the best poets, and one of the greatest ornaments of the drama. But it was the original difference of his genius and that of Shakespeare, increased by the general opposition of the national character of the French and English. His mind, accustomed to connect all ideas of dramatic sublimity or beauty with regular design and perfect symmetry of composition, could not appretiate this union of the great and beautiful with irregularity of structure and partial disproportion. He was capable indeed of discerning some features of majesty in this colossal statue; but the rudeness of the parts, and the want of polish in the whole figure, prevailed over the general impression of its grandeur, and presented it altogether to his eye as a monstrous production.
The
