Index:History of Bengali Language and Literature.djvu
Early influences on the Bengali Language, 1-15.
Early Aryan Settlement in Bengal and Buddhistic and Jain influences, 1-4.—Vernacular writings of the Buddhists—Opposition by the Brahmins, 5-9.—Moslem patronage followed by that of the Hindu Rājās, 9-15.
Pre-Mahomedan Literature, 16-91.
Dak and Khana, 15-25.—Dharma-cult and its exponent Rāmāi Pandit, 26-37.—Sahajia-cult and its exponent—Chandidās—the dangers to which it led the Vaiṣṅava society, 37-46.—Dharma Mangala poems, 47-55.—Songs of the Pal Kings, 55-63. The Caiva.-cult.—How it faced Buddhism—Buddhistic influences—Early songs in honour of Çiva—Çiva as a peasant—the domestic virtues in Çaivaism. 63-73. Genealogical records—their historical value. 73-91.
Supplementary notes to Chapter II, 92-114.
Bengali, a form of Prākrita.—How it was sanskritised by the Paurānik revivalists—Bengali verbs and case-endings—Assamese, Uryia and Bengali, 92-114.
Chandidas and Vidyapati. 115-149.
Chandidas, 115-135.—Parakiyā Rasa or worship of women.—How it is made to approach spirituality.—Chandidās's life—the story of his love—his death, 115-123,—the spiritual aspects of his poems.—A tendency towards idealization—a brief analysis of his poems, 123-135.—Vidyapati, 135-149.—Our claims on the Maithil poet—his poems recast by Bengali poets—the authenticity of the various records bearing dates—his ancestry—his interview with Chandidās, and other points relating to his life—a review of his poems. Vidyāpati and Chandidās compared, 149.
The Pauranik Renaissance, 150-380.
I. Leading characteristics of the Renaissance, 150-170. Faith in God and in the Brahmin.—The causes that led to the growth of Brahmanic power.—Fables about them.—The story of Lomaça— the sage, 150-157.—The dissemination of classical ideas—the popularisation of the Paurānik stories.—The Mañgala gāns.—The story of Hariça Chandra—the great influence of the Paurānik stories upon the masses, 157-170.
II. Vernacular Recensions of Sanskrit works:—170-235.
(A) Translations of the Ramayana, 170-195.—Krittivāsa born 1424 A.D.—autobiographical notice.—The story of Rāma's exile, 179-183—the great popularity of Krittivāsa, 186.—Ṣaṣtivara Sen and Gangādās Sen—Durgā Rāma—Jagat Rāma—Rāma Prasāda—Adbhutāchāryya—Çiva Charaṅa Kavi Chandra—Lakṣmana Bandyopādhyaya—Valarāma Bandyopādhyaya—Rāma Mohana—Raghu Nandana Goswāmi—Rāma Govinda Dās and other translators of the Rāmāyaṅa, 185-195.
(B) Translations of the Mahabharata, 196-220.—The Mahābhārata—its contents, 196-198.—Sañjay's recension, 198-201.—Mahābhārata translated by Nasira Saha's order, 201.—Paragali Mahābhārata by Kavīndra.—Açvamedha Parva by Çrikaraṅa Nandī compiled at Chhutikhan's order, 203-207.—A list of 31 writers of the Mahābhārata,—207-209.—Çakuntalā by Rājendra Dās, Nityānanda Ghoṣa, 209-214,—Kaçi Rāma Dās, 214-220.
(C) Translations of Bhagavata, 220-225.—The contents of the Bhāgavata—their pastoral interest and religious meaning, 220-222.—Mālādhara Vasu and other translators, 220-225.
(D) Translations of Chandi by Markandeya, 225-235. Rājā Suratha and the Vaiçya—the theory of illusion—the myth of Chandī—the Durga Puja—Bhavani Prasāda the blind poet.—Rupa Nārāyaṅa, Vraja Lāl and other translators of Chandī, 228-235.
