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MACEIÓ—MCGEE

Nicene Creed. In 359, on the division of the Arian party into Acacians (or pure Arians) and semi-Arians or Homoiousians, Macedonius adhered to the latter, and in consequence was expelled from his see by the council of Constantinople in 360. He now became avowed leader of the sect of Pneumatomachi, Macedonians or Marathonians, whose distinctive tenet was that the Holy Spirit is but a being similar to the angels, subordinate to and in the service of the Father and the Son, the relation between whom did not admit of a third. He did not long survive his deposition.

See the Church Histories of Socrates and Sozomen; Art. in Dict. Chr. Biog.; F. Loofs in Herzog-Hauck’s Realencyk.; H. M. Gwatkin, Arianism.

Macedonius, (2) bishop of Mopsuestia, was present at the councils of Nicaea and Philippopolis, and inclined to the reactionary party who thought the Athanasians had gone too far.

Macedonius, (3) bishop of Constantinople (fl. 510), a strict Chalcedonian who vainly opposed the fanaticism of the monophysite Severus and was deposed in 513.

MACEIÓ or Maçayó, a city and port of Brazil and capital of the state of Alagôas, about 125 m. S.S.W. of Pernambuco, in lat. 9° 39′ 35″ S., long. 35° 44′ 36″ W. Pop. including a large rural district and several villages (1890), 31,498; (1908, estimate), 33,000. The city stands at the foot of low bluffs, about a mile from the shore line. The water-side village of Jaraguá, the port of Maceió, is practically a suburb of the city. South of the port is the shallow entrance to the Lagôa do Norte, of Lagôa Mundahú, a salt-water lake extending inland for some miles. Maceió is attractively situated in the midst of large plantations of coco-nut and dendé palms, though the broad sandy beach in front and the open sun-burned plain behind give a barren character to its surroundings. The heat is moderated by the S.E. trade winds, and the city is considered healthful. The public buildings are mostly constructed of broken stone and mortar, plastered outside and covered with red tiles, but the common dwellings are generally constructed of tapia—rough trellis-work walls filled in with mud. A light tramway connects the city and port, and a railway—the Alagôas Central—connects the two with various interior towns. The port is formed by a stone reef running parallel with and a half-mile from the shore line, within which vessels of light draft find a safe anchorage, except from southerly gales. Ocean-going steamers anchor outside the reef. The exports consist principally of sugar, cotton, and rum (aguardiente). Maceió dates from 1815 when a small settlement there was created a “villa.” In 1839 it became the provincial capital and was made a city by the provincial assembly.

McENTEE, JERVIS (1828-1891), American artist, was born at Rondout, New York, on the 14th of July 1828, and was a pupil of Frederick E. Church. He was made an associate of the National Academy of Design, New York, in 1860, and a full academician in 1861. In 1869 he visited Europe, painting much in Italy. He was identified with the Hudson River School, and excelled in pictures of autumn scenery. He died at Rondout, N.Y., on the 27th of January 1891.

MACER, AEMILIUS, of Verona, Roman didactic poet, author of two poems, one on birds (Ornithogonia), the other on the antidotes against the poison of serpents (Theriaca), imitated from the Greek poet Nicander of Colophon. According to Jerome, he died in 16 B.C. It is possible that he wrote also a botanical work. The extant hexameter poem De viribus (or virtutibus) herbarum, ascribed to Macer, is a medieval production by Odo Magdunensis, a French physician. Aemilius Macer must be distinguished from the Macer called Iliacus in the Ovidian catalogue of poets, the author of an epic poem on the events preceding the opening of the Iliad. The fact of his being addressed by Ovid in one of the epistles Ex Ponto shows that he was alive long after Aemilius Macer. He had been identified with the son or grandson of Theophanes of Mytilene, the intimate friend of Pompey.

