Dinajpur and Rungpur, still attest the philanthropic spirit by which the Pāl-Kings endeared themselves to the millions of subjects over whom they ruled.
The language of the songs greatly modernised.The popular songs in honour of the Pāl Kings were, no doubt, composed shortly after their death. The shape in which we find them now, however, is certainly not so old. The language has been considerably modernised, and here, as in the case of the Çuyna Purāṅa, we come, now and again, on traces of the ancient originals. The ballads used to be sung in chorus by professional ministrels amongst the admiring rural folk with whom they were so popular, and this fact accounts for the changes wrought in their versions from age to age, to suit the understanding of the people.
Manik-Chandra Rājār Gān.Mānik Chandra Rājār Gān or the song of Manik Chandra Rājā, was first published by Dr. G. A. Grierson in the Asiatic Society's Journal (Vol. I, Part III 1878). Mānik Chandra Pāl ruled in Northern Bengal during the first half of the 11th century, and the work in question must have been composed shortly after his death.
The crudeness of the song.There is not much that is intrinsically poetic in this ballad. It displays the unrestrained imagination of a rustic author. The miracles attributed to Haḍi Siddha remind one of the wonders performed by Danhas or some other dginn in the Arabian Nights. Gods and men alike seem to be subject to the influences of Tāntrik rites which awaken marvels at every step. But we occasionally catch glimpses of historical truth from incidental descriptions. The Government revenue of those days, was collected in cowries and trade