III. The conception of Civa in the Renaissance and songs in honour of him, 235—250.—The impersonal character of Çiva—Çaivaism goes to the back-ground—Development of Çākta and Vaiṣṅava cults, 235-239.—Çiva as a peasant in the earlier poems—his later development into the patriarch of a family—The great pathos of the Āgamani Songs—A passage from Rāmeçvara's Çivayana—other poems in honour of Çiva 240-250.
IV. The Cakta cult and its development 250-380,—God as mother—The gradual adoption of the mother-cult by the Aryans 250-252.
(a) Poems in honour of Manasa Devi—The personal element in the deities of the Çākta cult, contrasted with the impersonal character of Çiva.—The Bhāsān Yātrā, 252-257.—The story of Manasa-mangala—The defiant attitude of Chānd Sadāgara—The superhuman devotion of Behulā, the heroine and bride of Lakṣmindra.— The ultimate submission of Chānd the merchant to Manasā Devi, 257-276. Sixty works on Manasa Devi—their importance.—Hari Datta and Vijaya Gupta, 276-284.—Nārāyana Deva—Extracts from his poems.—Extracts from Ketaka Dās Kṣemānanda's Manasā Mañgala, 284-292—A list of the writers of Manasā-mañgala, 292-294.
(b) Songs in honour of Chandi Devi, 294-362.—How the poems originated with the people and gradually improved.—The History of the Chandi-cult, 295-298.—The story of Kalaketu, the huntsman and his wife Fullara—How the poverty-stricken pair by dint of their devotion obtained the grace of Chandi and succeeded in getting possession of Guzerat.—The end, 298-309—The story of Crimanta Sadagara—The marriage of Dhanapati with Khullanā, the damsel of Uzāni—Troubles on account of the jealousy of his first wife Lahanā—Dhanpati's sea-voyage—The sight of the lady on the lotus—Disasters brought about by Chandi Devi—Çrīmanta, Dhanapati's son, goes in quest of his father to Ceylon—His troubles—The meeting of the father and the son—the happy end, 309-333.—Janārdana, Mānik Datta, Madhavāchāryya and other poets who wrote Chandi Mañgala, 333-336.—Mukunda Rama Kavikankan and his Chandi Mangala—His life and a review of his works—The intense reality of his poetry, 336—359.—Poems of the Chandi-cult written by later poets—Bhavāni Çankara—Jaya Nārāyaṅa and Çivā Charaṅa Sen, 359-363.
Poems on Ganga Devi—Poems on Citala Devi—Traces of Buddhistic influence and of Hindu Renaissance—Poems on Laksmi Devi—and Sasthi 363-370.
V. Dharma Mangala poems recast by the Brahmin authors—Mayura Bhatta—Mānik Gānguly—Ghanarāma—Sahadeva Chakravarty—The reasons for placing them under Paurānik revival 371-377.
IV. Poems in honour of Daksina Roy, 377-378.—Some remarks about the poems. Poems in honour of the Sun, 378-380.
Supplementary notes to Chapter IV. 381-398.
Mixture of Arabic and Persian words in Bengali—Conservativeness of the Hindu writers and Sanskritisation of Bengali—Correction of Orthography, 381-385.—The five Gauḍas—Their affinity in language—Agreement in habits and costumes—Often under one suzerain power—Pancha Gauḍeçwara, 385-390.—The dialects of Eastern and Western Bengal—Sanskritic and non-sanskritic names, 390-392.—A list of obsolete words with their meanings—The origin of 'Babu'—The case-endings—The plural forms—Navigation and trade.— Old Bengali literature treated with neglect, 393-398.
The Literature of the Vaisnavas. 398-565.
I. Vaisnavism in Bengal.—Mahāyānism and Vaiṣṅavism—The lay Buddhist Society, a recruiting ground for the Vaiṣṅavas—The points of similarity.—The message of Eastern India and the apostles of Bengal.—The environment of Chaitanya, 398-409.—Navadwipa the birth place of Chaitanya—A seat of learning.—The Navya Nyāya.—The flourishing condition of Navadwipa—Its area—Sceptical tendencies of the age.—The defects of the Renaissance—Bengal ready for a great faith—The advent of Chaitanya Deva, 409-414.
