Page:Far from the Madding Crowd Vol 1.djvu/277

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"Gabriel," said she, "will you move again, please, and let Mr. Boldwood come there?"

Oak moved in silence back to his original seat.

The gentleman-farmer was dressed in cheerful style, in a new coat and white waistcoat, quite contrasting with his usual sober suits of grey. Inwardly, too, he was blithe, and consequently chatty to an exceptional degree. So also was Bathsheba now that he had come, though the uninvited presence of Pennyways, the bailiff who had been dismissed for theft, disturbed her equanimity for a while.

Supper being ended, Coggan began on his own private account, without reference to listeners:—

"I've lost my love, and I care not,
I've lost my love, and I care not;
I shall soon have another
That's better than t'other;
I've lost my love, and I care not."

This melody, when concluded, was received with a silently appreciative gaze at the table, implying that the performance, like a work by those established authors who are independent of notices in the papers, was a well-known delight which required no applause.

"Now, Master Poorgrass, your song," said Coggan.

"I be all but a shadder, and the gift is