dent that the offering of his 'martial history' is one honourable alike to poet and to patron. Both plays are rich in rhetorical passages of noble eloquence; but in all points of workmanlike construction and dramatic harmony they are incomparably inferior to the better sort of his comedies,
The year of the publication of All Fools was memorable to Chapman for a more hazardous misadventure on a more serious stage than the failure of a comedy on the boards, for which he had to thank the merited success of a play whose strange fortune it was to prove as tragical in its sequence as merry in itself, thus combining in a new fashion the two main qualities of Bottom's immortal interlude. All readers will remember the base offence taken and the base revenge threatened by the son of Darnley or of Rizzio for a passing jest aimed at those among his countrymen who had anticipated Dr. Johnson's discovery of the finest prospect ever seen by a native of Scotland; none can forget the gallantry with which Ben Jonson, a Scot by descent of whom it might have been said as truly as of the greatest in the generation before him that he