II. The life and teachings of Chaitanya Deva, 414—439.—Chaitanya's asceticism and severity.—His frenzied ecstasies.—Reorganisation of the Vaiṣṅava order—Chaitanya as an exponent of the Renaissance. 439-444.
III. Vaisnava biographies, 444-495.—A new start in biography and the ignoring of Caste, 444-446.
(a) Kadcha or notes by Govinda Das, 446-464.
(b) Chaitanya Bhagavata by Vrindavana Das, 464-471.—Çrivāsa's Ānginā—Attacks on the non Vaiṣṅavas—Valuable side-lights—Chaitanya's contemporaries, 464-497.—Chaitanya's visit to Gaya and the 'lotus feet'—Meeting with Içwara Puri, 467-471.
(c) Jayananda's Chaitanya Mangala, 471-477.—The new facts brought to light by him—The passing of Chaitanya Deva—The Brahmins of Pirulyā, 471-477.
(d) Chaitanya Charitamrita by Krisna Das, 477-489.—Early misfortunes and Vaiṣṅava influence—Chaitanya Charitāmrita commenced when the author was 79.—His vast Scholarship—Defects of style—The excellence of the work.—The last days of Chaitanya—The death of the author in a tragic manner, 477-489.
(e) Chaitanya Mangala by Lochana Das, 489-495.—Autobiographical notes, 489-490.—A good poem but not a good biography—Extractsthe work 490-494.—Further particulars about the poet, 494-495.
(f) Brief accounts of Vaisnava devotees 995-511.—Nityānanda and Advaitachāryya, 495-496.—The princely ascetic Gopi Chand, 497-498.—Narottama Dās, 498-499.—Raghunāth Dās, 499-503.—Rupa and Sanātana—Çrīnivāsa, Haridās, Çyāmānanda and others, 503-511.—Bhakti Ratnākar and other biographical works, 511-514.—Theological works, 514-576.
V. The Padas or songs of the Vaisnavas, 545-545. Kriṣṅa and his uncle Kaṁsa, King of Mathura, 517-520.—The Goṣtha—The lake Kāliya—The Deva Goṣtha—The Uttara Goṣtha, 520-525. Kriṣṅa and Rādhā—First love—The meeting, 525-529.—The parting—Rādhā forsaken by Kriṣṅa—The emotions of Chaitanya Deva attributed to Rādhā—The Gaur Chandrikā and the influence of Chaitanya on the songs of Rādhā-Kriṣṅa—The human interest and the underlying spirituality—The Prabhāsa, 532-545.
The Pada Kartas—Govinda Dās—Brajabulī—Jnāna Dās—Jadunandana Dās—Jagadānanda and others, 545-557.—A List of Pada Kartās with the number of Padas they wrote, 557-559.—The excellence of their Padas—The collections—Pada Samudra—Padāmrita Samudra and other works—Pada-Kalpataru, 559-565.
Supplementary notes to Chapter V.—566-613.
The organisation of the Vaiṣṅava order—'The friend of the fallen'—Buddhists surrender themselves to Vaiṣṅava masters, 566-567. Chaitanya and his companions villified 567-568.—The title 'Dās'—Vaiṣṅava influence in the Rāmāyaṅa—in the Çakta and Çaiva literature.—Bengali, a sacred dialect to the Vaiṣṅavas, 568-577. The disputes between the Çāktas and the Vaiṣṅavas—A satire against the latter, 577-579. Manahara Sahi tune—The origin and development of the Kīrtana songs—A list of Kīrtaniyās—Çivu Kīrtaniya, 579-585. The Kathakathas—Set passages committed to memory by them—Examples—A short history of the Kathakathas—Their extraordinary influence, 585-590. The story of Dhara and Drona, 590—596.—The preliminary hymn in Kathakatha, 596.—Mass education—The Bengali Mss. preserved in the house of rustics—The influence of Hindi—case-endings—The metres—The poetic license, 597-602.—A list of obsolete words—The pretenders.—How the Vaiṣṅavas gradually merged in the parent society.—Material prosperity—Cheap living and poverty—The merchants—The Mahotsava ceremony, 602-613.
