphasized in the piers of the Jama Masjid, more than 300 of them being each of a single block of this material; and for more decorative purposes marble, both white and coloured, was freely used to revet the walls and piers. The style is strictly arcuate, without admixture of the general trabeate structural methods followed by the native Hindus; and while at Jaunpur and Ahmedābād, at the same period, we find the strong influence of native methods copied in the Mahommedan architecture, at Māndu the builders clung steadily to the pointed arch style, without any attempt, however, at groining.

The capital of the Bengal kingdom was at Gaur, which had been the metropolis of a native kingdom probably since the 9th century. As the country is practically without stone, the Hindu buildings would be chiefly of brick, but pillars, images and details were of hard potstone or hornblende; and these would afford materials for the Moslem conquerors. The construction of large buildings of brick required heavy piers for the arches and thicker walls than those constructed of stone. Then such piers and walls, when enriched by a facing of moulded or glazed tiles, would appear still heavier; and sometimes for tiles a casing of carved stone was substituted. Hence this style is a purely local one with short, heavy pillars faced with stone and supporting pointed brick arches and vaults. The use of brick further forced the builders to employ an arched style of their own and a mode of roofing in which a curvilinear form was given to the eaves descending at the corners of the structures. This form spread later up through Hindustan as far as the Punjab.

The capital at one time was moved to Pandua, north of Gaur, and there was built (1358-1368) the great Ādina mosque, 500 ft. in length by 285 in depth containing a large court surrounded by a thick wall of brick. The roof was supported by 266 stone pillars and covered by 378 domes, all of one form. Such a design has little architectural merit, but its size and the richness of its details make it an interesting study, and the same character belongs to most of the works of the Bengal Moslem rulers.

The Bahmanī dynasty, founded in 1347, had its capital at Gulbarga till 1428, when it was moved to Bīdar. During this period the city was adorned with important buildings of which the most notable now remaining is the great mosque, one of the most striking in India. It measures over all 216 ft. from east to west by 176 from north to south. It differs from all the great mosques in India in having the whole central area covered over as in the great mosque at Cordova—what in others would be an open court being roofed by sixty-three small domes. The light is admitted through the side-walls, which are pierced by great arches on all sides except the west. The study is plain and substantial, with but little ornament. The tombs of the kings are massive square-domed buildings, with handsome stone tracery on their outer walls, and are elaborately finished inside. At Bīdar, mosques, palaces and tombs were also erected, but most of them have perished, the great mosque in the fort being the only one fairly entire. The ten tombs of the later Bahmanī kings, 5 m. from the city, are of like pattern with those of Gulbarga and of considerable