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Fancies versus Fads

ably, in something that had to be done; and this is the point quite apart from whether we ourselves would have done it. That was pointed out long ago by Browning in "The Statue and the Bust." He argued that even if the motive for acting was bad, the motive for not acting was worse. And an action or inaction is judged by its real motive, not by whether somebody else might have done the same thing from a better motive. Whether or no the tyrannicide of Hamlet was a duty, it was accepted as a duty and it was shirked as a duty. And that is precisely true of a tyrannicide like that for which everybody clamoured at the conclusion of the Great War. It may have been right or wrong to punish the Kaiser; it was certainly even more right to punish the German generals and admirals for their atrocities. But even if it was wrong, it was not abandoned because it was wrong. It was abandoned because it was troublesome. It was abandoned for all those motives of weakness and mutability of mood which we associate with the name of Hamlet. It might be glory or ignominy to shed the blood of imperial enemies, but it is certainly ignominy to shout for what you dare not shed; "to fall a-cursing like a common drab, a scullion." Granted that we had no better motives than we had then or have now, it would certainly have been more dignified if we had fatted all the region-kites with this slave's offal. The motive is the only moral test. A saint might provide us with a higher motive for forgiving the War-Lords who butchered Fryatt and Edith Cavell. But we have not forgiven the War-Lords. We have simply forgotten the War. We have not pardoned like Christ; we have only procrastinated like Hamlet. Our highest motive has been laziness; our commonest

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