See Ovid, Tristia, iv. 10, 43; Quintilian, Instit. x. 1, 56, 87; R. Unger, De Macro Nicandri imitatore (Friedland, 1845); C. P. Schulze in Rheinisches Museum (1898), liii. p. 541; for Macer Iliacus see Ovid, Ex Ponto, ii 10, 13, iv. 16, 6; Amores, ii. 18.

MACERATA, a city of the Marches, Italy, the chief town of the province of Macerata and a bishop’s see, 44 m. by rail S. of Ancona. Pop. (1901), 6,176 (town), 22,473 (commune). Crowning a hill 919 ft. above sea-level, with a picturesque mass of buildings enclosed by walls and towers, Macerata looks out over the Adriatic. The cathedral is modern, but some of the churches and palaces are not without interest. Besides the university, agricultural school and industrial institute, Macerata has a communal library founded by Leo XII., containing a small but choice collection of early pictures, and in the municipal buildings, a collection of antiquities from Helvia Ricina. There is an enormous amphitheatre or sferisterio for pallone, a ball game which is very popular in the district. The industries comprise the making of bricks, matches, terra-cotta and chemicals.

Macerata, as well as Recanati, was founded by the inhabitants of Ricina after the destruction of their city by Alaric in 408. During the Lombard period it was a flourishing town; but it was raised from comparative insignificance by Nicholas IV. to be the seat of the governors of the March. It was enclosed in the 13th century by a new line of walls more than 2½ m. in circuit; and in the troubles of the next two hundred years it had frequent occasion to learn their value. For the most part it remained faithful to the popes, and in return it was rewarded by a multitude of privileges. Though in 1797 the inhabitants opened their gates to the French, two years afterwards, when the country people took refuge within the walls, the city was taken by storm and delivered to pillage. The bishopric of Macerata dates from the suppression of the see of Recanati (1320).

MACFARREN, SIR GEORGE ALEXANDER (1813-1887), English composer, was born in London on the 2nd of March 1813, and entered the Royal Academy of Music in 1829. A symphony by him was played at an Academy concert in 1830; for the opening of the Queen’s Theatre in Tottenham Street, under the management of his father, in 1831, he wrote an overture. His Chevy Chase overture, the orchestral work by which he is perhaps best known, was written as early as 1836, and in a single night. On leaving the Academy in 1836, Macfarren was for about a year a music teacher in the Isle of Man, and wrote two unsuccessful operas. In 1837 he was appointed a professor at the Academy, and wrote his Romeo and Juliet overture. In the following year he brought out The Devil’s Opera, one of his best works. In 1843 he became conductor at Covent Garden, producing the Antigone with Mendelssohn’s music; his opera on Don Quixote was produced under Bunn at Drury Lane in 1846; his subsequent operas include Charles II. (1849), Robin Hood (1860), She Stoops to Conquer (1864), and Helvellyn (1864). A gradual failure of his eyesight, which had been defective from boyhood, resulted in total blindness in 1865, but he overcame the difficulties by employing an amanuensis in composition, and made hardly a break in the course of his work. He was made principal of the Royal Academy of Music in succession to Sterndale Bennett in February 1875, and in March of the same year professor of music in Cambridge University. Shortly before this he had begun a series of oratorios: St John the Baptist (Bristol, 1873); Resurrection (Birmingham, 1876); Joseph (Leeds, 1877); and King David (Leeds, 1883). In spite of their solid workmanship, and the skill with which the ideas are treated, it is difficult to hear or read them through without smiling at some of the touches of quite unconscious humour often resulting from the way in which the Biblical narratives have been, as it were, dramatized. He delivered many lectures of great and lasting value, and his theoretical works, such as the Rudiments of Harmony, and the treatise on counterpoint, will probably be remembered longer than many of his compositions. He was knighted in 1883, and died suddenly in London on the 31st of October 1887.

An excellent memoir by H. C. Banister appeared in 1891.

McGEE, THOMAS D’ARCY (1825-1868), Irish-Canadian politician and writer, second son of James McGee, a coast-guard,