grounds in the Trial Scene as she does in the Casket Scene. She acts in order to save a friend, and especially a friend of the husband whom she loves. Anything less like the attitude of an advocate, for good or evil, could not be conceived. She seeks individually to save an individual; and in order to do so is ready to break all the existing laws of the profession and the public tribunal; to assume lawlessly powers she has not got, to intrude where she would never be legally admitted, to pretend to be somebody else, to dress up as a man; to do what is actually a crime against the law. This is not what is now called the attitude of a public woman; it is certainly not the attitude of a lady lawyer, any more than of any other kind of lawyer. But it is emphatically the attitude of a private woman; that much more ancient and much more powerful thing.
Suppose that Portia had really become an advocate, merely by advocating the cause of Antonio against Shylock. The first thing that follows is that, as like as not, she would be briefed in the next case to advocate the cause of Shylock against Antonio. She would, in the ordinary way of business, have to help Shylock to punish with ruin the private extravagances of Gratiano. She would have to assist Shylock to distrain on poor Launcelot Gobbo and sell up all his miserable sticks. She might well be employed by him to ruin the happiness of Lorenzo and Jessica, by urging some obsolete parental power or some technical flaw in the marriage service. Shylock evidently had a great admiration for her forensic talents; and indeed that sort of lucid and detached admission of the talents of a successful opponent is a very Jewish characteristic.
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