The post-Chaitanya Literature.—613-775.
I. (a) The Court of Raja Krisna Chandra of Nadia—Vitiated classical taste and word painting, 614.—The reaction and its effects—Raja kriṣṅa Chandra—The Sanskrit and Persian models—The Kutnis—The depraved taste—The Sanskritisation of Bengali style and Bharat Chandra, 614-622.
(b) Syed Alaol, the Mahomedan poet, who heralded the new age—his life and a review of his works, 622-635—The style and the taste, 636-637.
(c) The story of Vidya Sundara—Vidya sends a challenge to her suitors for a husband—Her love with Sundara—The detection and punishment—The happy end by the grace of Kalī, 637-653.
(d) Early poems about Vidya-Sundara—Govinda Dās—Kriṣṅa-Rama, Rama Prasada, 653-662.—Bharata Chandra—His life and a review of his poems—Onomatopoetic expressions used by him, and other points about style and rhyming. Praṅa Rama Chakravarty 662-678.
II. (a) The court of Raja Rajavallabha of Dacca—Its poets, Jayanārāyaṅa and Anandamayī, 679.—Rajanagara, the capital-town of Raja Rajavallabha—the catastrophe of 1871.—Family history of Jayanārāyaṅa and Ānandamayi—Extracts from their writings, 679-687—The poets of the school of Bharata Chandra, 687—Chandra Kanta, Kaminī Kumāra and other poets—Their bad taste—Giridhara's translation of the Gīta Govinda, 687-691.
III. Poetry of Rural Bengal 692.—The villages of Bengal—Renunciation, the goal of Hindu life—The songs, 692-696.
(a) Kaviwalas and their songs, 692.—Dañdā kavis—Raghu, the cobbler—Rāma Vasu—the bashful Hindu wife—Rasu Nara Siṁha—His high spiritual tone—The mother-hood, 692—703.—A list of Kaviwallas—Songs by Haru Thakur—The Portuguese Kaviwala Mr. Antony, 703-709.
(b) Religious songs—710.—The boatman's song—The rustic songs, 710-712.
(c) Rama Prasada Sen, and the poets of his school, 712.—Life of Rāma Prasāda Sen—Kalī, the mother—The Çakta interpreters—Kalī, a mere symbol—The image.—A European critic on Rāma Prasāda—His songs, 712-721—Other song-writers—Rāma Kriṣṅa of Nattore—Rām Dulala. 721-724.
IV. The Yatras or Popular Theatres, 724.—Their defects and incongruities—Redeeming points—Lament of Chandrāvali and the interpretation by the master-singer—The grief of the playmates, 724-730.—Vidya Sundara Yātrās—Gopāla Uriyā, 730-731.—other Yātrās—A brief history of the Yātrawālās—Kriṣṅa Kamala—His poems, the Bhava Sanmilan or Union in spirit—Extracts from Kriṣṅa Kamala's writings—Yātrā poems with prose—Farcical episodes, 731-743.
V. Three great poets with whom the age closed, Dacarathi Ray—His pānchali and other poems, 743-752.—Rama Nidhi Gupta (Nidhu Babu)—His life—His songs, 752-758.—Icvara Gupta—His life and works, 758-769.
VI. The folk-literature of Bengal—Malancha-mālā and Kānchanamālā—Buddhistic and Moslem influences 769-775.
Supplementary notes to Chapter VI. 776-844.
