Page:Fugue by Ebenezer Prout.djvu/142

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124

Fugue.

[Chap. VIII.

275. Our next example, also in three parts, shows augmentation of the subject, as well as inversion.

J. S. Bach. Wohltemperirtes Clavier, Fugue 8.

$\new ChoirStaff << \override Score.Rest #'style = #'classical \override Score.TimeSignature #'stencil = ##f \override Score.BarNumber #'break-visibility = #'#(#f #f #f) \new Staff \relative e' { \key dis \minor \time 4/4 \partial 2 eis4 r8 bis' | cisis dis eis4 ~ eis8 dis cis16 b cis fisis | gis ais b4 ais16 gis ais8 dis, eis fisis | gis4 r \[ ais^"S (inverted)" dis, ~ | dis8 b cis dis eis dis cis4 | gis' dis ~ dis8 eis fisis4 | gis8 \] ais gis fis eis dis gis4 ~ | gis8 fis eis fis16 gis ais gis ais4 gis16 fis | eis8 fis4 eis8 fis[ \[ cis]^"S" fis4 ~ | fis8 gis fis e dis e fis4 | b, e ~ e8 dis cis4 | b \] e ~ e8 cisis dis4 } \new Staff \relative c' { \clef alto \key dis \minor cisis8[ \[ eis]^"S" ais4 ~ | ais8 b! ais gis fis gis ais4 | dis, gis ~ gis8 fisis eis e | dis \] b' ais gis fisis dis16 eis fis8 gis16 ais | b4. ais8 gis fisis gis ais | dis, eis fisis gis ais16 b cis4 b16 ais b4 r \[ gis2^"S (augmented)" | cis2. dis4 | cis b ais b | cis2 fis, | b2. ais4 | gis2 fis4 \] b } \new Staff \relative a, { \clef bass \key dis \minor ais4 r | \[ ais'2^"S (augmented)" dis ~ | dis4 e dis cis | b cis dis2 | gis, cis ~ | cis4 b ais2 \] gis4^"S" cis ~ cis8 dis cis b | ais b cis4 fis, b ~ | b8 ais gis4 fis8 e dis16 cis dis e | ais,8 fis gis ais b cis dis e16 fis | gis8 ais16 b cis,8 dis16 e fis,8 fis'4 fisis8 | gis fisis gis ais b ais gis fis } >>$