I. Miscellaneous poems, 776.—Historical poems-Rajāmālā—Maharaṣtra Puraṅa—Samser Gāzir-gān—Chaudhuris Laḍāi, 776-780.—Metaphysical works—Māyā Timira Chandrikā, Yoga Sāra—Hāḍamālā—Tanu Sādhana and other works, 780-782. Translation of Kaçikhanda by Rājā Jaya Nārāyaṅa Ghosal, 782-792.—The interchange of ideasthe Hindus and the Mahomedans—A common god, Satya Pir—Hymns to Çiva and Sarasvati by Mahomedans—Musical treatises, 792-800—Stories,—Buddhist poems recovered from Chittagong—Moslem writers on Rādhā Kriṣṅa, 800-804.
II. Mainly on style, literary tastes and language—The Sanskrit metres in Bengali—Bharata Chandra's signal success—Valadeva Palit—His attempts to revive Sanskrit metres—Payāra Chhanda—Tripadi and its off-shoots.—Folly in alliterations and puns—Daçarathi's style, a departure from classical model—Learned discussions—The meeting of the learned—The education of women—Arabic, Persian and Hindusthani, 804-824.—Change in the meaning of words, 826.—Bengali sculptors, 828.
III. Early Prose Literature—Bengali, a mixed language—Portuguese elements, 828-830.—Causes of the development of modern prose—The Çunya Puraṅa—Deva Dāmara Tantra—Chaitya Rupa prapti—Prose works by Sahajiās—Logic and Law—Bhāṣā Parichchheda—Kaminī Kumara 830-844.
The Modern Age, 845-1002.
I. (a) The epoch ushered in by European workers—missionaries and Civilians 845—850.—Halhed's grammar, 848—Punches by Wilkins—Panchānana and Manohara—Crude printing already known in the country, 848-850.
(b) Dr. Carey and his, 850—854.—Youngmen of Bengal anglicised 855.—Dr. Carey's Bengali works—The story of a thief—How 23 fish disappeared 855-867.
(c) Bengali works by Europeans, 867-878.
(d) A new ideal in the country 878-883.—The Pundits of the Fort William college—Mrittunjaya—Rāma Rāma Vasu—Rajiva Lochana—Kriṣṅa Chandra Charita, 883-896. The contributions to our natural literature by the Pandits, 897.
(e) The Rev. K. M. Banerji and other authors who followed in the wake of European writers,—K. M. Bannerjee, his works. A list of publications by other writers—Vocabulary—Grammar—History—Biography—Moral tales and other subjects—Periodicals, Magazines and Newspapers 900-912.
III. General remarks indicating the characteristics of the new age and its contrast with the earlier one, 912,—Specimens of the style of Bhattācharyas—Profulla Jnāna Netra—Sarvāmoda-taranginī—Lipimālā—Payāra Chhanda—Tripadi Chhanda—Bengali style of European writers—Babu-Vilāsa—the Satire—The high price of the printed books—The excellence of the Hindu method in arithmetic, 912-931.
IV. (a)of the high ideal in Hindu Society and the advent of Raja Rama Mohana Roy, 931—Vain ostentations in religion—Severe codes for petty offences—Leanings towards Christianity—Rājā Rāmamohanā Roy, 931-936.
(b) A comprehensive review of his life and work, 936—The European admirers of the Rājā 936-943—Evidence before the select committee—Broad Sympathy and cosmopolitan views—Respect for Hindu Philosophy. Auto-biographical sketch 943-950 Popular Hinduism—Hindu Stewart and other Europeans admirers of Hinduism 950-956—The Success of the Rājā's mission—The Rājā's work in Bengali Prose 956—Extracts from his writings—His Bengali Grammar—The Suttee movement—The father of the Modern Bengali Prose, 943-989.
(c) The Writers that followed Raja Ramamohana Roy—Devendra Nath Tagore—Aksaya Kumar Dutta and others, 936—Renewed activities of the missionaries. Devendra Nātha Tagore—Extracts from his auto-biography—Akṣaya Kumara Dutta—An Extract from his writings—other writers 989-1002.
Supplementary notes to Chapter VII. 1002-12.